San Francisco detective Maggie Elliott had come all the way to Vassar for her fifteenth reunion--only to find that murder was with her on campus. "Consistently entertaining . . . A wry and offbeat heroine".--Kirkus Reviews. Martin's.
With All Our Strength is the inside story of this women-led underground organization and their fight for the rights of Afghan women. Anne Brodsky, the first writer given in-depth access to visit and interview their members and operations in Afghanistan and Pakistan, shines light on the gruesome, often tragic, lives of Afghan women under some of the most brutal sexist oppression in the world.
In January 2002, forty-six-year-old Christa Worthington was found stabbed to death in the kitchen of her Truro, Cape Cod, cottage, her curly-haired toddler clutching her body. A former Vassar girl and scion of a prominent local family, Christa had abandoned a glamorous career as a fashion writer for a simpler life on the Cape, where she had an affair with a married fisherman and had his child. After her murder, evidence pointed toward several local men who had known her. Yet in 2005, investigators arrested Christopher McCowen, a thirty-four-year-old African-American garbage collector with an IQ of 76. The local headlines screamed, “Black Trash Hauler Ruins Beautiful White Family” and “Black Murderer Apprehended in Fashion Writer Slaying,” while the sole evidence against McCowen was a DNA match showing that he’d had sex with Worthington prior to her murder. There were no fingerprints, no witnesses, and although the state medical examiner acknowledged there was no evidence of rape, the defendant was convicted after a five-week trial replete with conflicting testimony, accusations of crime scene contamination, and police misconduct—and was condemned to three lifetime sentences in prison with no parole. Rarely has a homicide trial been refracted so clearly through the prism of those who engineered it, and in Reasonable Doubt, bestselling author and biographer Peter Manso is determined to rectify what has become one of the most grossly unjust verdicts in modern trial history. In his riveting new book he bares the anatomy of a horrific murder—as well as the political corruption and racism that appear to be endemic in one of America’s most privileged playgrounds, Cape Cod. Exhaustively researched and vividly accessible, Reasonable Doubt is a no-holds-barred account of not only Christa Worthington’s murder but also of a botched investigation and a trial that was rife with bias. Manso dug deep into the case, and the results were explosive. The Cape DA indicted the author, threatening him with fifty years in prison. The trial and conviction of Christopher McCowen for rape and murder should worry American citizens, and should prompt us to truly examine the lip service we pay to the presumption of innocence . . . and to reasonable doubt. With this explosive and challenging book Manso does just that.
In this stylish neo-noir set in the mountainous Central Asian republic of Kyrgyzstan, hard-bitten inspector Akyl Borubaev mourns the recent death of his beloved wife--the only humanizing force in his otherwise bleak life as a homicide dective in Bishkek. As he struggles to face his personal pain, Borubaev is assigned to investigate the murder of a young woman whose horribly mutilated body is found dumped in a public park. When Borubaev discovers the woman is the only daughter of Mikhail Tynaliev, the powerful and ruthless Minister of State Security, he realizes the case will probably destroy him, regardless of where the evidence leads. Borubaev begins making enemies everywhere he turns, even as he is aided by a motley assortment of dangerous cutthroats: his wife's uncle Kursan, whose cross-border smuggling is the stuff of local legend; the explosive police chief, who wants the case solved as soon as possible; Saltanat, a beautiful and deadly agent of the Uzbek Security Service; an entire police force of bent cops; and members of the Kyrgyz mafia. All of which would just be another day in the life of Akyl Borubaev--if the investigation didn't turn up a blood-chilling connection to multiple homicides across Kyrgyzstan--including one on a Russian military base.
In 1963, Howard S. Becker gave a lecture about deviance, challenging the then-conventional definition that deviance was inherently criminal and abnormal and arguing that instead, deviance was better understood as a function of labeling. At the end of his lecture, a distinguished colleague standing at the back of the room, puffing a cigar, looked at Becker quizzically and asked, “What about murder? Isn’t that really deviant?” It sounded like Becker had been backed into a corner. Becker, however, wasn’t defeated! Reasonable people, he countered, differ over whether certain killings are murder or justified homicide, and these differences vary depending on what kinds of people did the killing. In What About Mozart? What About Murder?, Becker uses this example, along with many others, to demonstrate the different ways to study society, one that uses carefully investigated, specific cases and another that relies on speculation and on what he calls “killer questions,” aimed at taking down an opponent by citing invented cases. Becker draws on a lifetime of sociological research and wisdom to show, in helpful detail, how to use a variety of kinds of cases to build sociological knowledge. With his trademark conversational flair and informal, personal perspective Becker provides a guide that researchers can use to produce general sociological knowledge through case studies. He champions research that has enough data to go beyond guesswork and urges researchers to avoid what he calls “skeleton cases,” which use fictional stories that pose as scientific evidence. Using his long career as a backdrop, Becker delivers a winning book that will surely change the way scholars in many fields approach their research.
Winner of the Vassar Miller Prize in Poetry, 2008. Ohio Violence starts with scandal: the narrator leads the high school football coach into the cornfields, but as she promises, "nothing happened." In the fields, in the woods, in the dark water of Ohio, something is happening. Girls disappear, turn on each other. Men watch from the rearview as the narrator hedges, changes her mind, then shows all in this break-out collection of bittersweet and cataclysmic lyrics. "Alison Stine writes, 'Believe me.' I am telling you a story, ' and the story she tells us we believe as it unfolds. The poems are moving--beautiful, tragic, death-haunted, and uncanny--like old folk songs and murder ballads--lovely on the tongue, heavy on the heart. As a narrator, Stine does not and will not swerve when faced with the brutal, the adamantine and the ordinary damage that equals a life."--Eric Pankey, judge and author of Reliquaries ALISON STINE is a 2008 winner of a Ruth Lilly Fellowship. She was born in Indiana and grew up in Ohio. A former Wallace Stegner Fellow at Stanford University, she is the author of the chapbook Lot of My Sister, winner of the Wick Prize. Her poems have appeared in such journals as The Paris Review, Poetry, and The Kenyon Review. This is her first book. She lives in Athens, Ohio.
An extraordinary woman living in extraordinary times, Lady Frances Ffolkes is an Edwardian-era suffragette who has an uncanny ability to attract danger and romance. When Major Colcombe, a family friend and war veteran, dies under mysterious circumstances, the good Lady Frances discovers that he was working on a manuscript about South Africa’s bloody Boer War, which reportedly revealed a scandalous mistake that cost many innocent lives. Now, it’s up to Frances and her loyal lady's maid, June Mallow, to track down the missing manuscript and bring the killer to justice. Despite clashes with Scotland Yard and the British Secret Service, Frances never backs down and finds herself in several very unfortunate positions--and one very fortunate love triangle. Death on the Sapphire, R. J. Koreto's witty and winsome series debut, is sure to delight fans of historical mysteries for years to come.
Enduring a life of lonely desperation in spite of her beauty, pedigree, and Park Avenue penthouse, Vera is drawn to a secretive French artist who is painting a mural in her coveted building, a relationship that reminds her about a talented forger from her past who nearly cost her everything.
In Mariah Fredericks's Death of a Showman, the fourth in this absorbing series set in Gilded Age New York, lady’s maid Jane Prescott is thrust into the world of show business, where a killer is stalking Broadway. “A lively upstairs/downstairs mystery.”—New York Times Book Review on A Death of No Importance It is the summer of 1914 and lady’s maid Jane Prescott is back in New York with the Tylers after a glittering society wedding in Europe. On their return, Jane learns another wedding has taken place. Her old dancing partner, Leo Hirschfeld, has married a chorus girl in his new Broadway musical. Jane and Louise Tyler are pulled into the sparkling and scandalous world of Broadway, as a star struck Louise invests in Leo's show, and Jane chaperones her at rehearsals. But behind the glittering facade of the theater, there are rivalries, secret romances, and some very dodgy business practices. When the show's abusive producer, Sidney Warburton, is murdered, the list of suspects is long. Was it the comedic star or her gambler boyfriend? The disgruntled costume designer? The beautiful, blond dancer, her jealous husband? Or was it Leo himself, who had more reason than anyone to hate Sidney Warburton? As the First World war looms in the distance, Jane and tabloid reporter Michael Behan must strip back the masks of these consummate performers before one of them kills again.