Prepare to be enthralled as Margery Allingham presents a collection of seven extraordinary cases from the illustrious career of the enigmatic Mr. Campion. In this mesmerizing compilation, Allingham meticulously selects each case to offer readers a captivating glimpse into the brilliant mind of the celebrated criminologist. Among the intricate mysteries, 'The Late Pig' stands as a testament to Campion's unparalleled deductive prowess.
A man is killed five months after his funeral, in a tale by “one of the greatest mid-20th-century practitioners of the detective novel” (Alexander McCall Smith). Private detective Albert Campion is summoned to the village of Kepesake to investigate a particularly distasteful death. The body turns out to be that of Pig Peters, freshly killed five months after his own funeral. Soon other corpses start to turn up, just as Peters’s body goes missing. It takes all Campion’s coolly incisive powers of detection to unravel the crime. The Case of the Late Pig is, uniquely, narrated by Campion himself. In Allingham’s inimitable style, high drama sits neatly beside pitch-perfect black comedy. A heady mix of murder, romance, and the urbane detective's own unglamorous past make this an Allingham mystery not to be missed. “My very favourite of the four Queens of Crime is Allingham.”—J. K. Rowling “Margery Allingham deserves to be rediscovered.”—P.D. James
DigiCat Publishing presents to you this special edition of "Mr. Campion: Criminologist" by Margery Allingham. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A baker's dozen of stories in which Mr Albert Campion, the gentle detective, relieves friends and acquaintances from inconveniences of assault, blackmail, confidence tricks and the like. At the close of one short, sharp case of espionage, Superintendent Oates remarks, "Campion, you frightened me. Something looks after you". He's right - and it is generally the young detective's legion of disreputable friends.
A VINTAGE MURDER MYSTERY Agatha Christie called her ‘a shining light’. Have you discovered Margery Allingham, the 'true queen' of the classic murder mystery? A baker’s dozen of cases, each putting Albert Campion through his paces. In this miscellany of villainy, our unconventional sleuth must contend with misbehaving debutantes, sinister smuggling rings, a Dowager Countess who’s not all that she seems, an SOS message daubed in lipstick, a beleaguered New York socialite, and an elderly Egyptologist indulging in some bad behaviour...
A collection of thirteen short stories brings back an acclaimed Golden Age mystery author’s beloved sleuth, as well as a host of fresh characters and genres. Margery Allingham fans will delight at being reunited with the Queen of Crime’s most thrilling detective, Albert Campion. From capers and traditional mysteries to slice-of-life stories, romantic tales, and even a Christmas story, this anthology is a must-have for Allingham enthusiasts, as well as readers who have yet to discover the esteemed English author. Praise for Margery Allingham “Margery Allingham stands out like a shining knight.” —Agatha Christie “My very favourite of the four Queens of crime is Allingham.” —J.K. Rowling “Margery Allingham deserves to be rediscovered.” —P.D. James “Spending an evening with Campion is one of life’s pure pleasures.” —The Sunday Times “Startlingly good.” —The Guardian “At once exciting and amusing.” —The New York Times
THE #1 TRUE CRIME BESTSELLER. Serial killings, child abductions, organised crime hits and domestic murders. This is the memoir of a homicide detective. WINNER OF 2021 DANGER PRIZE FOR NON-FICTION Here I am: tall and broad, shaved head, had my nose broken three times fighting. Black suit, white shirt, the big city homicide detective. I've led investigations into serial killings, child abductions, organised crime hits and domestic murders. But beneath the suit, I've got an Om symbol in the shape of a Buddha tattooed on my right bicep. It balances the tattoo on my left ribs: Better to die on your feet than live on your knees. That's how I choose to live my life. As a cop, I got paid to catch killers and I learned what doing it can cost you. It cost me marriages and friendships. It cost me my reputation. They tell you not to let a case get personal, but I think it has to. Each one has taken a piece out of me and added a piece, until there's only pieces. I catch killers - it's what I do. It's who I am. Gary Jubelin was one of Australia's most celebrated detectives, leading investigations into the disappearance of preschooler William Tyrrell, the serial killing of three Aboriginal children in Bowraville and the brutal gangland murder of Terry Falconer. During his 34-year career, Detective Chief Inspector Jubelin also ran the crime scene following the Lindt Cafe siege, investigated the death of Caroline Byrne and recovered the body of Matthew Leveson. Jubelin retired from the force in 2019. This is his story.
Previous editions ('Social Skills in Interpersonal Communication') have established this work as the standard textbook on communication. Directly relevant to a multiplicity of research areas and professions, this thoroughly revised and updated edition has been expanded to include the latest research as well as a new chapter on negotiating. Key examples and summaries have been augmented to help contextualise the theory of skilled interpersonal communication in terms of its practical applications. Combining both clarity and a deep understanding of the subject matter, the authors have succeeded in creating a new edition which will be essential to anyone studying or working in the field of interpersonal communication.
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
THE FIRST CAMPION MYSTERY 'Margery Allingham stands out like a shining light' Agatha Christie A suspicious death and a haunted family heirloom were not advertised when Dr George Abbershaw and a groupof London's brightest young things accepted an invitation to the mansion of Black Dudley. Skulduggery is most certainly afoot, and the party-goers soon realise that they're trapped in the secluded house. Amongst them is a stranger who promises to unravel the villainous plots behind their incarceration - but can George and his friends trust the peculiar young man who calls himself Albert Campion?
