An American heiress turned resistance hero, Muriel Gardiner was an electrifying woman who impressed everyone she met with her beauty, intelligence, and powerful personality. Her adventurous life led her from Chicago's high society to a Viennese medical school, from Sigmund Freud's inner circle to the Austrian underground. Over the years, she saved countless Jews and anti-fascists, providing shelter and documents ensuring their escape. This remarkable woman's life as a legend of the Austrian Resistance was captured in the movie Julia with Vanessa Redgrave and remains an inspiration to all those who believe that one individual can change the world. Gardiner's astonishing story is told here for the first time in all its variety and unanticipated twists and turns.
Now including an excerpt from VICTORIA: A Novel, by Daisy Goodwin, the Creator/Writer of the Masterpiece Presentation on PBS. "Anyone suffering Downton Abbey withdrawal symptoms (who isn't?) will find an instant tonic in Daisy Goodwin's The American Heiress. The story of Cora Cash, an American heiress in the 1890s who bags an English duke, this is a deliciously evocative first novel that lingers in the mind." --Allison Pearson, New York Times bestselling author of I Don't Know How She Does It and I Think I Love You Be careful what you wish for. Traveling abroad with her mother at the turn of the twentieth century to seek a titled husband, beautiful, vivacious Cora Cash, whose family mansion in Newport dwarfs the Vanderbilts', suddenly finds herself Duchess of Wareham, married to Ivo, the most eligible bachelor in England. Nothing is quite as it seems, however: Ivo is withdrawn and secretive, and the English social scene is full of traps and betrayals. Money, Cora soon learns, cannot buy everything, as she must decide what is truly worth the price in her life and her marriage. Witty, moving, and brilliantly entertaining, Cora's story marks the debut of a glorious storyteller who brings a fresh new spirit to the world of Edith Wharton and Henry James. "For daughters of the new American billionaires of the 19th century, it was the ultimate deal: marriage to a cash-strapped British Aristocrat in return for a title and social status. But money didn't always buy them happiness." --Daisy Goodwin in The Daily Mail One of Library Journal's Best Historical Fiction Books of 2011
The Muriel Rukeyser Era makes available for the first time a range of Muriel Rukeyser's prose, a rich and diverse archive of political, social, and aesthetic writings. Eric Keenaghan and Rowena Kennedy-Epstein assemble a selection of unpublished and out-of-print texts, demonstrating the diversity, brilliance, and possibilities of mid-twentieth-century women's intellectual life and sociopolitical engagement. Although primarily known as a poet, Rukeyser produced an expansive and influential body of nonfiction and critical writings. Reflective of a deeply committed thinker, her accessible but philosophically complex prose—including essays, lectures, radio scripts, stories, and reviews—addresses issues related to racial, gender, and class justice, war and war crimes; the prison-industrial complex, Jewish culture and diaspora, motherhood, literature, music, cinema, and translation. Many of the selected texts have been forgotten, have fallen out of print, or were never previously published because of conservative Cold War political and gender orthodoxies. The Muriel Rukeyser Era offers new insight into Rukeyser's radical and strikingly contemporary vision for the role of the writer—especially the woman writer. This selection reveals the centrality of feminism, antifascism, and antiracism to her thinking and thus affirms the resonance and urgency of her work today.
Once They Had a Country conveys well what it was like to establish a new life in a foreign country--over and over again and in constant fear for one's life. The book draws from a remarkable set of primary source materials, including letters, telegrams, and police records to relate the story of two teenage refugees during World War II.
#1 Bestseller! Readers' Favorite Silver Medal Winner Best Southern Fiction. A sweeping, moving historical novel set before the Civil War about secrets, freedom, and the power of love. "Impressively well written from beginning to end, Essie's Roses is an inherently absorbing and skillfully presented read, establishing author Michelle Muriel as an exceptionally talented novelist." -Midwest Book Review "...tremendously impressive debut novel ... A richly moving reading experience." -Historical Novel Society "Miss Muriel's novel is a thing of beauty. 5 Stars!" -Readers' Favorite "...all I can say is - wow, what an amazing read. ...I fully expect to see Essie's Roses on the silver screen someday, but until then I will simply look forward to reading future works by this author. 5 Stars (and then add some more)!" -Feathered Quill Book Reviews "...Ms. Muriel writes in four such distinct voices I felt like I was in the space with each one. ... exceptionally well written and it was very hard to put down. 5 Stars!" -Patty Woodland, Broken Teepee Growing up in the Deep South during the years leading to the Civil War, two young girls find freedom on a hillside overlooking Westland, an Alabama plantation. Essie Mae, an intuitive, intelligent slave girl, and Evie Winthrop, the sheltered, imaginative dreamer and planter's daughter, strike up a secret friendship that thrives amidst the shadows of abuse. Told from the viewpoint of four women: Katherine Winthrop, kind mistress and unexpected heiress to her father's small, cotton plantation; Delly, her sassy and beloved house slave; Essie Mae, her slave girl; and Evie Winthrop, Katherine's only child, Essie's Roses tells of forbidden relationships flourishing in secret behind Westland's protective trees and treasured roses. After scandal befalls Westland, Evie and Essie, aged nineteen, travel to Richmond, Virginia, to escape their abusive pasts. There, they face the gross indecencies and divisions leading to the War Between the States. Though the horrors of slavery and discrimination prompt action, Evie and Essie's struggles lie within. The secrets they hold and the pain of the past lead them away from one another and back home again. A story about a black slave who frees a white woman, Essie's Roses reveals the innocence of children's friendships, the diverse meanings of freedom, the significance of a dream, and the power of love. In their efforts to save each other, will the women of Westland find the true freedom they desire?
Muriel Rukeyser held a visionary belief in the human capacity to create social change through language. She earned an international reputation as a powerful voice against enforced silences of all kind, against the violence of war, poverty, and racism. Her eloquent poetry of witness-of the Scottsboro Nine, the Spanish Civil War, the poisoning of the Gauley Bridge laborers-split the darkness covering a shameful world. In addition to the complete texts of her twelve previously published books, this volume also features new poems discovered by the editors; Rukeyser's translations, including the first English translations of Octavio Paz's work; early work by Rukeyser not previously published in book form; and the controversial book-length poem Wake Island. An introduction by the editors traces Rukeyser's life and literary reputation and complements discerning annotations and textual notes to the poems.
This Companion brings together an international 'Brodie set' of critics to trace the history, impact, reception and major themes of Spark's work, from her early poetry to her last novel. It encompasses the range of Spark's output, pursuing contextual lines of approach including biography, geography, gender, identity, nation and religion, and considering her legacy and continuing influence in the twenty-first century. Spark emerges here as a serious thinker on issues as diverse as the Welfare State, secularisation, decolonisation, and anti-psychiatry, and a writer whose work may be placed alongside Proust, Joyce, Nabokov, and Lessing. The critics collected here are mindful of how, although overwhelmingly known as a novelist, by the time of her first novel, The Comforters, in 1957, Spark already had a significant profile through poetry, biographical criticism, and literary journalism, as chair of the Poetry Society and editor of the Poetry Review, and as author or co-author of a number of scholarly studies of writers including Wordsworth, Mary Shelley, the Brontes, Cardinal Newman, and John Masefield. Within a relatively modest space this Companion touches on the whole range of Spark's work and, in introducing the oeuvre thematically for those looking to explore this elegant and challenging author further, also sets the agenda for future Spark studies.
The Book of the Dead by Muriel Rukeyser was published as part of her 1938 volume U.S. 1. The poem, which is probably the most ambitious and least understood work of Depression-era American verse, commemorates the worst industrial accident in U.S. history, the Gauley Tunnel tragedy. In this terrible disaster, an undetermined number of men—likely somewhere between 700 and 800—died of acute silicosis, a lung disorder caused by prolonged inhalation of silica dust, after working on a tunnel project in Fayette County, West Virginia, in the early 1930s. After many years of relative neglect, The Book of the Dead has recently returned to print and has become the subject of critical attention. In Muriel Rukeyser’s “The Book of the Dead,” Tim Dayton continues that study by characterizing the literary and political world of Rukeyser at the time she wrote The Book of the Dead. Rukeyser’s poem clearly emerges from 1930s radicalism, as well as from Rukeyser’s deeply felt calling to poetry. After describing the world from which the poem emerged, Dayton sets up the fundamental factual matters with which the poem is concerned, detailing the circumstances of the Gauley Tunnel tragedy, and establishes a framework derived from the classical tripartite division of the genres—epic, lyric, and dramatic. Through this framework, he sees Rukeyser presenting a multifaceted reflection upon the significance, particularly the historical significance, of the Gauley Tunnel tragedy. For Rukeyser, that disaster was the emblem of a history in which those who do the work of the world are denied control of the vast powers they bring into being. Dayton also studies the critical reception of The Book of the Dead and determines that while the contemporary response was mixed, most reviewers felt that Rukeyser had certainly attempted something of value and significance. He pays particular attention to John Wheelwright’s critical review and to the defenses of Rukeyser launched in the 1980s and 1990s by Louise Kertesz and Walter Kalaidjian. The author also examines the relationship between Marxism as a theory of history governing The Book of the Dead and the poem itself, which presents a vision of history. Based upon primary scholarship in Rukeyser’s papers, a close reading of the poem, and Marxist theory, Muriel Rukeyser’s “The Book of the Dead” offers a comprehensive and compelling analysis of The Book of the Dead and will likely remain the definitive work on this poem.
Provides a new perspective on the documentary diversity of Muriel Rukeyser's work and influences. This study of twentieth-century American poet Muriel Rukeyser explores the multiple avenues of her 'poetics of connection' to reveal a profound engagement with the equally intertextual documentary genre. It examines previously overlooked photo narratives, poetry, prose and archival material and demonstrates an enduring dialogue between the poet's relational aesthetics and documentary's similarly interdisciplinary and creative approach to the world. By considering the sources of documentary in Rukeyser's work, the study provides insight into her guiding poetic principles, situating her as a vital figure in the history of twentieth-century American literature and culture, and as a pioneering personality in the development of American Studies.
