Against a tranquil rural backdrop - the sleepy County Cork village of Dripsey near Coachford - a sensational Victorian murder is played out with a potent mix of love, lust, betrayal, and ultimately naked hatred.
This volume explores the ways in which the complicated revolution in British newspapers, the New Journalism, influenced Irish politics, culture, and newspaper practices. The essays here further illuminate the central role of the press in the evolution of Irish nationalism and modernism in the late nineteenth and early twentieth centuries.
This book presents the stories of men and women charged with murder in nineteenth century Ireland. Some were found guilty and sentenced to death and others were sent to the Central Criminal Asylum for Ireland at Dundrum. For those considered to be 'insane' at the time of committing the crime, their fate was an indefinite committal to Dundrum. For those considered responsible for their actions, it meant the death sentence which, in the first half of the century, was often reduced to transportation and, in the second half of the century, to penal servitude within the prison system. Drawing on her specialist knowledge of mental health policy and law, and with unique access to convict records, Prior explores these crimes within the context of criminal justice policies in Ireland at this time. Her examination of previously unexamined records shows that court judgments were highly gendered. The death penalty remained a possibility for anyone found guilty of murder and while the execution of a woman was unusual, it did occur. However, with the opening of a criminal lunatic asylum in 1850, a new approach was possible. Men who killed women and women who killed children began to use the insanity defence very successfully. For some, this was a positive outcome, leading to a short period of detention in Dundrum, but for others it led to a lifetime in an asylum. For those found guilty of the crime, the most frequent outcome was a long stretch in prison. An interesting outcome for many of these convicts was official assistance in emigrating to the US at the end of their sentences - a theme explored in the final chapter. If you are interested in crime in Ireland, in the link between mental disorder and crime, or in the impact of gender on crime and its punishment, this book is for you.
The interplay between crime fact and crime fiction can be detected back to literature's earliest beginnings. True crime has long been the basis of many plots of memorable literature - from Nathaniel Hawthorne's The Scarlet Letter to Jean Genet's play The Maids, there has often been blood on the page.
Six murders. One hundred pages. Millions of possible combinations... but only one is correct. Can you solve Torquemada's murder mystery? 'If James Joyce and Agatha Christie had a literary love child, this would be it.' The Daily Telegraph In 1934, the Observer's cryptic crossword compiler, Edward Powys Mathers (aka Torquemada), released a novel that was simultaneously a murder mystery and the most fiendishly difficult literary puzzle ever written. The pages have been printed in an entirely haphazard order, but it is possible - through logic and intelligent reading - to sort the pages into the only correct order, revealing six murder victims and their respective murderers. Only three puzzlers have ever solved the mystery of Cain's Jawbone: do you have what it takes to join their ranks? Please note: this puzzle is extremely difficult and not for the faint-hearted. 'A unique hybrid of word puzzle and whodunnit.' Literary Review