Murillo's Allegories of Salvation and Triumph
Murillo's Allegories of Salvation and Triumph

Author: Mindy Nancarrow Taggard

Publisher:

Published: 1992

Total Pages: 176

ISBN-13:

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The allegories of salvation and triumph that structure Murillo's pictorial narratives are substantiated through contemporary Spanish theology, drama, and moral philosophy, as well as in popular emblem-book literature. The lives of the prodigal and the patriarch were interpreted symbolically as early as the fourth century by Christian theologians whose exegeses were fundamental to Spain's sixteenth- and seventeenth-century apologists.

Baroque Seville
Baroque Seville

Author: Amanda Wunder

Publisher: Penn State Press

Published: 2017-03-01

Total Pages: 499

ISBN-13: 027107941X

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Baroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens. Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos—divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization. Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville’s hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.

A Companion to Renaissance and Baroque Art
A Companion to Renaissance and Baroque Art

Author: Babette Bohn

Publisher: John Wiley & Sons

Published: 2012-01-02

Total Pages: 797

ISBN-13: 1118391519

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A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book

Divine Generosity and Human Creativity
Divine Generosity and Human Creativity

Author: David Brown

Publisher: Taylor & Francis

Published: 2017-02-22

Total Pages: 225

ISBN-13: 1317148932

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Partly in a desire to defend divine freedom and partly because it is seen as the only way of preserving a distinctive voice for theology, much contemporary theology has artificially restricted revelation and religious experience, effectively cutting off those who find God beyond the walls of the Church. Against this tendency, David Brown argues for divine generosity and a broader vision of reality that sees God deploying symbols (literary, visual and sacramental) as a means of mediating between the divine world and our own material existence. A sustained argument for divine interaction and more specifically the ways in which God speaks in the wider imaginative world, this volume calls for a careful listening exercise since symbols are richer and more open in their possibilities than their users often suppose. Not only is this true of the imagery of Scripture, even inanimate objects like buildings or hostile but creative artists can have important things to say to the believing Christian. An ideal introduction that also moves the conversation forward, this volume addresses foundations, the multivalent power of symbols, artists as theologians and meaning in religious architecture.

Historical Dictionary of Baroque Art and Architecture
Historical Dictionary of Baroque Art and Architecture

Author: Lilian H. Zirpolo

Publisher: Rowman & Littlefield

Published: 2018-03-13

Total Pages: 692

ISBN-13: 1538111292

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This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.

Art Books
Art Books

Author: Wolfgang M. Freitag

Publisher: Routledge

Published: 2013-10-28

Total Pages: 572

ISBN-13: 1134830416

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First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.

The Trinity
The Trinity

Author: Stephen T. Davis

Publisher: OUP Oxford

Published: 2002-02-08

Total Pages: 422

ISBN-13: 0191529796

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This interdisciplinary study is the result of an international and ecumenical meeting of nineteen scholars held in New York at Easter 1998: the Trinity Summit. Biblical experts examine the scriptural roots of trinitarian doctrine, patristic scholars correct those who continue to misinterpret the trinitarian teaching of the Cappadocians and Augustine, and five scholars examine systematic and foundational issues like the viability of social models for the Trinity. The volume ends with a study of the Trinity in art and the challenge of preaching the Trinity today. The international reputation of the participants reflects and guarantees the high quality of this joint work.

The Spanish Arcadia
The Spanish Arcadia

Author: Javier Irigoyen-García

Publisher: University of Toronto Press

Published: 2014-01-01

Total Pages: 356

ISBN-13: 1442647272

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The Spanish Arcadia analyzes the figure of the shepherd in the sixteenth- and seventeenth-century Spanish imaginary, exploring its centrality to the discourses on racial, cultural, and religious identity. Drawing on a wide range of documents, including theological polemics on blood purity, political treatises, manuals on animal husbandry, historiography, paintings, epic poems, and Spanish ballads, Javier Irigoyen-García argues that the figure of the shepherd takes on extraordinary importance in the reshaping of early modern Spanish identity. The Spanish Arcadia contextualizes pastoral romances within a broader framework and assesses how they inform other cultural manifestations. In doing so, Irigoyen-García provides incisive new ideas about the social and ethnocentric uses of the genre, as well as its interrelation with ideas of race, animal husbandry, and nation building in early modern Spain.

Art and Reform in the Late Renaissance
Art and Reform in the Late Renaissance

Author: Jesse M. Locker

Publisher: Routledge

Published: 2018-08-14

Total Pages: 441

ISBN-13: 0429863365

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Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."

Gainsborough's Vision
Gainsborough's Vision

Author: Amal Asfour

Publisher: Liverpool University Press

Published: 1999-01-01

Total Pages: 360

ISBN-13: 9780853238744

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Thomas Gainsborough, one of the most popular British painters, has been celebrated as a landscapist, a portrait painter, and a man of feeling whose impetuous character is revealed in his art, life and letters. This book reveals that the style, themes and ideas of Gainsborough’s paintings constitute purposeful expressions of an intellectual and visual culture whose importance in the development of eighteenth-century British art has gone unrecognized. "Amal Asfour and Paul Williamson have set out to make us look more knowledgeably at the paintings of Gainsborough... their treatment is richly informative."—George Steiner, The Observer "Asfour and Williamson display a profound knowledge of 18th-century aesthetics... a highly stimulating book."—The British Art Journal