Two children from Sierra Leone are brought together by chance only to be forced apart by an inevitable and tragic fate. But ultimately, this is a story of love and redemption that will leave readers breathless from the unpredictable and mind-blowing ending.
In the final installment of the Murderville series, the characters learn that sometimes you have to give up pride and glory if you are ever going to survive life on the streets. Original. 50,000 first printing.
Robyn and Aries are "The Murder Mamas," contract killers taking no prisoners in Los Angeles. It doesn't take them long to link up with Hollywood's biggest drug kingpin, who hires them to take out a snitch and a judge. But the plans backfire and they only complete half the job. Robyn gets caught and put on Death Row, and Aries goes on the run. She winds up in the Islands, where she takes up a new life as a mother and wife, and tries to forget who she once was. But unfinished business has a way of coming back to haunt you; and when it's the killing kind, there's a huge price to pay. Now Aries has to put it all on the line as she sets out to finish what the Murder Mamas started, leaving her family and her sanity and her soul behind. . ..
Part 2 of the Dopeman's Trilogy, JaQuavis Coleman chillingly chronicles the life and crimes of Harlem resident Hazel Brown, as she rises to the highest highs and spirals into an inevitable, devastating downfall. Hazel has nothing and no one in her life; the only thing she "owns" is an insatiable addiction to heroin. Her addiction brings her to the slums, where she quickly learns the tricks of surviving—of hustling and getting her street smarts. She'll do anything to feed her habit, even if that means robbing and conning and selling her own body. Yet no matter how much heroin she does, the pain that's cut so deep within her never goes away in this story so intimate and compellingly written, you'll feel like you're walking in her shoes.
This dark, suspenseful tale by New York Times bestseller JaQuavis Coleman is an urban love story with an unforgettable conclusion. A man’s quest to escape his past life is an uphill battle. After seeking a Cuban voodoo doctor to receive a spiritual advantage on his upcoming court case, Saint opens Pandora’s box. The Santeria voodoo seemed to work, but at what cost? Saint’s dangerous visit to Cuba comes with much more than he anticipated as he enters an underground secret society of high stakes gambling. He gets tangled in a web of heinous crimes, money games, and backstabbing. Torn between a woman he meets in Cuba and his wife at home, Saint finds himself embroiled in an intricate plan, which threatens his freedom and everything that he has worked for. Lines are crossed, both internationally and morally.
How to Embroider Almost Everything is an inspiring, fun, and sophisticated collection of 500+ stitch motifs from embroidery designer Wendi Gratz that offers a fresh new take on embroidery. Get a detailed checklist of everything you’ll need to embark on your stitch journey: threads, needles, fabric, and more. Find step-by-step tutorials for essential stitches and other techniques for creating the motifs, plus answers to common questions and invaluable tips and tricks. Explore an amazing 500+ modern motifs for almost everything, including people and pets, trees and flowers, everyday objects, food, home, and more. Either re-create the motifs exactly as shown using the accompanying templates and stitch guides, or give them your own creative spin by changing details and colors to suit your own style. How to Embroider Almost Everything helps you take your first steps to embroidering to your heart’s content and creating beautiful drawings with needle and thread! Each book in the Almost Everything series offers readers a fun, comprehensive, and charmingly illustrated visual directory of ideas to inspire skill building in their creative endeavors.
The instant Sunday Times bestseller from the UK's number one true crime podcast, RedHanded! What is it about killers, cults, and cannibals that capture our imaginations even as they terrify and disturb us? How do we carefully consume these cases and what can they teach us about what makes victims and their murderers our collective responsibility? RedHanded rejects the outdated narrative of killers as monsters and that a victim 'was just in the wrong place at the wrong time.' Instead, it dissects the stories of killers in a way that challenges perceptions and asks the hard questions about society, gender, poverty, culture, and even our politics. With Bala and Maguire's trademark humour, research on real-life cases, and unflinching analysis of what makes a criminal, the authors take you through the societal, behavioural, and cultural drivers of the most extreme of human behaviour to find out once and for all: what makes a killer tick?
2020 Brendan Gill Prize finalist For forty years, as New York’s Lower East Side went from disinvested to gentrified, residents lived with a wound at the heart of the neighborhood, a wasteland of vacant lots known as the Seward Park Urban Renewal Area (SPURA). Most of the buildings on the fourteen-square-block area were condemned in 1967, displacing thousands of low-income people of color with the promise that they would soon return to new housing—housing that never came. Over decades, efforts to keep out affordable housing sparked deep-rooted enmity and stalled development, making SPURA a dramatic study of failed urban renewal, as well as a microcosm epitomizing the greatest challenges faced by American cities since World War II. Artist and urban scholar Gabrielle Bendiner-Viani was invited to enter this tense community to support a new approach to planning, which she accepted using collaboration, community organizing, public history, and public art. Having engaged her students at The New School in a multi-year collaboration with community activists, the exhibitions and guided tours of her Layered SPURA project provided crucial new opportunities for dialogue about the past, present, and future of the neighborhood. Simultaneously revealing the incredible stories of community and activism at SPURA, and shedding light on the importance of collaborative creative public projects, Contested City bridges art, design, community activism, and urban history. This is a book for artists, planners, scholars, teachers, cultural institutions, and all those who seek to collaborate in new ways with communities.
Handmade in Cuba is an in-depth examination of Ediciones Vigía, an artisanal press that published exquisite books crafted from simple supplies during some of Cuba’s most dire economic periods. Vividly illustrated, this volume shows how the publishing collective responded to the nation’s changing historical and political situation from the margins of society, representing Cuban culture across the boundaries of race, age, gender, and genre. In this volume, poets and scholars reflect on the unique artistic direction of Rolando Estévez, who oversaw the creation of over 500 handmade books and magazines between 1985 and 2014. They highlight the beautiful designs and unusual materials selected, including fabric, metals, wood, feathers, and discarded items. Through diverse perspectives, including an interview with Estévez himself, the essays showcase the unlimited inventive possibilities of books as objects, as sculptural pieces, and as installations. Even in the age of technology, Estévez generated enormous excitement and admiration for these hand-crafted books, and this volume offers the first inside view of this important alternative publishing space. Contributors: Ruth Behar | Juanamaría Cordones-Cook | Gwendolyn Díaz | Erin Finzer | William Luis | Nancy Morejón | Kim Nochi | Carina Pino Santos | Kristin Schwain | Elzbieta Sklodowska