The second volume of veteran rock critic Ira Robbins' anthology-and-memoir Music in a Word trilogy compiles his extensive writing about nine artists: The Who, Cheap Trick, Ramones, Nirvana, Clash, Kinks, Elvis Costello, Keith Richards and the Replacements. This large-format paperback includes features, reviews and previously unpublished interviews as well as commentary and memories from a half-century of writing about popular music. Illustrated with images from the author's collection.
"The book contains thorough analyses of 100 of the most significant works for strings and full orchestra, Grades 1-6. Researched and compiled by scholarly musicians and teachers around the country, the book gives important information on each musical selection, including composer and composition information, historical background, technical requirements, stylistic considerations, musical elements, suggestions for additional listening, and a guide to selected references"--Publisher's website
Music in Words is a compact guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis. The book is a writing guide and a reference manual in one: the first part, a "how to" section, offers a clear explanation of the purpose of music research and how it is to be done, including basic introductions to the most necessary tools for musical inquiry (with special emphasis on strategic use of the internet), and how they can be accessed and used. The second part is a compendium of information on style and sources for quick reference, including a straightforward presentation of the purpose and use of citation and reference systems as they are applied to and in music. As a whole, the volume gives readers a clear picture of how to write about music at different levels and for different purposes in a handy, thoroughly cross-referenced format. This American edition has been thoroughly revised and expanded, and features an extensive section on writing for the Internet and new sections on writing for jazz, popular music, world musics, and ethnography. Additionally, a companion website presents a broad range of writing samples and links to key resources.
These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method®, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.
First published in 1923, this classic volume contains timeless teachings on the nature of vibration and harmony as the basis of all creation. Transcending the barriers of religious traditions, The Mysticism of Sound explores profound and universal truths in a personable manner that will appeal to any seeker on the path of illumination.
Performance by its very nature embraces many constituents, the theories of which have developed into discreet disciplines as on-going research deepens our understanding and knowledge of each one of them. Concomitantly, there continues to grow a greater interlinking, fusion and blurring of discreet boundaries between traditional genres – features highlighted in the seventeen papers presented here. Topics explored in this volume include: the intermedial performance of the Irrepressibles and electronically controlled sounds on the concert platform; the ways in which the physical body dictates movement and character and how the embodiment of the voice goes beyond character stereotypes; how Romeo Catellucci legitimized the audience’s gaze whilst staging brain-damaged patients; interculturalism in a new operatic work focusing on the current Israeli-Palestinian crisis; interrogating transgenerational depictions of Otherness in the Rocky Horror Show; musical speech in Iannis Xenakis’ reworking of ancient Greek in his Oresteia; genre conflation in terms of unaccompanied monodrama; trans-genre adaptation in Strauss’s Der Rosenkavalier and Philip Glass’s “Cocteau trilogy”; and textual and musical comedy in Ligeti’s Le Grand Macabre, among others.
From the bestselling author of the Charlie Parker mysteries—"the finest crime series currently in existence" (The Independent)—comes a new anthology of chilling short fiction. A decade after Nocturnes first terrified and delighted readers, John Connolly, bestselling author of thirteen acclaimed thrillers featuring private investigator Charlie Parker, gives us a second volume of tales of the supernatural. From stories of the monstrous for dark winter nights to fables of fantastic libraries and haunted books, from a tender account of love after death to a frank, personal, and revealing account of the author's affection for myths of ghosts and demons, this is a collection that will surprise, delight—and terrify. Night Music: Nocturnes 2 also contains two novellas: the multi-award-winning The Caxton Private Lending Library & Book Depository and The Fractured Atlas. Night Music: Nocturnes 2 is a masterly collection to be read with the lights on—menace has never been so seductive.
The Mysticism of Music, Sound and Word presents an essential part of the highly practical philosophy of Hazrat Inayat Khan. Born a musician, music and sound were for him the essence of life. Even when later he had to give up his practice of what in Indian philosophy is called struck music, the unstruck music remained with him, and increasingly so. Not only did he enjoy it in his meditations and all through life, whether in silent nature or in the roaring streets of Manhattan. In its fullness, it came out in his discourses and other presentations he made to the amazed and yet not fully understanding public of the West in the twenties. His realization of sound and music transformed his words into living beings, attuning the atmosphere, bringing inspiration to the public. This volume presents various aspects of his music. It contains four parts. In the Mysticism of Sound, the basic philosophy is given in a wide context. Both the abstract and some very practical aspects are covered. Music presents the mystic aspects of music besides relating its philosophy to the practical side again. It presents a beautiful early view of Indian music and it relates music and colour. Moreover, the psychic and healing powers are discussed. The Power of the Word and Cosmic Language elaborates these influences both philosophically and practically. The book really may be called mysticism in daily life.
