Making Music with a Hearing Loss

Making Music with a Hearing Loss

Author: Willa Horowitz Au D

Publisher: Createspace Independent Publishing Platform

Published: 2016-06-02

Total Pages: 0

ISBN-13: 9781523848089

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How can you make music with a hearing loss? Musicians with hearing loss from all over the world tell you how. In this engaging and informative book you'll find: * 23 in-depth musician profiles with personal stories and strategies * Advice for professional musicians as well as amateur music lovers * Information on hearing conservation and cochlear implant rehabilitation * Expert guidance by audiologists who love music A must-have for all musicians with hearing loss, audiologists, and music educators. ---


Music and Hearing Aids

Music and Hearing Aids

Author: Marshall Chasin

Publisher: Plural Publishing

Published: 2022

Total Pages: 0

ISBN-13: 9781635503951

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A Primer on Wavelength Acoustics for Musical Instruments -- Music (and Speech) for the Audiologist -- Hearing Aids and Musicians: What the Literature Says -- Clinical Approaches to Fitting Hearing Aids for Music -- A Return to Older Technology?


Song Without Words

Song Without Words

Author: Gerald Shea

Publisher: Da Capo Press

Published: 2013-02-26

Total Pages: 322

ISBN-13: 0306821931

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At age 34, Shea discovered that he had been deaf since childhood despite somehow maintaining a prestigious legal career.


Hearing, Feeling, Playing

Hearing, Feeling, Playing

Author: Shirley Salmon

Publisher: Dr Ludwig Reichert

Published: 2008

Total Pages: 0

ISBN-13: 9783895006210

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The theme of this book is presented in chapters covering basic principles in theory and practice. Three individuals with a hearing impairment report on their development, experience and personal approaches to music. These are followed by chapters on developmental topics, an overview of music in education and therapy, and insight into recent research on music perception. Different educational and therapeutic approaches using music and/or movement relevant to different age groups are described and extended in reports on music and movement with various groups - from preschool children and family projects, to school children and teenagers.


Music for Children with Hearing Loss

Music for Children with Hearing Loss

Author: Lyn Schraer-Joiner

Publisher: Oxford University Press

Published: 2014-07-02

Total Pages: 337

ISBN-13: 0199382506

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Written by an expert in the field who is both a teacher and a teacher-educator, this book is an in-depth and practical resource for educators and parents who wish to introduce music to children with hearing loss. Author Lyn Schraer-Joiner makes a compelling case for offering music education to children with hearing loss before presenting a series of important and up-to-date teaching strategies meant to inform their educational experience, including preparations for the classroom, communication strategies for parents and teaching staff, and tips on more specific or technical matters such as conducting musical audiograms. These resources provide a solid background for hands-on instructional materials such as music lessons, supplemental activities, educational resources, discussion points, and journal samples for the classroom and home. Schraer-Joiner goes to great lengths to offer detailed, purposeful suggestions for specific classroom settings such as general music, choral ensemble, and instrumental ensemble as well as a set of recommended listening lessons that take this potential variety of settings into account. Furthermore, Schraer-Joiner provides suggestions for incorporating music into everyday activities and also presents an overview of recent research which reinforces the benefits of music upon social and emotional development as well as speech and language development. Each chapter concludes with a section entitled "For Your Consideration" which features review questions, ideas, and instructional activities that teachers and parents can accomplish with deaf and hard of hearing children. The book's "Kids Only" online component provides deaf and hard-of-hearing children with descriptions of the many opportunities available to them in the arts, inspirational case studies and stories, as well as important ideas and topics for deaf and hard-of-hearing children to consider discussing with the teachers, family members, and healthcare professionals that they work with. The message of this book is a powerful one particularly in this day and age. As hearing aid and cochlear implant technologies improve and become increasingly widespread, all teachers--especially music teachers--should expect to see more deaf and hard-of-hearing children in their classrooms. Awareness and preparation are not only vital in aiding these children in the classroom, but are in fact required of teachers by federal law. This book is a comprehensive resource for teachers and parents who wish to gain a better understanding of the emerging field of music education for students with hearing loss.


The Oxford Handbook of Music and Disability Studies

The Oxford Handbook of Music and Disability Studies

Author: Blake Howe

Publisher: Oxford Handbooks

Published: 2016

Total Pages: 953

ISBN-13: 0199331448

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Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, and mobility impairment often coupled with bodily deformity. Cultural Disability Studies has, from its inception, been oriented toward physical and sensory disabilities, and has generally been less effective in dealing with cognitive and intellectual impairments and with the sorts of emotions and behaviors that in our era are often medicalized as "mental illness." In that context, it is notable that so many of these essays are centrally concerned with madness, that broad and ever-shifting cultural category. There is also in impressive diversity of subject matter including YouTube videos, Ghanaian drumming, Cirque du Soleil, piano competitions, castrati, medieval smoking songs, and popular musicals. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments.0First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.