Music and Modern Art

Music and Modern Art

Author: James Leggio

Publisher: Routledge

Published: 2014-07-16

Total Pages: 271

ISBN-13: 1135669627

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Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor.


Looking and Listening

Looking and Listening

Author: Brenda Lynne Leach

Publisher: Scarecrow Press

Published: 2014-11-13

Total Pages: 217

ISBN-13: 0810883473

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Looking and Listening: Conversations between Modern Art and Music invites the art and music lover to place these two realms of creative endeavor into an open dialog. Although the worlds of music and visual art often seem to take separate paths, they are usually parallel. Conductor and art connoisseur Brenda Leach takes unique pairings of well-known visual art works and musical compositions from the twentieth century to identify the shared sources of inspiration, as well as similarities in theme, style, and technique, to explore the historical and cultural influences on the great artists and composers in the twentieth century. Looking and Listening asks and answers: What does jazz have in common with paintings by Stuart Davis and Piet Mondrian? How did Gershwin’s Rhapsody in Blue affect the work of artist Arthur Dove? How did painter Georgia O’Keeffe and composer Aaron Copland capture the spirit of a youthful America entering the twentieth century? What did Kandinsky and Schoenberg share in their artistic visions? Leach takes readers on a whirlwind tour of the lives of these artists, surveying many of the key movements in the twentieth century by comparing representative works from the modern masters of the visual arts and music. Leach’s refreshing and innovation approach will interest those passionate about twentieth-century art and music and is ideal for any student or instructor, museum docent, or music programmer seeking to draw the lines of connection between these two art forms.


The Sound of Painting

The Sound of Painting

Author: Karin von Maur

Publisher: Prestel Publishing

Published: 1999

Total Pages: 142

ISBN-13:

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Painters and musicians have always found inspiration by sharing ideas from both disciplines. How this relationship developed from Philipp Otto Runge's "compositions" in painting to Jean Tinguely's and Niki de Saint Phalle's musical sculptures is the focus of this illustrated volume. Carefully selected images and quotations from composers and artists are blended into a study useful to scholars of art history and music, and fascinating to the general reader.


Music and Modern Art

Music and Modern Art

Author: James Leggio

Publisher: Psychology Press

Published: 2002

Total Pages: 274

ISBN-13: 9780815331018

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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.


Music and Modern Art

Music and Modern Art

Author: James Leggio

Publisher: Routledge

Published: 2014-07-16

Total Pages: 274

ISBN-13: 1135669694

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Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor.


The Music of Painting

The Music of Painting

Author: Peter Vergo

Publisher: Phaidon Press

Published: 2012-01-09

Total Pages: 0

ISBN-13: 9780714863863

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Composers and artists have always borrowed from each other. Peter Vergo, for the first time, offers an in-depth study of how and why, in the modernist era, music and painting became intertwined. Artist-composer relationships examined include Debussy's interest in Whistler, Tuner, and Monet, Franz Liszt's fascination with Raphael and Michelangelo, Kandinsky with Schoenberg and Paul Klee's influence from Polyphonic music. How artists attempted to translate musical rhythms, and structures into painting and how musicians developed visual themes, all within the backdrop to modernism, as time of huge change in freedoms, industry, expression, ideological frameworks, and artistic practice.


Making Music for Modern Dance

Making Music for Modern Dance

Author: Katherine Teck

Publisher: Oxford University Press

Published: 2011

Total Pages: 397

ISBN-13: 0199743215

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Making Music for Modern Dance traces the collaborative approaches, working procedures, and aesthetic views of the artists who forged a new and distinctly American art form during the first half of the 20th century. The book offers riveting first-hand accounts from innovative artists in the throes of their creative careers and provides a cross-section of the challenges faced by modern choreographers and composers in America. These articles are complemented by excerpts from astute observers of the music and dance scene as well as by retrospective evaluations of past collaborative practices. Beginning with the careers of pioneers Isadora Duncan, Ruth St. Denis, and Ted Shawn, and continuing through the avant-garde work of John Cage for Merce Cunningham, the book offers insights into the development of modern dance in relation to its music. Editor Katherine Teck's introductions and afterword offer historical context and tie the artists' essays in with collaborative practices in our own time. The substantive notes suggest further materials of interest to students, practicing dance artists and musicians, dance and music history scholars, and to all who appreciate dance.


Art and Music in the Early Modern Period

Art and Music in the Early Modern Period

Author: KatherineA. McIver

Publisher: Routledge

Published: 2017-07-05

Total Pages: 459

ISBN-13: 1351575686

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The relationship between music and painting in the Early Modern period is the focus of this collection of essays by an international group of distinguished art historians and musicologists. Each writer takes a multidisciplinary approach as he or she explores the interface between music performance and painting, or between music and art theory. The essays reflect a variety and range of approaches and offer methodologies which might usefully be employed in future research in this field. The volume is dedicated to the memory of Franca Trinchieri Camiz, an art historian who worked extensively on topics related to art and music, and who participated in some of the conference panels from which many of these essays originate. Three of Professor Camiz's own essays are included in the final section of this volume, together with a bibliography of her writings in this field. They are preceded by two thematic groups of essays covering aspects of musical imagery in portraits, issues in iconography and theory, and the relationship between music and art in religious imagery.


Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond

Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond

Author: Prof Dr Peter Dayan

Publisher: Ashgate Publishing, Ltd.

Published: 2013-01-28

Total Pages: 208

ISBN-13: 1409494306

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In 1877, Ruskin accused Whistler of ‘flinging a pot of paint in the public’s face’. Was he right? After all, Whistler always denied that the true function of art was to represent anything. If a painting does not represent, what is it, other than mere paint, flung in the public’s face? Whistler’s answer was simple: painting is music – or it is poetry. Georges Braque, half a century later, echoed Whistler’s answer. So did Braque’s friends Apollinaire and Ponge. They presented their poetry as music too – and as painting. But meanwhile, composers such as Satie and Stravinsky were presenting their own art – music – as if it transposed the values of painting or of poetry. The fundamental principle of this intermedial aesthetic, which bound together an extraordinary fraternity of artists in all media in Paris, from 1885 to 1945, was this: we must always think about the value of a work of art, not within the logic of its own medium, but as if it transposed the value of art in another medium. Peter Dayan traces the history of this principle: how it created our very notion of ‘great art’, why it declined as a vision from the 1960s and how, in the 21st century, it is fighting back.