Yorùbá Music in the Twentieth Century

Yorùbá Music in the Twentieth Century

Author: Bode Omojola

Publisher: University Rochester Press

Published: 2012

Total Pages: 298

ISBN-13: 1580464092

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Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yorùbá genres of music.


Songs of Zion

Songs of Zion

Author: James T. Campbell

Publisher: Oxford University Press

Published: 1995-09-07

Total Pages: 445

ISBN-13: 0195360052

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This is a study of the transplantation of a creed devised by and for African Americans--the African Methodist Episcopal Church--that was appropriated and transformed in a variety of South African contexts. Focusing on a transatlantic institution like the African Methodist Episcopal Church, the book studies the complex human and intellectual traffic that has bound African American and South African experience. It explores the development and growth of the African Methodist Episcopal Church both in South Africa and America, and the interaction between the two churches. This is a highly innovative work of comparative and religious history. Its linking of the United States and African black religious experiences is unique and makes it appealing to readers interested in religious history and black experience in both the United States and South Africa.


Singing in My Soul

Singing in My Soul

Author: Jerma A. Jackson

Publisher: Univ of North Carolina Press

Published: 2005-12-15

Total Pages: 207

ISBN-13: 0807863610

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Black gospel music grew from obscure nineteenth-century beginnings to become the leading style of sacred music in black American communities after World War II. Jerma A. Jackson traces the music's unique history, profiling the careers of several singers--particularly Sister Rosetta Tharpe--and demonstrating the important role women played in popularizing gospel. Female gospel singers initially developed their musical abilities in churches where gospel prevailed as a mode of worship. Few, however, stayed exclusively in the religious realm. As recordings and sheet music pushed gospel into the commercial arena, gospel began to develop a life beyond the church, spreading first among a broad spectrum of African Americans and then to white middle-class audiences. Retail outlets, recording companies, and booking agencies turned gospel into big business, and local church singers emerged as national and international celebrities. Amid these changes, the music acquired increasing significance as a source of black identity. These successes, however, generated fierce controversy. As gospel gained public visibility and broad commercial appeal, debates broke out over the meaning of the music and its message, raising questions about the virtues of commercialism and material values, the contours of racial identity, and the nature of the sacred. Jackson engages these debates to explore how race, faith, and identity became central questions in twentieth-century African American life.


The Black Church

The Black Church

Author: Henry Louis Gates, Jr.

Publisher: Penguin

Published: 2021-02-16

Total Pages: 338

ISBN-13: 1984880330

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The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.


The Serious Business of Worship

The Serious Business of Worship

Author: Melanie Ross

Publisher: A&C Black

Published: 2010-03-17

Total Pages: 246

ISBN-13: 0567033260

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The study of liturgy has received criticism from scholars and practitioners alike: the academic discipline of liturgiology has been compared to the hobby of stamp collection, and proponents for liturgical renewal argue that worship must be made more accessible and relevant. Bryan Spinks has been an important moderating voice in this discussion, reminding both academic and ecclesial communities that Christ is made known in the liturgical riches of the past as well as in contemporary forms of the present. Inspired by Spinks' work, this volume brings together biblical, historical, and theological scholars to discuss the theme of continuity and change in worship. Its historical range begins with the early church, extends through the Reformation, and concludes with a discussion of issues facing contemporary liturgical reform. In recognition of the fact that Professor Spinks' work has been widely influential in both Europe and the United States, the editors have solicited liturgical perspectives from scholars with international reputations on sides of the Atlantic.


The African Church and COVID-19

The African Church and COVID-19

Author: Martin Munyao

Publisher: Rowman & Littlefield

Published: 2022-01-21

Total Pages: 225

ISBN-13: 1793650993

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The African Church and COVID-19: Human Security, the Church, and Society in Kenya is a bold and incisive look at the African Church in light of the COVID-19 pandemic. Throughout the book, contributors explore how the COVID-19 pandemic exposed the fragilities of African society as well as the weaknesses in the Church’s role in helping and serving African communities. The African Church and COVID-19 analyzes the question of how the Church in Kenya should move forward in a post-COVID-19 era to address the vulnerabilities of socio-economic and political structures in Africa.


Church Boy

Church Boy

Author: Kirk Franklin

Publisher: Thomas Nelson

Published: 1998-09-29

Total Pages: 181

ISBN-13: 1418558117

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When he fell from a darkened stage in November 1996, Kirk Franklin could easily have been killed. That ten-foot plunge might have ended the career of one of America's most exciting young prodigies. But thanks to his dramatic recovery, the fall added not only a new dimension to his story but it brought Kirk Franklin to the attention of millions who otherwise might never have heard the name. Today Kirk Franklin is bigger than ever. His recordings have topped the charts, selling more copies in less time than any gospel musician in history. He has won every award gospel music has to offer but his own success is the last thing on his mind. This is the story of a young man from the poor side of town. He was taunted and teased as a child, but his faith and his remarkable musical talent helped him overcome the odds. In these pages Kirk Franklin reveals the real source of his strength. "What motivates me," he says, "is the knowledge that God has redeemed me from the pain and the hurts and the sin of my past and given me a new joy I can't even explain. It's not just for show," he says. "It's the truth, and that's what I want to express."


Techno Rebels

Techno Rebels

Author: Dan Sicko

Publisher:

Published: 2010

Total Pages: 163

ISBN-13: 9780814332184

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Although the most vital and innovative trend in contemporary music, techno is notoriously difficult to define. What, exactly, is techno? Author Dan Sicko offers an entertaining, informed, and in-depth answer to this question in Techno Rebels, the music's authoritative American chronicle and a must-read for all fans of techno popular music, and contemporary culture.


Music in Kenyan Christianity

Music in Kenyan Christianity

Author: Jean Ngoya Kidula

Publisher: Indiana University Press

Published: 2013-09-11

Total Pages: 318

ISBN-13: 025300702X

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“The book contains an excellent mix of deep personal understanding of the culture and copious documentation.” —Eric Charry, Wesleyan University This sensitive study is a historical, cultural, and musical exploration of Christian religious music among the Logooli of Western Kenya. It describes how new musical styles developed through contact with popular radio and other media from abroad and became markers of the Logooli identity and culture. Jean Ngoya Kidula narrates this history of a community through music and religious expression in local, national, and global settings. The book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website. “The archival and ethnographic research is outstanding, the accounts of mission history, and then the musical explanations of a variety of forms of change that have accompanied mission intervention, the incursion of forms of modernity, and globalization at large are compelling and unparalleled.” —Carol Muller, University of Pennsylvania “Explores contemporary African music through the prism of ethnographies through the people’s engagement of Christianity as a unifying ideology in the context of history, modernity, nationalisms and globalisation.” —Journal of Modern African Studies “The meticulous and sometimes highly sophisticated musical analyses, transcriptions, and the rich historical and ethnographic perspectives illuminate not only ongoing discourses and contestations of syncretism and related analytical notions, they also represent a plausible model of a balanced approach to ethnomusicology.” ?International Journal of African Historical Studies “An essential text for thinking about world Christianities, because it approaches a particular African Christianity from both insider and outsider perspectives.” —Global Forum on Arts and Christian Faith