"The Vulgar Tongue tells the full story of English language slang, from its origins in early British beggar books to its spread in American and Australian culture in the eighteenth century"--
The Routledge International Handbook of Homicide Investigation will be the first of its kind to bring together research and personal insights from detectives, practitioners, academics and experts internationally on various complexities that are involved in the investigation of homicides. The handbook discusses the challenges faced by homicide detectives, especially since not every investigation will demand the same approach. The tools, techniques and expertise required also vary according to the type of homicide that is investigated. This handbook brings these issues and opportunities to the forefront while also illustrating the wider complexities and emotional impact of homicide investigations on detectives and those bereaved by homicide. The book is divided into four parts. Part I provides chapters that explore homicide investigation across the globe. Parts II and III offer an up-to-date insight into the ever-evolving tools and techniques that are used during a homicide investigation and explore how specific types of homicides are investigated. Part IV considers both those directly affected by the homicide and the role of indirect victims in the investigation, including the impact of homicide and its investigation. Chapters also consider some recent developments in homicide investigation that may shape its future as well as current issues that are facing homicide detectives. Providing cutting-edge research on every step of the criminal homicide investigation process, this handbook is essential reading for scholars, students and practitioners interested in homicide investigation.
From the bestselling authors of Gangland Australia comes Dangerous to Know, an A to Z of Australasian crimes, criminals and their victims. James Morton and Susanna Lobez have trawled through written records to compile this snappy yet comprehensive account of the bad, mad and plain notorious. All the names are here, from Ronald Ryan (the last man hanged in Australia), to the Carlton Crew. An unmissable book, in one handy volume, for anyone who wants to know all there is to know about Australia's dark underbelly.
Contained within the pages of this book are the stories behind some of the most notorious murders in Gloucestershire's history. The cases covered here record the county's most fascinating but least known crimes, as well as famous murders that gripped not just Gloucestershire but the whole nation. From the Cheltenham torso murder to the Campden Wonder, when William Harrison returned to Chipping Campden after three people were executed for killing him; from a fatal battle between poachers and gamekeepers near Berkeley to poisoning in the Forest of Dean, this is a collection of the country's most dramatic and interesting criminal cases.
Robert Parkin's book gives a reading of each of these texts before going on to show their subsequent influence on anthropologists in particular. Hertz's activities as reviewer and phamphleteer are also covered. The introductory biographical chapter drawing on Hertz's surviving papers in the Collège de France, shows his own ambivalence towards his academic career and it also attempts to clarify the circumstances leading up to his apparently gratuitous death in the First World War. Two further chapters attempt to situate his work in the broader context of Durkheimian sociology.
This book is an appreciation of selected authors who make extensive use of humor in English detective/crime fiction. Works using humor as an amelioration of the serious have their heyday in the Golden Age of crime writing but they belong also to a long tradition. There is an identifiable lineage of humorous writing in crime fiction that ranges from mild wit to outright farce, burlesque, even slapstick. A mix of entertainment with instruction is a tradition in English letters. English crime fiction writers of the era circa 1913 to 1940 were raised in the mainstream literary tradition but turned their skills to detective fiction. And they are the humorists of the genre. This book is not an exhaustive study but an introduction into the best produced by the most capable and enjoyable authors. What the humorists seek is to surprise the reader by overturning their expectations using a repertoire of stylistic conceits and motifs (recurring incidents, devices, references). Humor has a liberating effect but is concerned too with "comic contrast" through ugliness and caricature. In crime fiction one effect is intellectual pleasure at solving (or attempting to solve) a puzzle. Another is entertainment but with serious undertones.