THE STORY: As told by Kerr, all happens very logically. A little girl has slipped past the gatekeeper and over the garden wall to play with a lonely and put-upon lad. She is quickly shooed out by his mother as 'trash.' It just so happens that the
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
When brilliant actress Colleen Dewhurst died of cancer in 1991, she left behind the almost completed draft of this warm and funny autobiography. Finished after her death by longtime friend Tom Viola, this buoyant portrait sparkles with anecdotes about many great names in entertainment and is filled with the passion and humor which marked Dewhurst's vital life. of photos.
Broadway actress Billie Burke was one of the most sought after young stage beauties of her time, stealing the hearts of Enrico Caruso, Mark Twain, and, most importantly, famed Broadway producer Florenz Ziegfeld, who became her husband. Following Ziegfeld's death, the threats of financial ruin and encroaching age forced Burke to recreate herself as a Hollywood character actress. This biography benefits from the cooperation of the daughter and grandchildren of Burke and Ziegfeld, as well as from anecdotes provided by actors who performed with Burke on the stage and screen. In addition to studying the character and significance of Burke's greatest screen role as Glinda the Good Witch of the North, this richly illustrated book also provides a complete history of Burke's stage, screen, and radio work.
Talk about working from home. . . . Pulling Harvey Out of Her Hat chronicles the story of how Mary Chase—a housewife with three children from a working-class Irish community in Denver, Colorado—became a Pulitzer Prize–winning playwright for Harvey, a Broadway comedy about a gentle soul and his invisible six-foot-and-one-half-inch-tall rabbit friend. This entertaining and inspiring account traces how Chase achieved her dream of becoming a famous playwright while remaining in Denver—where she worked for the Rocky Mountain News, married an editor, and raised a family. Pulling Harvey Out of Her Hat includes many vignettes and unforgettable stories about the theater industry. It brings to life the history of Franklin Roosevelt’s Federal Theatre Project; provides readers with an insider’s view of the Broadway scene in the 1940s; and highlights the importance of theater personalities, including Brock Pemberton (Harvey’s producer), Antoinette Perry (Harvey’s director and namesake for the Tony Awards), and Frank Fay and Jimmy Stewart (actors who played Elwood Dowd, the amiable, slightly tipsy gentleman lead character). The author of fourteen plays, three screenplays, and two award-winning children’s books, Mary Chase created Harvey to counter sadness during the height of World War II. It would win the 1945 Pulitzer Prize (beating out Tennessee Williams’s The Glass Menagerie) and remain to this day one of the most beloved and underappreciated works of the twentieth century.
The Colorado Women's Hall of Fame was founded in 1985, by a group of women who were concerned that both historic and contemporary women who shared foresight, vision, enthusiasm, and the power of accomplishment were not receiving appropriate acknowledgment. Fearful that splendid achievements would be forgotten, they wished to honor women who, during their lifetime, made a significant contribution to Colorado as a state or territory. It is the hope of the founders that by so honoring Colorado's women of consequence, their spirits might inspire future generations.In the first decade since the founding, fifty-nine women were selected for induction. Although historians habitually ignored the vital part that women played in the building of the West, in actuality these women's lives contain plots and characters that would enliven the most gripping novels. We have saints, like Frances Wisebart Jacobs and the theatrical angel Helen Bonfils; activists such as Josephine Roche and Rachel Noel; a scientific genius in Florence Sabin; and visionaries like Dana Crawford. There are tragedies, as with the Tabor wives, and the lighter-hearted tales of Mary Elitch Long and Mary Coyle Chase.Women of Consequence provides a bonanza of role models who opened new frontiers for women in so many fields, including business, journalism and newspaper publishing, science and medicine, law, politics, education, charity work, botany and even taxidermy. These stories are sure to inspire, delight, and instruct readers throughout Colorado, from young adults to senior citizens, whether they've lived here all their lives or moved here recently.
This supplement volume documents the complete history of the development of the awards in the category drama. The presentation is mainly based on primary sources from the Pulitzer Prize Office at the New York Columbia University. The most important sources are the confidential jury protocols, reproduced completely as facsimiles for the first time in this volume, and providing detailed information about each year's evaluation process.
This book concludes Gerald Bordman's acclaimed survey of American non-musical theatre. It deals with the years 1930 to 1969, a period when the number of yearly new plays was shrinking, but a period during which American drama as a whole entered the world stage and became a dominant force. With works like Eugene O'Neill's Long Day's Journey into Night, Tennessee Williams's A Streetcar Named Desire, and Arthur Miller's Death of a Salesman, American theater finally reached adulthood both dramatically and psychologically. Bordman's lively, authoritative study covers every Broadway production, as well as every major off-Broadway show. His discussion moves season by season and show by show in chronological order; he offers plot synopses and details the physical production, directors, players, theaters, and newspaper reviews. This book stands together with the preceding volumes of American Theatre as the premier history of American drama.
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