Attorney John Lloyd Branson searches for the killer of museum curator Brad Hemphill, who had been found murdered and perched upon a dinosaur skeleton in the Texas Panhandle-Plains Historical Museum. Reprint.
"From accidental murder to a crime of passion, Murder One gives you the nuts and bolts necessary to build your fictional murder scenario. Prosecuting investigators Mauro Corvasce and Joseph Paglino take you step by step through motives, plans, murders and disposal of the bodies. You'll be taken to the scenes of familial murders, set off by simmering feuds; gang murders, from contract hits to drive-by shootings; business and financial murders, guaranteed to silence whistle-blowers; organized crime hits, and the psychology behind the mobs; the little-known vehicular murder, an excellent plot twister; crimes of passion, and the motives that spur them; and bizarre murders, and their real-life investigations;" "Beginning with an overview of murder, the authors also delve into legal definitions and homicide investigations. In these pages, you can also investigate opportunity, weapons, kidnapping and cover-up crimes. The authors augment their chapters with real-life case files and first-hand investigations. From raging spouses to cool contract killers, Murder One is your encyclopedia for inventing murders for your stories and novels."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Blue Ridge Mountains, fun historical tidbits, a hint of the supernatural, and a taste of romance—this bookish cozy mystery series debut about a crime-solving librarian is “one of the best” (New York Journal of Books). Librarian Amy Webber must archive overdue crimes and deadly rumors before a killer strikes again in small-town Virginia . . . Fleeing a disastrous love affair, university librarian Amy Webber moves in with her aunt in a quiet, historic mountain town in Virginia. She quickly busies herself with managing a charming public library that requires all her attention with its severe lack of funds and overabundance of eccentric patrons. The last thing she needs is a new, available neighbor whose charm lures her into trouble. Dancer-turned-teacher and choreographer Richard Muir inherited the farmhouse next door from his great-uncle, Paul Dassin. But town folklore claims the house’s original owner was poisoned by his wife, who was an outsider. It quickly became water under the bridge, until she vanished after her sensational 1925 murder trial. Determined to clear the name of the woman his great-uncle loved, Richard implores Amy to help him investigate the case. Amy is skeptical until their research raises questions about the culpability of the town’s leading families . . . including her own. When inexplicable murders plunge the quiet town into chaos, Amy and Richard must crack open the books to reveal a cruel conspiracy and lay a turbulent past to rest in A Murder for the Books, the first installment of Victoria Gilbert’s Blue Ridge Library mysteries.
Bruce Murphy's Encyclopedia of Murder and Mystery is a comprehensive guide to the genre of the murder mystery that catalogues thousands of items in a broad range of categories: authors, titles, plots, characters, weapons, methods of killing, movie and theatrical adaptations. What distinguishes this encyclopedia from the others in the field is its critical stance.
This volume presents a leading contribution to the substantive arena relating to homicide in the criminal law. In broad terms, the ambit of homicide standardisations in extant law is contestable and opaque. This book provides a logical template to focus the debate. The overall concept addresses three specific elements within this arena, embracing an overarching synergy between them. This edifice engages in an examination of UK provisions, and in contrasting these provisions against alternative domestic jurisdictions as well as comparative contributions addressing a particularised research grid for content. The comparative chapters provide a wider background of how other legal systems treat a variety of specialised issues relating to homicide in the context of the criminal law. The debate in relation to homicide continues apace for academics, practitioners and within the criminal justice system. Having expert descriptions of the wider issues surrounding the particular discussion and of other legal systems’ approaches serves to stimulate and inform that debate. This collection will be a major source of reference for future discussion.
The Encyclopedia of Murder and Violent Crime is edited by a internationally recognized expert on serial killers, covering both murder and violent crime in their variant forms. Included will be biographies, chronologies, special interest inset boxes, up to 100 photos, comprehensive article bibliographies, and appendices for things like famous unsolved cases, celebrity murders, assasinations, original source documents, and online sources for information.
The graphic novel anthology Murder Book collects gritty and unrelenting crime comics by Ed Brisson (Sheltered, The Field, Sons of Anarchy) that chronicle the demise of the immoral and the innocent alike. Featuring art from Michael Walsh (Secret Avengers), Simon Roy (The Field), Johnnie Christmas (Sheltered), Declan Shalvey (Moon Knight), and many more, this collection is an essential for crime and noir fans.
"From the prize-winning biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: can a novel kill? In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. And the missing clue lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Courvoisier finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines the thrilling true-crime story with a illuminating account of the rise of the novel form and the battle for its early soul between the most famous writers of the time. It is a superbly researched, vividly written, fascinating read from first to last"--