Justice must be served when a chief clerk is killed in this mystery by the New York Times–bestselling author. When Clarence Sutherland, chief clerk of the Supreme Court, is found dead, Lt. Martin Teller of the DC police and Susanna Pinscher of the Justice Department are pulled together to find the killer. It turns out that Sutherland had a lot of confidential information on important people, and any one of them could be responsible for his death. But one startling clue seems to implicate the high court itself: Sutherland was found slumped over in the chief justice’s chair. Did the clerk know something that the top judge, and perhaps even the president himself, didn’t want revealed? Teller and Pinscher intend to find out . . . From the daughter of President Harry Truman, an expert at depicting the details of life inside the beltway, Murder in the Supreme Court provides an intriguing peek into the world of Washington’s powerful justice system. “Truman’s hints as to the real state of Washington are terrifying if true.” —Chicago Sun-Times “A dazzling series.” —The Atlanta Journal-Constitution
In the autumn of 1615 the Earl and Countess of Somerset were detained on suspicion of having murdered Sir Thomas Overbury. The arrest of these leading court figures created a sensation. The Countess was both young and beautiful: the Earl was one of the richest and most powerful men in the kingdom, having risen to prominence as the male 'favourite' of the monarch James I. In a vivid narrative, Anne Somerset unravels these extraordinary events, which were widely regarded as an extreme manifestation of the corruption and vice which disfigured the court during this period. It is at once a story rich in passion and intrigue and a murder mystery, for, despite the guilty verdicts, there is much about Overbury's death that remains enigmatic. The Overbury murder case profoundly damaged the monarchy, and constituted the greatest court scandal in English history.
For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In the summer of 1898, reporter Emma Cross investigates a shocking death among the bright lights of Newport's high society . . . After a disappointing year as a society columnist for the Herald, Emma has returned to the salty air, glittering ocean vistas, and grand stately mansions of Newport, Rhode Island, more determined than ever to report on hard news. But for now she’s covering the social event of the season at Ochre Court, a coming-out ball designed to showcase Cleo Cooper-Smith, who will be on display as Cleopatra in an elaborate tableau vivant. But as the deb ascends to her place of honor, the ballroom is plunged into darkness. When the lights come back on, Cleo sits still on her throne, electrocuted to death. Quickly establishing that the wiring was tampered with, Emma now has a murder to investigate. As Emma begins to discover this crime has unseen connections to a nefarious network, she puts her own life at risk to shine a light on the dark motives behind a merciless murder . . . “Plenty of red herrings and an intimate look at the world of the wealthy and famous make for a rich broth of a mystery.”—Kirkus Reviews
Describing an outstanding example of the use of forensic art therapy in a criminal case, David Gussak, contracted by the defence to analyse the evidence in this instance, recounts his findings and presentation in court, as well as the future implications of his work for criminal proceedings.
Recounts the events surrounding the dramatic post-Civil War trial of a young African American sawmill hand who was accused of ax murdering a white woman on her Virginia farmyard and who implicated three other women in the crime.
Squash is not just a game; it also builds independence. As with any sport approached properly and with concentration, one has to be independent in that area, because it's ruthless. You have to stand on your own two feet entirely. Basically it's the individual down there in the pit who has to promote himself or herself, and persevere, and learn all kinds of little things that are character-building. The average person playing squash on a social basis, or as a serious hobby, can treat the game as a mental and physical therapy and not as a matter of life or death. Although almost everyone has an inherent competitive instinct, there is not the same necessity to be successful and the enjoyment factor can and should be more overt. The game is very much the thing and winning then becomes an important part of the whole, but not the crux of the matter. But for the professional squash player - indeed, any professional sportsperson - the marvellous enjoyment derived from playing is only exceeded at the moment of triumph. That, and the moment of defeat, are the two real moments of truth: of exhilaration on the one hand and despair on the other, when one realizes that all the preparatory punishment and self-denial have or have not been enough. Jonah Barrington looks to the mental side of squash, to the talents you cannot see, but which divide the champion squash player from the also-ran. They are described alliteratively, so that you can remember them: Fire, Fitness, Fastness, Feel, Force, Fibre, Fear, Flair and Faith - the Nine Points of the Lore. And, in an extra chapter in this new edition of MURDER IN THE SQUASH COURT, Jonah Barrington re-visits his prediction in theForeword of the 1982 edition that Jahangir Khan's victory over Geoffrey Hunt in the World Open in Toronto in November 1981 would allow the remarkable 17-year-old rival to march on to take the British Open in the following spring. Barrington records Jahangir's journey - but the gifted teenager was just commencing his journey and would take that coveted title for 10 extraordinary consecutive years.