Music for the Voice, Revised Edition

Music for the Voice, Revised Edition

Author: Serguis Kagen

Publisher: Bloomington : Indiana University Press

Published: 1968

Total Pages: 808

ISBN-13:

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Singers attempting to lay the foundation for a repertoire will find this guide especially useful. It contains four main sections: selections from songs and airs before the 19th century; 19th- and 20th-century songs; folk songs; and operatic excerpts (mainly 19th century). Entries indicate pitch and the type of voice for which the air is most suitable, and include a short description of the characteristics of the song or air, limited for the most part to its tempo, the character of its vocal line, and its general mood. Paper edition (unseen), $39.95. Annotation copyrighted by Book News, Inc., Portland, OR


Music Reference and Research Materials

Music Reference and Research Materials

Author: Vincent Harris Duckles

Publisher: New York : Free Press

Published: 1974

Total Pages: 552

ISBN-13:

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This text has been the standard guide to source literature of music and contains critically annotated listings of over 3,500 key sources. This comprehensive guide to reference sources is organized into chapters by category of source. The text's organization introduces students to a vast array of sources to include: Dictionaries and Encyclopedias; Histories and Chronologies; Sources of Systematic and Historical Musicology; Bibliographies of Music, Music Literature, and Music Business; Reference Works on Individual Composers and Their Music; Catalogs of Libraries and Musical Instrument Collections; Discographies; Yearbooks; Directories; Electronic Resources.


Notes

Notes

Author: Music Library Association

Publisher:

Published: 1997

Total Pages: 656

ISBN-13:

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Singers' edition, operatic arias

Singers' edition, operatic arias

Author: Richard Boldrey

Publisher: Pst Records

Published: 1992

Total Pages: 352

ISBN-13:

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Discusses voice categories and the soubrette voice category. Presents seventeen arias in vocal score, together with the opera story, a historical perspective, a musical perspective, and a dramatic perspective for each. Word-by-word translations and phonetic readings are given where appropriate.