Clementine von Radics writes of love, loss, and the uncertainties and beauties of life with a ravishing poetic voice and piercing bravura that speak directly not only to the sensibility of her generation, but to anyone who has ever been young.
This collection bravely explores life at its darkest and most inspiring moments—drawing on central themes of love, loss, mental health, and abuse. An attempt to understand and to be understood, In a Dream You Saw a Way to Survive is an ode to vulnerability that delivers concentrated, thought-provoking, and earnest verse.
For Teenage Girls celebrates the incendiary brilliance and limitless promise of young women — our daughters, sisters, friends, ourselves. Drawing on the legacy of Joan of Arc, Anne Frank, Malala, Cleopatra, Sacajawea, and other young women who dared to believe in themselves, poet Clementine von Radics calls on a new generation of girls to trust their hearts, follow their paths, and light up their worlds. Clementine's video performance of "For Teenage Girls" is an internet sensation, and has won praise from Bustle, The Huffington Post, Smart Girls at the Party, Hello GIggles, and Everyday Feminism. This special edition makes a beautiful gift and powerful talisman — a book to give, to keep, to live by.
Dream Girl is a reflection on girlhood by 24 year-old poet Clementine von Radics. The collection is about the ways idealization leads to dehumanization, perception versus reality, sexism, feminism, mania, love, and Oregon. Dream Girl features poems that have gone viral on tumblr and Button Poetry, as well as 30 new poems, and illustrations by the author. This book is the much-anticipated second collection by Clementine von Radics.
“A literary landmark” that spans the author’s complex life and career—“Gellhorn’s prose . . . is at its finest in the letter form” (Francine du Plessix Gray, The New York Times Book Review). Martha Gellhorn’s reporting brought her to the front lines of virtually every significant conflict from the Spanish Civil War to the end of the cold war. While Gellhorn’s wartime dispatches rank among the best of the twentieth century, her personal letters are their equal: as vivid and fascinating as her reporting was trenchant. Gellhorn’s correspondence introduces us to the woman behind the often-inscrutable journalist, chronicling her friendships with world-famous luminaries as well as her tempestuous marriage to Ernest Hemingway. Caroline Moorehead, Gellhorn’s critically acclaimed biographer, was granted exclusive access to the letters. This expertly edited volume contextualizes Gellhorn’s correspondence within the arc of her entire life; the result is an intimate portrait of one of the most accomplished women of modern times. A Washington Post Best Nonfiction Book of 2006 A Slate Best Book of 2006 A Kansas City Star Noteworthy Book of 2006
Now a major motion picture starring Amanda Seyfried and Finn Wittrock. Compared to seminal feminist works such as Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sylvia Plath’s The Bell Jar, A Mouthful of Air is a powerful, tragic statement on motherhood, family, and survival. A Mouthful of Air is a compassionate and wrenching portrait of Julie Davis, a young wife and mother torn between the love she feels for her family and the voice in her head that insists they’d be better off without her. We meet Julie several weeks after her suicide attempt, on the eve of her son’s first birthday. Grateful to be alive, Julie tries her best to appreciate every moment—“this tree, that passing car, the pretzel guy up ahead on the corner. She has, for whatever reason, been given a second chance”—but her emotional demons are unrelenting, and she is slowly and quietly losing the battle. Within the narrative of A Mouthful of Air is an argument about the nature of depression—its causes, cures, and the price it exacts from its victims. With spare, elegant prose, this brutally honest portrayal of family and self illuminates the power and complexity of the human psyche. Originally published in 2003, A Mouthful of Air now includes an afterword by author Adrienne Miller.
A stage adaptation of Katherine Boo's National Book Award-winning study of life in a Mumbai slum India is surging with global ambition. But beyond the luxury hotels surrounding Mumbai airport lies a makeshift slum, Annawadi, full of people with plans of their own. Zehrunisa and her son Abdul aim to recycle enough rubbish to fund a proper house. Sunil, twelve and stunted, wants to eat until he's as tall as Kalu the thief. Asha seeks to steal government antipoverty funds to turn herself into a "first-class person," while her daughter Manju intends to become the slum's first female graduate. But their schemes are fragile; global recession threatens the garbage trade, and another slum dweller is about to make an accusation that will destroy herself and shatter the neighborhood. For Behind the Beautiful Forevers, journalist Katherine Boo spent three years in Annawadi recording the lives of its residents. From her uncompromising book, David Hare has fashioned a tumultuous play on an epic scale.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY “Inspiring . . . extraordinary . . . [Katherine Boo] shows us how people in the most desperate circumstances can find the resilience to hang on to their humanity. Just as important, she makes us care.”—People “A tour de force of social justice reportage and a literary masterpiece.”—Judges, PEN/John Kenneth Galbraith Award ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times • The Washington Post • O: The Oprah Magazine • USA Today • New York • The Miami Herald • San Francisco Chronicle • Newsday In this breathtaking book by Pulitzer Prize winner Katherine Boo, a bewildering age of global change and inequality is made human through the dramatic story of families striving toward a better life in Annawadi, a makeshift settlement in the shadow of luxury hotels near the Mumbai airport. As India starts to prosper, the residents of Annawadi are electric with hope. Abdul, an enterprising teenager, sees “a fortune beyond counting” in the recyclable garbage that richer people throw away. Meanwhile Asha, a woman of formidable ambition, has identified a shadier route to the middle class. With a little luck, her beautiful daughter, Annawadi’s “most-everything girl,” might become its first female college graduate. And even the poorest children, like the young thief Kalu, feel themselves inching closer to their dreams. But then Abdul is falsely accused in a shocking tragedy; terror and global recession rock the city; and suppressed tensions over religion, caste, sex, power, and economic envy turn brutal. With intelligence, humor, and deep insight into what connects people to one another in an era of tumultuous change, Behind the Beautiful Forevers, based on years of uncompromising reporting, carries the reader headlong into one of the twenty-first century’s hidden worlds—and into the hearts of families impossible to forget. WINNER OF: The PEN Nonfiction Award • The Los Angeles Times Book Prize • The American Academy of Arts and Letters Award • The New York Public Library’s Helen Bernstein Book Award NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • People • Entertainment Weekly • The Wall Street Journal • The Boston Globe • The Economist • Financial Times • Foreign Policy • The Seattle Times • The Nation • St. Louis Post-Dispatch • The Denver Post • Minneapolis Star Tribune • The Week • Kansas City Star • Slate • Publishers Weekly
Please Come Off-Book queers the theatrical canon we all grew up with. Kantor critiques the treatment of queer figures and imagines a braver and bolder future that allows queer voices the agency over their own stories. Drawing upon elements of the Aristotelian dramatic structure and the Hero's Journey, Please Come Off-Book is both a love letter to and a scathing critique of American culture and the lenses we choose to see ourselves through.
"God, what gorgeous writing. Like I do with all great books, I kept have to stop and step away every few pages to think about what I'd just read. Crybaby is tender and full of carefully chosen, luxurious language. It's poem after poem of sensual, wide-eyed desire and a total rejection of shame. There was something I wanted to tattoo or study or steal on every page." - Clementine von Radics, author of Mouthful of Forevers & founder of Where Are You Press "Crybaby is a masterpiece. This collection is one of the greatest triumphs of Caitlyn Siehl's young career. There are few poets who simultaneously reveal the wonder in everyday life and expand our understanding of the world. Caitlyn is one of those poets. She perfectly balances radical tenderness and gritty truth telling in her sophomore collection. There is a ravenous appetite in her words, a deep yearning to achieve complete wholeness. This hunger empowers readers to explore their identities and discover their best parts. Crybaby is a compelling read from cover to cover. Bring it home to someone you love. Allow your heart to be expanded by this collection; there is truly something here for everyone." - Christian Sammartino, co-founder & editor-in-chief for The Rising Phoenix Review "Crybaby cries with you. Caitlyn's second collection is what every second collection should be: equal parts heartbreak, forgiveness and honesty so clear it hurts. I read this and couldn't believe I didn't have something like this to turn to when I was younger. Hell, I regret that I didn't have this last year. Caitlyn possesses a true gift in writing about the things that hurt us, the things that haunt us, and the things that also give us endless hope. I am breathless from the sheer unapologetic way in which she describes the mundane nuances of everyday life-from the pancakes to the flowerbeds and all the lovers in-between. Caitlyn's collection tells you that you're going to fall, but more importantly, it shows you how to do it. A triumph." - Kristina Haynes, author of It Looked A Lot Like Love & Chloe