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Author: Harvey Sachs
Publisher: New York : W.W. Norton
Published: 1988
Total Pages: 271
ISBN-13: 9780393025637
DOWNLOAD EBOOKLooks at the ways Mussolini's government attempted to control music, describes the reactions of individual composers and musicians, and examines Mussolini's own musical pretenstions
Author: Anna Harwell Celenza
Publisher: Cambridge University Press
Published: 2017-03-06
Total Pages: 269
ISBN-13: 1107169771
DOWNLOAD EBOOKThis book examines the arrival of jazz in Italy, its reception and development, and how its distinct style influenced musicians in America.
Author: Alessandro Carrieri
Publisher: Springer Nature
Published: 2021-05-13
Total Pages: 210
ISBN-13: 3030529312
DOWNLOAD EBOOKThis book is the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians and composers in Fascist Italy. Drawing together seven diverse essays from both established and emerging scholars across a range of fields, this book examines multiple aspects of this neglected period of music history, including the marginalization and expulsion of Jewish musicians and composers from Italian theatres and conservatories after the 1938–39 Race Laws, and their subsequent exile and persecution. Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy’s musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945. These original contributions on relatively unresearched aspects of historical musicology offer new insight into the relationship between the Fascist regime and music.
Author: Ben Earle
Publisher: Cambridge University Press
Published: 2013-08-15
Total Pages: 321
ISBN-13: 0521844037
DOWNLOAD EBOOKLuigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.
Author: Roberto Illiano
Publisher:
Published: 2024-07
Total Pages: 0
ISBN-13: 9782503611846
DOWNLOAD EBOOKIn the 1920s and 1930s, the entire process of renovation of the cultural institutions conducted by the Fascists, implemented through the Ministry of National Education, imposed a strong concentration of power on the Italian school administrations, especially the universities, and created new national institutions. At the same time, the Fascist Cultural Institute (IFC), which under the leadership of Giovanni Gentile aspired to be a charitable organisation for the promotion of the culture typical of pre-Fascist associations, was placed after 1937 directly under the National Fascist Party, which changed its name to the National Institute of Fascist Culture (INCF), with the aim of giving the party itself the task of educating the new leadership. The relationship between intellectuals and power under Fascism was aligned into a perspective of orientation that attributed the party with the role of educator of homo novus, summarised in a phrase from Mussolini himself: "Fascism is a great orchestra, where everyone plays a different instrument". A particular concern of the ruling class was to develop a production-fruition process involving all social classes, in order to offer them the feeling of being part of a solid, free and fair system. However, this conception was not explicit in the artistic expressions of the regime: the construction of a social apparatus proceeded underground through the channels of the productive and hierarchical apparatus of the institutions, rather than through the creation of a tangible aesthetic of the regime. In summary: culture had to be the expression of a common heritage belonging both to the people and to the intellectuals; it bore the task of providing a fascist conception of the world.
Author: Catherine E. Paul
Publisher: Oxford University Press
Published: 2016
Total Pages: 368
ISBN-13: 1942954050
DOWNLOAD EBOOKReveals changes in Ezra Pound's prose writing resulting from his excitement over Mussolini's use of Italian cultural heritage to build and promote the modern Fascist state. Drawing on unpublished archival material and untranslated periodical contributions, the author delves into the vexing work of perhaps the most famous, certainly the most notorious, American in Italy in the 1930s and 1940s, providing fresh understanding of Fascist deployment of art, architecture, blockbuster exhibitions, music, archaeological projects, urban design,a nd literature. Pound's prose writings of this period cement a "directive" approach - declaiming his views with an authority that shuts down disagreement. This work reveals the importance of this approach to his larger artistic mission.
Author: David I. Kertzer
Publisher:
Published: 2014
Total Pages: 587
ISBN-13: 0198716168
DOWNLOAD EBOOKThe compelling story of Pope Pius XI's secret relations with Benito Mussolini. A ground-breaking work, based on seven years of research in the Vatican and Fascist archives by US National Book Award-finalist David Kertzer, it will forever change our understanding of the Vatican's role in the rise of Fascism in Europe.
Author: Roberto Illiano
Publisher: Brepols Publishers
Published: 2004
Total Pages: 766
ISBN-13:
DOWNLOAD EBOOKIn the present volume 23 specialists investigate a number of significant aspects of Italian music history during the Fascist period. Included are also unpublished documents and fresh information on composers like Ferruccio Busoni, Alfredo Casella, Aldo Finzi, Adriano Lualdi, Gian Francesco Malipiero and Ottorino Respighi. The last section of the book commemorates the centenary of the birth of Luigi Dallapiccola (Pisino dIstria 1904 - Firenze 1975) by collecting the most recent research on his music. The authors featured are: Vincenzo Alaimo, Chiara Bianchi, Eleonora Carapella, Ermanno Comuzio, Mila De Santis, Benjamin Earle, Christoph Flamm, Roberto Illiano, Erik Levi, Charles Maier, Fiamma Nicolodi, Carlo Piccardi, Luca Sala, Massimiliano Sala, Michela Niccolai, Giovanella Pacini, Karen Painter, Gemma Perez-Zalduondo, Luigi Pestalozza, Graham Phipps, Laureto Rodoni, Michael Walter and Martina Weindel.
Author: Meir Michaelis
Publisher: Oxford University Press, USA
Published: 1978
Total Pages: 496
ISBN-13:
DOWNLOAD EBOOKAnalyzes the various stages by which the fascist regime passed from anti-racialism to racial antisemitism on the German model, by focusing on the impact of German-Italian relations on the evolution of the racial question in Italy. Shows how fascist antisemitic policy was shaped by the necessities of the Axis agreement from the beginning, despite the fundamental conflicts of interest and the different positions toward racism. Examines direct and indirect German interference in Italian policy, as well as the reaction of Italian Jews to fascism. Based on unpublished records.
Author: David A. Forgacs
Publisher: Indiana University Press
Published: 2007
Total Pages: 754
ISBN-13: 0253219485
DOWNLOAD EBOOKFrom the 1930s to the 50s in Italy commercial cultural products were transformed by new reproductive technologies and ways of marketing and distribution, and the appetite for radio, films, music and magazines boomed. This book uses new evidence to explore possible continuities between the uses of mass culture before and after World War II.
