Neville Chamberlain was a truly pivotal figure in British and International politics, with a long and distinguished career in government. Yet despite this record, he generally is only remembered for his trip to Munich in 1938 and the appeasement of Hitler. In this biography the whole of Chamberlain's political career is examined and put into its national and international context to provide a much fuller and fairer account of his life and career than has hitherto been available.
Most studies of World War II assume that it was, in some way, a triumph for Britain. John Charmley’s important new reappraisal of the immediate origins of the war is based on extensive new work in the Chamberlain papers. It starts from Chamberlain’s belief that even a victorious war would be a disaster—it would destroy the foundations of British power and hand over Europe to Russian domination. Reconstructing Chamberlain’s policy assumptions, Mr. Charmley argues that they were neither naïve nor foolish. While focusing on the prime minister’s personality, he also shows that Chamberlain’s views were shared by many other leading politicians and diplomats. Mr. Charmley thus resurrects a whole school of thought on foreign policy which was forgotten in the wake of Churchill’s triumph. Unlike Churchill, Chamberlain was not prepared to gamble an empire; but events produced, according to Mr. Charmley, indeed a “human tragedy.” Early British reviews of the book have called it “important,” “entertaining and absorbing,” “concise and spirited,” and “provocative.” The Guardian wrote: “Chamberlain hardly emerges a hero from these pages, but at least there is no excuse left for regarding him as no more than a wimp in a wing-collar.”
Neville Chamberlain is remembered today as Hitler's credulous dupe, the man who proclaimed in September 1938 that the Munich agreement guaranteed 'peace in our time'. This is a magisterial reappraisal of Chamberlain and his legacy. It reveals the nuances of a complex and sensitive man who was a true radical and a man of passion, especially in all that concerned the welfare of his fellow citizens. As Minister of Health, Chancellor and Prime Minister, he presided over a fundamental modernisation of Britain, shuttingthe door on the Victorian age, ending free trade, improving living conditions and abolishing the Poor Law and the workhouse. Munich was much more than the traditional narrative suggests. Scarred by the death of his cousin in the First World War, Chamberlain was determined to ensure that a new generation was spared the tragic waste that had consumed their elders. Even so, he prepared for war while he worked for peace. The aircraft that won the Battle of Britain were built on his watch. He didn't win the Second World War, but it was he who ensured it wasn't lost in 1940.
In Shattered Love, Richard Chamberlain poignantly recounts his lifelong struggle to find happiness. Tracing a fascinating path over his meteoric rise to success, he chronicles his struggle to come to terms with his own imperfections, his growing desire to be honest about his sexual orientation, and his yearning to live with an open heart. And along the way he imparts the lessons he has learned about overcoming our own self–imposed obstacles to happiness.
Trevor Chamberlain's watercolour paintings are a celebration of light and atmosphere, and his skill in painting directly from nature to capture the mood of his subjects has earned him an enviable reputation among both amateur and professional artists. Here Trevor Chamberlain offers a fascinating glimpse over his shoulder as he describes his approach to interpreting the effects of light and weather using the limited watercolourist's palette. Mood in nature is his constant source of inspiration and his favoured subjects are marine, town and landscape. He particularly enjoys capturing the transient aspects of the English weather but he has also travelled extensively and enjoys the challenge of confronting the unfamiliar light and surroundings in exotic locations such as Egypt, Iran and India. An artist of the plein air tradition, he always paints directly from nature at first hand, an approach which he enthusiastically recommends to readers of this book.
