Maude Applegate persuades Mr. Death to spare her true love, Billy Bangtry, but when he ungratefully recovers, Maude decides she would rather be with Mr. Death
A unique compendium of anthropomorphic personifications of death from historical to present day phenomenon including traditional and non-traditional death encounters told in the words of those who have experienced this growing phenomenon.
This edition of 'Our Name is Melancholy' has been revised, re-edited and expanded to include an all-new Book 3 and 4 as well as additions to the original manuscript. Readers and reviewers hailed the First Edition of this book as: the most fascinating book of the 20th century. It sparked a subtle revolution in the way we deal with death in general, and Death the entity. It brought us up close and personal with the melancholy spectre commonly known as the Grim Reaper. The book's aim is to bring humanity to a greater understanding of His purpose here, and hereafter. Through the Angel of Death's own words and the writings of His incarnate soul mate, this awesome spirit reveals to all His true nature and purpose. A haunting 'autobiography' of the Angel of Death, this revelationary testament is both mighty in sorrow, and joy. Azrael is an eerie herald who has come to enchant the world with a divine danse macabre. For the ultimate tale of Love and Death is, indeed, a True Story.
A philandering professor on the faculty of an Ivy League school is found murdered, setting off ripple effects of anxiety, suspicion, and panic in this Edgar Award-winning classic from 1946. The Horizontal Man was Helen Eustis's only crime novel, and she won an Edgar Award for it, combining a wildly disparate set of elements into an enduringly fascinating work. In its way it is a classical whodunit that stands comparison with old-school practitioners such as Agatha Christie or Dorothy Sayers. This mystery transpires in the rarefied precincts of the English department of a venerable New England college, one very much of the restless postwar moment, echoing with references to Freud and Kafka. Eustis finds comedy high and low in a cavalcade of characters bursting at the seams with repressed sexual longings and simmering malice. Beyond the satire, she stirs up--with a narrative whose multiple viewpoints give the book a striking modernistic edge--a troubling sense of the mental chaos lurking just beneath the civilized surfaces of her academic setting.
In a world where being of mixed-blood is a major liability, Sabina Kane has the only profession fit for an outcast: assassin. But, her latest mission threatens the fragile peace between the vampire and mage races and Sabina must scramble to figure out which side she's on. She's never brought her work home with her -- -until now. This time, it's personal.
Murder Among Supervillains As a professor of popular culture in his day job, amateur sleuth Sebastian McCabe knows a bit about superheroes, supervillains, and the various graphic novel universes. But that's not much help when murder strikes at the Tri-State Comic Book Expo. Potential suspects number in the thousands, including some A-list Hollywood actors as well as comic book professionals and a collector. It all begins with Erin, Ohio-based artist-writer Parker Williams, creator of the superhero Red Falcon, being accused of plagiarizing the character of his newest supervillain, Queen Bee. Mac and best friend Jeff Cody take a special interest because they know Williams from another case. When accuser Gavin Frost-Pierson and Williams both shows up at the Expo, tensions run high. Before long, McCabe and Cody are dealing with murder in an elevator and a dying message that leads to a search for the mysterious woman in red-or perhaps not a woman at all-at an event in which many participants are costumed for cosplay. And in this third year of COVID, some individuals are un-costumed participants still wearing masks as well. Then again, not all masks are obvious. Who has a murderous heart? And what role does a forged comic book cover play? When a suspect flees police after the second murder, Police Chief Oscar Hummel is convinced he has the murderer. Sebastian McCabe is certain his old friend is wrong but has a hard time coming up with an alternative theory.
A Vindication of the Redhead investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as Anne of Green Gables and Pippi Longstocking, contemporary and Neo-Victorian representations of redheads from the Black Widow to The Girl with the Dragon Tattoo, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse.
The Bodily Unconscious in Psychoanalytic Technique explores how corporeality and body memory can be more strongly integrated into psychoanalytic work. This book brings together an international range of contributors to consider the bodily unconscious from different theoretical perspectives. Concepts from the work of Freud, Bion, Winnicott, Lacan, Laplanche, and Fonagy are developed with the aim of incorporating body memory into psychoanalytic technique. The contributors consider how severe and complex clinical states, dominated by bodily symptoms and disorganization, can be approached with methods that go beyond classical interpretation. The book includes ten case histories and discussion of key themes including transference and countertransference, feelings of corporeality and bodily sensations, and features clinical material throughout. The Bodily Unconscious in Psychoanalytic Technique will be essential reading for psychoanalysts and psychoanalytic psychotherapists in practice and training, particularly those interested in somatic approaches.