For 72 years Louise Devereaux has carried the grim story of an unfortunate woman who was erroneously hanged for a murder she didn't commit. Who was the real murderer? Will Allen Kingsley be able to find witnesses to verify Louise's story? Will he be able to piece together enough evidence to bring justice for the long overdue crime? Why do the people of Madrid (pronounced Mad-rid) treat him with such disdain? Why do they look at his wife with such compassion?
Superintendent Grant in the first book is a British Senior Policeman running The Bombay Police and in particular The Murder Squad. In the first book of the series, he has a serial killer loose on The Bombay Railway Network; who is getting very good at killing young 16 year old girls coming home from work. He must be caught at all costs.Superintendent Grant goes to and meets in Madrid Spain on his visit as part of the investigation; The Third Reich's Ambassador to Spain and is offered a transfer to Germany's Third Reich in Berlin to set up a new Forensics Service.Possibly in a later book he may go there and assist British Intelligence assess the Nazis.
Alex LaDuca travels to Miami to continue her investigations into the murder-and-money laundering activities of the Dosi cartel, an intrigue set in motion in Hostage in Havana. Sent there by the U.S. Treasury Department to speak with a recent Cuban defector, she soon realizes this key player may be no help at all. A vast global money laundering scheme fueled by cocaine profits. A man who promises to put Alex “in touch with the deceased.” A lethal trap by the Dosi cartel. A handsome actor back in New York who suggests that love and romance may soon return to Alex’s life … Alex attempts to navigate a Miami underworld that encompasses elements of the surreal and supernatural. But can Alex emerge from this world with her life—and her faith—intact? Can she get past the painful tragedy of her past and discover God’s plan for her future? Readers of general market thrillers, such as Robert Ludlum and Tom Clancy will eagerly anticipate this second installment.
Albuquerque's old Sunshine Theater harbors a deep, dark secret from its vaudeville/silent movie days. But Millie and Andy Milliken don't have a clue when they lease the theater so that Andy's garage band will have a place to play for under-21 audiences. The theater is a mess, but the Millikens manage to clean it up and get it opened. Then they are plagued by a series of near catastrophes: a fire in the balcony is narrowly averted...a huge disc shaped lighting fixture falls from the vaulted ceiling during a grunge show. Fortunately, it lands in the unoccupied balcony rather than the mosh pit so no one is hurt. Millie and Andy are beginning to think someone does not want them to succeed. But Millie suspects someone or something is helping to keep the situation from getting out of hand. She believes the theater may be haunted and that, strange as it may seem, a ghost is acting as a kind of guardian angel. She nicknames the ghost BG for "benevolent ghost," unaware that those initials also stand for Bettina Gaylord, a silent movie star who mysteriously disappeared from the theater in 1928 and was never found. Although Bettina's ghost is unable to prevent a second murder, that of a particularly obnoxious road manager during a big grunge rock show, she does help Millie determine who the killer is. She also leads Millie to her hidden bones. But not before an unarmed Millie faces the killer on the theater's dangerously rickety old wooden fly grid, suspended more than sixty feet above the stage floor.
Historians have only recently established the scale of the violence carried out by the supporters of General Franco during and after the Spanish Civil War of 1936-1939. An estimated 88,000 unidentified victims of Francoist violence remain to be exhumed from mass graves and given a dignified burial, and for decades, the history of these victims has also been buried. This volume brings together a range of Spanish and British specialists who offer an original and challenging overview of this violence. Contributors not only examine the mass killings and incarcerations, but also carefully consider how the repression carried out in the government zone during the Civil War - long misrepresented in Francoist accounts - seeped into everyday life. A final section explores ways of facing Spain’s recent violent past.
Human psychological and physical well-being is damaged and destroyed when people are deliberately killed by other people. There are millions of primary and secondary victims of murder throughout the world, and human society as a whole is a tertiary victim of murder. Despite this, people are often fascinated and engrossed by stories of homicide and killers. This book provides a fascinating exploration of murder, providing an insight into what leads people to kill and what effect this has on society as a whole. This book is organized into five chapters that each answer a specific question on murder: What is Murder? Who Commits Murder? Why Commit Murder? Why is Murder Devastating? Why is Murder Fascinating?
From Jay Feldmen comes an enlightening work about how the most powerful earthquakes in the history of America united the Indians in one last desperate rebellion, reversed the Mississippi River, revealed a seamy murder in the Jefferson family, and altered the course of the War of 1812. On December 15, 1811, two of Thomas Jefferson's nephews murdered a slave in cold blood and put his body parts into a roaring fire. The evidence would have been destroyed but for a rare act of God—or, as some believed, of the Indian chief Tecumseh. That same day, the Mississippi River's first steamboat, piloted by Nicholas Roosevelt, powered itself toward New Orleans on its maiden voyage. The sky grew hazy and red, and jolts of electricity flashed in the air. A prophecy by Tecumseh was about to be fulfilled. He had warned reluctant warrior-tribes that he would stamp his feet and bring down their houses. Sure enough, between December 16, 1811, and late April 1812, a catastrophic series of earthquakes shook the Mississippi River Valley. Of the more than 2,000 tremors that rumbled across the land during this time, three would have measured nearly or greater than 8.0 on the not-yet-devised Richter Scale. Centered in what is now the bootheel region of Missouri, the New Madrid earthquakes were felt as far away as Canada; New York; New Orleans; Washington, DC; and the western part of the Missouri River. A million and a half square miles were affected as the earth's surface remained in a state of constant motion for nearly four months. Towns were destroyed, an eighteen-mile-long by five-mile-wide lake was created, and even the Mississippi River temporarily ran backwards. The quakes uncovered Jefferson's nephews' cruelty and changed the course of the War of 1812 as well as the future of the new republic. In When the Mississippi Ran Backwards, Jay Feldman expertly weaves together the story of the slave murder, the steamboat, Tecumseh, and the war, and brings a forgotten period back to vivid life. Tecumseh's widely believed prophecy, seemingly fulfilled, hastened an unprecedented alliance among southern and northern tribes, who joined the British in a disastrous fight against the U.S. government. By the end of the war, the continental United States was secure against Britain, France, and Spain; the Indians had lost many lives and much land; and Jefferson's nephews were exposed as murderers. The steamboat, which survived the earthquake, was sunk. When the Mississippi Ran Backwards sheds light on this now-obscure yet pivotal period between the Revolutionary and Civil wars, uncovering the era's dramatic geophysical, political, and military upheavals. Feldman paints a vivid picture of how these powerful earthquakes made an impact on every aspect of frontier life—and why similar catastrophic quakes are guaranteed to recur. When the Mississippi Ran Backwards is popular history at its best.
For Inspector Ruiz the death of a young woman in Retiro Park has a significance that even he does not fully understand. An intriguing mystery that paints a vivid picture of a society - and a way of life - on the verge of collapse.
As Spaniards set out to transform the political, social and cultural landscape of the nation following the death of dictator Francisco Franco in 1975, its crime fiction traces, challenges and celebrates these radical changes. Crime Fiction from Spain: Murder in the Multinational State provides a comprehensive exploration of the relationship between detective fiction and national and cultural identities in post-Franco democratic Spain. What sort of stories are told about the nation within the state in the crime genre? How do the conventions of the crime story shape not only the production of national and cultural identities, but also their disruption? Combining criminological theories of crime and community with an analysis of the genre’s conventions, this study challenges the simple classification of Spanish crime fiction as texts written by Spaniards, set in Spain and with Spanish characters. Instead, it develops a dramatic new reading practice which allows for a greater understanding of the role of crime fiction in the construction and articulation of different and, at times, competing, national and cultural identities, including in the Basque Country, Catalonia and Galicia. The book provides a stimulating introduction to the key debates on the study of crime fiction and national and cultural identities in the context of a multinational state.
