Music and Myth in Modern Literature

Music and Myth in Modern Literature

Author: Josh Torabi

Publisher: Routledge

Published: 2020-12-20

Total Pages: 237

ISBN-13: 1000294625

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This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland’s Nobel Prize winning novel Jean-Christophe (1904-12), James Joyce’s modernist epic Ulysses (1922), and Thomas Mann’s late masterpiece Doctor Faustus (1947). Juxtaposing Nietzsche’s conception of the Apollonian and Dionysian with narrative depictions of music and myth, Josh Torabi challenges the common view that the latter half of The Birth of Tragedy is of secondary importance to the first. Informed by a deep knowledge of Nietzsche’s early aesthetics, the book goes on to offer a fresh and original perspective on Ulysses and Doctor Faustus, two world-famous novels that are rarely discussed together, and makes the case for the significance of Jean-Christophe, which has been unfairly neglected in the Anglophone world, despite Rolland’s status as a major figure in twentieth-century intellectual and literary history. This unique study reveals new depths to the work of our most enduring writers and thinkers.


Myth and Magic in Heavy Metal Music

Myth and Magic in Heavy Metal Music

Author: Robert McParland

Publisher: McFarland

Published: 2018-06-05

Total Pages: 211

ISBN-13: 1476632987

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Myth pervades heavy metal. With visual elements drawn from medieval and horror cinema, the genre's themes of chaos, dissidence and alienation transmit an image of Promethean rebellion against the conventional. In dialogue with the modern world, heavy metal draws imaginatively on myth and folklore to construct an aesthetic and worldview embraced by a vast global audience. The author explores the music of Black Sabbath, Iron Maiden, Judas Priest, Metallica and many others from a mythological and literary perspective.


Theodorakis

Theodorakis

Author: Gail Holst

Publisher:

Published: 1980

Total Pages: 350

ISBN-13:

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Mikis Theodorakis became a symbol of resistance to the dictatorship in Greece, from 1967-1974. To the Greeks he was already a legendary figure. He had been imprisoned and tortured for his political beliefs, his music had been banned, his concerts broken up by right-wing gangs. He was a member of parliament, the leader of a powerful youth movement and the most popular composer in the country. Gail Holst, who played in Theodorakis's orchestra in 1975, first became associated with the composer through her work with Greek-Australian anti-Junta organisations. Since then she has followed Theodorakis's career and musical development closely. The result is a detailed study of the music of Theodorakis and of the complex interrelationship between his music and Greek society and politics.


The Modern Myths

The Modern Myths

Author: Philip Ball

Publisher: University of Chicago Press

Published: 2022-10-17

Total Pages: 437

ISBN-13: 0226823849

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With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales. Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called “modern myths.” But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth? In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.


Interrupted Music

Interrupted Music

Author: Verlyn Flieger

Publisher: Kent State University Press

Published: 2005

Total Pages: 196

ISBN-13: 9780873388245

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Tolkien made a continuous effort over several years to construct a comprehensive mythology, to include not only the stories themselves but also the storytellers, scribes, and bards who were the offspring of his thought. In Interrupted Music Flieger attempts to illuminate the structure of Tolkien's work, allowing the reader to appreciate its broad, overarching design and its careful, painstaking construction. --from publisher description.


Literature, Modernism and Myth

Literature, Modernism and Myth

Author: Michael Bell

Publisher: Cambridge University Press

Published: 1997-01-28

Total Pages: 270

ISBN-13: 0521580161

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The use of myth in Modernist literature is a misleadingly familiar theme. Joyce's appropriation of Homer's Odyssey and Eliot's of Frazer's Golden Bough are, like Lawrence's primitivism or Yeats's nationalist folklore, attempts to discover an underlying metaphysic in an increasingly fragmented world. In Literature, Modernism and Myth Michael Bell also examines the relationship of myth and modernism to postmodernism. Myth, Bell shows, is inherently flexible; it was used to justify Pound's totalizing vision of society which eventually descended into fascism, and the liberal, ironic vision of human existence Joyce and Mann expressed. Those theorists who present myth as another form of mystification, a search for false origins, ignore its use by modernists to emphasise the ultimate contingency of all values. This anti-foundational element, Bell claims, enables myth to act as a corrective to the claims of ideological critique. Bell shows how postmodern concerns with political and social responsibility, and the role literature plays in formulating this, have in fact been inherited from modernism.


A History of Modernist Poetry

A History of Modernist Poetry

Author: Alex Davis

Publisher: Cambridge University Press

Published: 2015-04-27

Total Pages: 571

ISBN-13: 1107038677

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A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.


The Myth of Invariance

The Myth of Invariance

Author: Ernest G. McClain

Publisher:

Published: 1984

Total Pages: 0

ISBN-13: 9780892540129

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Myth of Invariance explores the unifying symbolism of music and number so the reader can understand the secrets from Babylon, Egypt, Greece and the Bible - secrets hidden for centuries.


Orfeo

Orfeo

Author: Richard Powers

Publisher: Harper Collins

Published: 2014-01-21

Total Pages: 308

ISBN-13: 1443422924

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The author of the National Book Award winner and Pulitzer Prize finalist The Echo Maker, Richard Powers “may well be one of the smartest novelists now writing” (LOS ANGELES TIMES BOOK REVIEW) Seventy-year-old avant-garde composer Peter Els opens the door one evening to find the police on his doorstep. His home DIY microbiology lab--the latest experiment in his lifelong attempt to extract music from rich patterns beyond the ear’s ability to hear--has come to the attention of Homeland Security. Panicked by the raid on his house, Els turns fugitive, waiting for the evidence to clear him and for the alarm surrounding his activities to blow over. His days in hiding provoke memories of a turbulent century of musical turf wars and cause Els to reflect on a life spent chasing after transcendent sounds to the bewilderment of an indifferent public. As the national hysteria for safety erupts again in the face of this latest threat, Els--the “Bioterrorist Bach”--feeling the noose around him tighten, embarks on a cross-country trip to visit the people in his past who have most shaped his failed musical journey. Through the help of these people--his ex-wife, his daughter and his long-time artistic collaborator-- Els comes up with a plan to turn this disastrous collision with the security state into one last, resonant artwork that might reach an audience beyond his wildest dreams. Inspired by Steve Kurtz, the bio-artist wrongly arrested for terrorism by the FBI, Orfeo probes the boundary between stifling safety and reckless, releasing danger. It explores the varieties of human hunger, in particular the desire to hear more and to make meaning where there is none. Finally, the book is a meditation on that most endangered and priceless of human resources: attention.