Music from the Tang Court: without special titles
Author: Laurence Ernest Rowland Picken
Publisher:
Published: 1981
Total Pages: 120
ISBN-13:
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Author: Laurence Ernest Rowland Picken
Publisher:
Published: 1981
Total Pages: 120
ISBN-13:
DOWNLOAD EBOOKAuthor: Laurence Picken
Publisher: CUP Archive
Published: 1981
Total Pages: 156
ISBN-13: 9780521318341
DOWNLOAD EBOOKThis fourth fascicle publishes fourteen items, from the second scroll of pieces belonging to the Ichikotsu-cho mode-key group.
Author: Laurence E. R. Picken
Publisher: Cambridge University Press
Published: 2006-01-30
Total Pages: 332
ISBN-13: 0521543363
DOWNLOAD EBOOKThe seventh volume in this study of the music of the Tang Court.
Author: Laurence Picken
Publisher: CUP Archive
Published: 1985-11-07
Total Pages: 120
ISBN-13: 9780521278386
DOWNLOAD EBOOKFáscicle 3 publishes smaller suites and pieces, together representative of the 'middle-sized pieces' and 'small pieces' (chukyoku and shokyoku) of the threefold classification, in which the daikyoku are the largest suites. O-dai hajin-raku from a reputedly eleventh-century manuscript: Kaicbu-fu, in parallel with the conflation discussed in Fascicle 2.
Author: Hildred Roach
Publisher: Krieger Publishing Company
Published: 1985
Total Pages: 216
ISBN-13:
DOWNLOAD EBOOKAuthor: Wang Ningning
Publisher: American Academic Press
Published: 2019-11-04
Total Pages: 590
ISBN-13: 1631816349
DOWNLOAD EBOOKA History of Ancient Chinese Music and Dance describes the history of music and dance in ancient China in the past five thousand years in the forms of poems, music and dance. It includes court music and dance, music and dance in drama and folk music and dance. It covers historical and professional knowledge such as music, dance, poetry and drama. The book consists of eleven chapters, from ancient times to the Ming Dynasty and the Qing Dynasty. In each chapter, there are historical background, music and dance works, people, events, and related poetry and images. The Yellow Emperor created tonality for wind instruments. Emperor Yao and Emperor Shun invented musical instruments qin and se. Duke of Zhou made system of rites and music. Apart from these, music, dance and acrobatics in the Qin Dynasty and the Han Dynasty, grand compositions in the Tang Dynasty and the Song Dynasty and music and dance in drama in the Ming Dynasty and the Qing Dynasty can all lead us to the long developing process of ancient music and dance. The book was the Project of 2003 National Tenth Five-Year Plan for Art Science in China. It was co-funded by the National Publishing Fund and “China Classics International” of the General Administration of Press and Publication.
Author: R. F. Wolpert
Publisher: CUP Archive
Published: 1990-06-29
Total Pages: 148
ISBN-13: 9780521347761
DOWNLOAD EBOOKThe fifth volume in this study of the music of the Tang Court.
Author: R. F. Wolpert
Publisher: CUP Archive
Published: 1981
Total Pages: 116
ISBN-13: 9780521318587
DOWNLOAD EBOOKThis second fascicle includes two further suites from the Ichikotsu-chō mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunnō-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song.
Author: Robert Ashmore
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2023-06-19
Total Pages: 301
ISBN-13: 150150469X
DOWNLOAD EBOOKLi He (790-816) holds a place in China's poetic history somewhat outside the mainstream, but in every generation of readers there have been those who have found his intense and often cryptic lyrical visions irresistibly fascinating and utterly without parallel. He is renowned particularly for his lyrical reimaginings of song traditions from the ancient past, and his premature death, along with the otherworldly quality of many of his works, led later readers to view him as the emblematic cursed poet, whose fascination with ancient history, with ghosts, and with celestial and demonic beings seemed to presage the brevity of his own existence. Li He's style and diction are often idiosyncratic and even hermetic, and his work presents daunting challenges to readers wishing to follow the flights of his imagination, or simply to construe the basic sense of his language. This volume presents close translations of all of Li He's poetry, in facing-page format with the original texts, with explanatory notes on literary and historical references and difficult points of interpretation, along with endnotes briefly discussing textual variants and other technical matters. Taken together, these features will be a welcome aid to readers wishing to explore Li He's poetic worlds first-hand.
Author: Lanlan Kuang
Publisher: Indiana University Press
Published: 2024-09-03
Total Pages: 289
ISBN-13: 0253070929
DOWNLOAD EBOOKStaging Tianxia explores the ancient Chinese vision of world order known as tianxia (all under heaven) by focusing on the historical, performative, and rhetorical processes of expressive arts and cultural heritages that inform a vision of China as a historically multiethnic and cosmopolitan nation. Author Lanlan Kuang unites multimedia ethnographic research and theoretical insights from ethnomusicology, philosophy, religious studies, performance studies, and cognitive science, with a focus on Dunhuang bihua yuewu, a modern interpretation inserted into the Chinese classical dance and theatrical arts tradition. Staging Tianxia thus aims to redefine Silk Road studies and Dunhuangology, a transdisciplinary field dedicated to studying the texts and art of Dunhuang, a UNESCO World Heritage Site that connected China via the Silk Road with Central Asia, South Asia, Europe, and the Middle East. Staging Tianxia is a careful ethnographic study that looks at the importance of performance tradition and poetics in the arts and aesthetic theory of China.