Music Licensing Reform

Music Licensing Reform

Author: United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Intellectual Property

Publisher:

Published: 2008

Total Pages: 164

ISBN-13:

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Copyright and the Music Marketplace

Copyright and the Music Marketplace

Author: United States United States Copyright Office

Publisher: Createspace Independent Publishing Platform

Published: 2015-12-21

Total Pages: 208

ISBN-13: 9781522852155

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The Copyright Office has previously highlighted the outmoded rules for the licensing of musical works and sound recordings as an area in significant need of reform. Moreover, the Office has underscored the need for a comprehensive approach to copyright review and revision generally. This is especially true in the case of music licensing the problems in the music marketplace need to be evaluated as a whole, rather than as isolated or individual concerns of particular stakeholders.


Creative License

Creative License

Author: Kembrew McLeod

Publisher: Duke University Press

Published: 2011-03-14

Total Pages: 337

ISBN-13: 0822348756

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Draws on interviews with more than 100 musicians, managers, lawyers, journalists, and scholars to critique the music industrys approach to digital sampling.


Copyright

Copyright

Author: Neil Netanel

Publisher: Oxford University Press

Published: 2018

Total Pages: 249

ISBN-13: 0199941149

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Copyright law was once an esoteric backwater, the special province of professional authors, publishers, and entertainment companies, but it now impacts everyone who uses the Internet or consumes cultural expression on a computer, mobile phone, or personal tablet. Copyright has come to beimmensely controversial as well. For instance, the proposed Stop Online Piracy Act (SOPA), copyright-industry backed legislation met its defeat at the hands of a popular outcry spearheaded by Google, Wikipedia, and other online aggregators of content and information. SOPA and other such initiativeswould target the massive online piracy that threatens the economic viability of newspapers, movie studios, record labels, and book publishers. But the copyright industries' arguably heavy-handed response threatens to chill the free-wheeling wellspring of online creativity, expression, and readyaccess to information upon which we have all come to rely. To navigate the shoals of these opposing, equally dim prospects is a complex undertaking. No less daunting, even for the educated layperson, is to understand the legal framework, policy arguments, industry economics, legislative proposals,and judicial decisions that fuel the copyright debate.In Copyright: What Everyone Needs to KnowRG, law professor Neil Weinstock Netanel guides readers through the murky dynamics of modern copyright law, answering questions about topics such as the new challenges posed by the digital environment, copyright and piracy in the global marketplace, andproposals for future reform. From the basis and purpose of copyright law to a glimpse at what the law could - or should - become in the digital age, Netanel offers the necessary tools for following the debates that have raged everywhere from internet forums to the halls of Congress.


Music Licensing Under Title 17

Music Licensing Under Title 17

Author: United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, Intellectual Property, and the Internet

Publisher:

Published: 2014

Total Pages: 456

ISBN-13:

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Music Copyright

Music Copyright

Author: Casey Rae

Publisher: Rowman & Littlefield Publishers

Published: 2021-09-15

Total Pages: 160

ISBN-13: 9781538104835

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With behind-the-scenes anecdotes from the halls of power, real-world case studies, and tips from successful industry players, this book equips readers with the tools they need to navigate the complex world of music copyright, showing how creator, technology, and communities can work together to support a healthier music ecosystem.


United States Code

United States Code

Author: United States

Publisher:

Published: 2013

Total Pages: 1506

ISBN-13:

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"The United States Code is the official codification of the general and permanent laws of the United States of America. The Code was first published in 1926, and a new edition of the code has been published every six years since 1934. The 2012 edition of the Code incorporates laws enacted through the One Hundred Twelfth Congress, Second Session, the last of which was signed by the President on January 15, 2013. It does not include laws of the One Hundred Thirteenth Congress, First Session, enacted between January 2, 2013, the date it convened, and January 15, 2013. By statutory authority this edition may be cited "U.S.C. 2012 ed." As adopted in 1926, the Code established prima facie the general and permanent laws of the United States. The underlying statutes reprinted in the Code remained in effect and controlled over the Code in case of any discrepancy. In 1947, Congress began enacting individual titles of the Code into positive law. When a title is enacted into positive law, the underlying statutes are repealed and the title then becomes legal evidence of the law. Currently, 26 of the 51 titles in the Code have been so enacted. These are identified in the table of titles near the beginning of each volume. The Law Revision Counsel of the House of Representatives continues to prepare legislation pursuant to 2 U.S.C. 285b to enact the remainder of the Code, on a title-by-title basis, into positive law. The 2012 edition of the Code was prepared and published under the supervision of Ralph V. Seep, Law Revision Counsel. Grateful acknowledgment is made of the contributions by all who helped in this work, particularly the staffs of the Office of the Law Revision Counsel and the Government Printing Office"--Preface.


Collective Management of Copyright and Related Rights

Collective Management of Copyright and Related Rights

Author: World Intellectual Property Organization

Publisher: WIPO

Published: 2022-12-22

Total Pages: 252

ISBN-13: 9280534653

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This third edition of Collective Management of Copyright and Related Rights presents an in-depth revision with invaluable updates on the different systems, legislative options and best practices of CMOs worldwide. As with previous editions, the book is written to reach a wide audience, with a special focus on questions that might emerge for governments as they prepare, adopt and apply collective management norms and regulations. The edition also sheds light on new copyright and related rights developments, including digital, technological and business trends, from all over the world. Additionally, there is detailed discussion on topics such as aspects of competition, national treatment, and different models of collective management.