Music in Medieval Britain, Frank LL. Harrison
Author: Frank Llewellyn Harrison
Publisher:
Published: 1967
Total Pages: 491
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Frank Llewellyn Harrison
Publisher:
Published: 1967
Total Pages: 491
ISBN-13:
DOWNLOAD EBOOKAuthor: Frank Llewellyn Harrison
Publisher:
Published: 1963
Total Pages: 540
ISBN-13:
DOWNLOAD EBOOKAuthor: Frank Llewellyn Harrison
Publisher:
Published: 1958
Total Pages: 491
ISBN-13:
DOWNLOAD EBOOKAuthor: Ann Buckley
Publisher: Cambridge University Press
Published: 2022-01-06
Total Pages: 379
ISBN-13: 110849322X
DOWNLOAD EBOOKReveals the rich liturgical ecology of medieval Britain and Ireland and the religious and lay communities who shaped it.
Author: Francis Llewellyn Harrison
Publisher:
Published: 1967
Total Pages: 491
ISBN-13:
DOWNLOAD EBOOKAuthor: Ross W. Duffin
Publisher: Indiana University Press
Published: 2000
Total Pages: 618
ISBN-13: 9780253215338
DOWNLOAD EBOOKA Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 1981-05-29
Total Pages: 448
ISBN-13: 9780521233286
DOWNLOAD EBOOKThis volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval and Renaissance music. The contributors are distinguished in a wide variety of musicological interests but all are concerned in one way or another with pursuing the most urgent and promising directions for research in early music history. The result, far from being merely a further collection of essays applying well-tried approaches to familiar material, constantly seeks to expand the scope of musicology itself, and many of the contributions arc inter-disciplinary in method. The four main topics of the conference were carefully chosen, with some editorial control exercised for each session. This is reflected in four sections of closely related papers in the book. Two of these are concerned with the patronage of music: by the Church in fifteenth-century England, Italy and France, and in a broader context in Italy from 1450 to 1550. A group of essays on sixteenth-century instrumental music separates these, and the book concludes with five papers on theories of filiation as applied to music sources from the tenth to the sixteenth century.
Author: Lisa Colton
Publisher: Taylor & Francis
Published: 2016-12-08
Total Pages: 205
ISBN-13: 1317181158
DOWNLOAD EBOOKAlthough medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.
Author: James Haar
Publisher: Boydell & Brewer Ltd
Published: 2014
Total Pages: 600
ISBN-13: 184383894X
DOWNLOAD EBOOKChronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").
Author: Reinhard Strohm
Publisher:
Published: 2001
Total Pages: 522
ISBN-13: 9780198162056
DOWNLOAD EBOOKThis entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.