Burnt-out social worker Amalie Holmes thinks she's finally caught a lucky break in the form of a free cottage from her mystery Great-Aunt. With nothing to lose, Amalie heads for the hills, or, in this case, the mountains. Turns out the cottage comes with a big family secret: Amalie is from a long line of witches. She quickly discovers that living in a new town isn't easy, especially when lightning strikes whenever she loses her temper! When an orphaned eleven-year-old stands accused of murder, Amalie's social worker instincts compel her to solve the case and clear the child, even if it means digging into painful secrets the town considers long buried. Secrets that paint a target on her back. Between her crazy family, magic lessons, investigating a murder, and the sexy wizard detective hell-bent on keeping her in line, Amalie's not sure which one will be the death of her first - her newfound abilities or the killer.
Perched among peaks that loom over heat-shimmering plains, hill stations remain among the most curious monuments to the British colonial presence in India. In this engaging and meticulously researched study, Dane Kennedy explores the development and history of the hill stations of the raj. He shows that these cloud-enshrouded havens were sites of both refuge and surveillance for British expatriates: sanctuaries from the harsh climate as well as an alien culture; artificial environments where colonial rulers could nurture, educate, and reproduce themselves; commanding heights from which orders could be issued with an Olympian authority. Kennedy charts the symbolic and sociopolitical functions of the hill stations over the course of the nineteenth and early twentieth centuries, arguing that these highland communities became much more significant to the British colonial government than mere places for rest and play. Particularly after the revolt of 1857, they became headquarters for colonial political and military authorities. In addition, the hill stations provided employment to countless Indians who worked as porters, merchants, government clerks, domestics, and carpenters. The isolation of British authorities at the hill stations reflected the paradoxical character of the British raj itself, Kennedy argues. While attempting to control its subjects, it remained aloof from Indian society. Ironically, as more Indians were drawn to these mountain areas for work, and later for vacation, the carefully guarded boundaries between the British and their subjects eroded. Kennedy argues that after the turn of the century, the hill stations were increasingly incorporated into the landscape of Indian social and cultural life. Perched among peaks that loom over heat-shimmering plains, hill stations remain among the most curious monuments to the British colonial presence in India. In this engaging and meticulously researched study, Dane Kennedy explores the development and history of the hill stations of the raj. He shows that these cloud-enshrouded havens were sites of both refuge and surveillance for British expatriates: sanctuaries from the harsh climate as well as an alien culture; artificial environments where colonial rulers could nurture, educate, and reproduce themselves; commanding heights from which orders could be issued with an Olympian authority. Kennedy charts the symbolic and sociopolitical functions of the hill stations over the course of the nineteenth and early twentieth centuries, arguing that these highland communities became much more significant to the British colonial government than mere places for rest and play. Particularly after the revolt of 1857, they became headquarters for colonial political and military authorities. In addition, the hill stations provided employment to countless Indians who worked as porters, merchants, government clerks, domestics, and carpenters. The isolation of British authorities at the hill stations reflected the paradoxical character of the British raj itself, Kennedy argues. While attempting to control its subjects, it remained aloof from Indian society. Ironically, as more Indians were drawn to these mountain areas for work, and later for vacation, the carefully guarded boundaries between the British and their subjects eroded. Kennedy argues that after the turn of the century, the hill stations were increasingly incorporated into the landscape of Indian social and cultural life.
Adopting and transforming the Romantic fascination with mountains, modernism in the German-speaking lands claimed the Alps as a space both of resistance and of escape. This new 'cult of mountains' reacted to the symptoms and alienating forces associated with modern culture, defining and reinforcing models of subjectivity based on renewed wholeness and an aggressive attitude to physical and mental health. The arts were critical to this project, none more so than music, which occupied a similar space in Austro-German culture: autonomous, pure, sublime. In Modernism and the Cult of Mountains opera serves as a nexus, shedding light on the circulation of contesting ideas about politics, nature, technology and aesthetics. Morris investigates operatic representations of the high mountains in German modernism, showing how the liminal quality of the landscape forms the backdrop for opera's reflexive engagement with the identity and limits of its constituent media, not least music. This operatic reflexivity, in which the very question of music's identity is repeatedly restaged, invites consideration of musical encounters with mountains in other genres, and Morris shows how these issues resonate in Strauss's Alpine Symphony and in the Bergfilm (mountain film). By using music and the ideology of mountains to illuminate aspects of each other, Morris makes an original and valuable contribution to the critical study of modernism.
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
An innovative self-help system for learning and mastering rhythm basics. Using simple language, the Rhythm Sight-Readers define all basic rhythm values - including syncopation, ties, rests, & time signatures - and teach the student through step-by-step instructions how to sight-read rhythm notation on his instrument. "Understanding is doing" is the underlying philosophy of this unique method designed to stimulate creativity and musicality. Each book contains numerous rhythm pieces to be played as duets or trios making A Rhythm Sight-Reader invaluable for both private and class instruction.
The squirrel family must move to a new house, but Nonu's not happy Little Nonu Squirrel, playful and daring, has just moved into his new house with Papa Squirrel and Mummy Squirrel. As he starts exploring his new neighbourhood, he realizes there are many exciting adventures in store. He learns to skate with his newly-found friend Nicole, enjoys being fed tasty nut cakes by her Grandma, eats juicy mangoes with the Mango Gang and indulges in some crazy shenanigans with Cousin Danny. But life’s not all mangoes and skateboards. Voracious Goonda cat is on the hunt—will Nonu become his next meal?
Magic Mountain is a story about a talking mountain that goes to sleep because people stop coming to hear his stories. When two children come to camp with their parents in the valley of Magic Mountain, they learn about Magic from a wise old owl and decide to journey up the mountain to see if they can awaken him and hear his stories. This story is an adventure into a special way of listening, of waking up and about the beauty of nature in a changing world.
Christian F. Brunner, author of several books on shamanism in the Alps, has practiced ancient healing methods for over twenty years. He is also a Druid in the Order of Bards, Ovates and Druids, contributing regularly to the Order's monthly magazine, ""Touchstone."" The author invites you to take a stroll with him through his beloved Alps, where myths and folk customs still sing of the people who lived there in antiquity, the Celts. Walk with the author along the narrow ridge between history and otherworld, which we encounter behind many a jagged rock, in a deep forest, or dark cave. We will meet giants there, mystical ladies, and the Kasermandl; and all have fascinating stories to tell. Learn what the Alpine people of old thought about Vervain and how ancient magical spells connected folks on continent with their brethren on the British Isles. And finally, you can go with Christian Brunner on a shamanic journey to Mutter Perchtl and thus participate in the remembrance of the Great Goddess.
The exciting pieces in these collections are designed to entertain, reinforce and enhance the important music and technical skills being studied during the early levels. Students will develop their own magical imaginations with the repertoire contained in this series.
