Nearly all glass makers (unless they are blowing glass) need moulds which can go in the kiln, as part of the process of creating their work. Currently glass students and makers get their expertise and recipes from lots of different sources, picking out the relevant bits and pieces which they need from other glass and ceramic books. This book aims to introduce all the mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. It helps the student to learn which methods are appropriate for different types of work, and covers all the basics of how to make your mould. It also includes practical information on sourcing, storing, using and recycling materials, and how to develop your own recipes and methods for particular projects. It also covers where to start with writing programmes for kiln firings including annealing and cooling. It also contains images from well-known artists working in cast glass throughout.
Glass casting is an exciting and versatile process involving chunks of molten glass melted into a mould, where it solidifies. This practical book explains the glass casting process, from the initial search for inspiration through to simple and then more complex casting. With step-by-step instructions and supporting photographs, it is an accessible and thorough account of this challenging and beautiful process. Topics covered include: advice on kilns and studio equipment; step-by-step projects in open casting, lost-wax casting, part-mould making, burn-out moulds and core casting; ideas for experimentation to increase the scale of your work, explore surface pattern and use other materials; instruction on de-moulding and finishing, and further tips on reusing materials in the studio. Of great interest to glass designers, glass blowers, craftsmen, jewellers, sculptors and interior designers, it is superbly illustrated with 184 colour photographs. Amy Whittingham is a glass artist and sculpture who specializes in mouldmaking.
Mouldmaking and Casting is a technical manual of the many techniques of this ancient craft and art form. With step-by-step illustrations, it explains the materials required and the processes involved to create reproductions of a range of pieces. The book covers traditional techniques as well as today's more advanced technical methods.
Are you ready to take the 'Next Step in Fused Glass Forming? The innovative Mold Block System presented in this book is certain to trigger a creative leap to the next level in glass fusing. These Mold Blocks are particularly well suited for use in portable tabletop kilns, offering the ability to create glass forms that are difficult to produce any other way. It's fun and exciting to design unique mold configurations that continually offer a twist to standard fused glass shapes. Presented in an easy to follow self-directed format starting with an examination of the mold material and cutting the mold block components. Then the book moves into a complete guide from start to finish through the creation of a glass project, including an essential tutorial describing the process to manually fire a tabletop kiln. This book is the first title in the new 'Next Step Art Glass' series by Wardell Publications Inc. The basic concept for this series will be to offer focused instruction for advanced or specialised techniques to guide a crafter from their current skill set to the Next Step in art glass.
An authoritative, extensively illustrated guide to making glass objects in a kiln. Provides detailed information on the history and traditional techniques of using a kiln in glasswork, along with instructions and examples designed to help you understand all the steps each technique requires.
Jayne Persico brings her fresh and timeless style to the art of 'Glass Kiln Casting'. This inspirational yet thoroughly practical guide presents lush photographs of beautifully finished pieces that will capture the imagination. The clear and simple instructions will enable fusers of any skill level to achieve amazing 3-dimensional creations. 'Glass Kiln Casting' is a book offering over 260 colour photographs in 12 chapters that will inspire dozens of exceptional projects. The opening chapter features invaluable information covering frit casting moulds, tools, equipment and kilns, plus an in-depth yet simple approach to working with digital kiln controllers. This book is sure to become a studio favourite that fusers of all levels will refer to time and again. Jayne's take-you-by-the-hand writing style guides crafters through the frit casting process. She'll show you how to make frit cast jewellery, plates and bowls with amazing results that will impress everyone who views your creations.
Kiln Forming Glass captures the excitement of working with glass and explains the techniques involved in this stimulating sphere of glass making. It discusses numerous aspects of this exciting and absorbing method of working. This practical instruction is accompanied by striking visual images of kiln formed glass by established glass artists, as well as unique snapshots of some of their own making processes. Topics covered include: *Technical aspects of glass - its physical characteristics, compatibility and annealing issues *Materials and equipment - a look at the wide array of glass materials and tools available *Detailed analysis of techniques - fusing, slumping, kiln casting and pâte de verre *Step-by-step guides to completing projects with practical information and firing guides *An in-depth look at the lost wax technique for kiln casting glass *Further and more advanced kiln forming methods to extend creativity and skills AUTHOR: Helga Watkins-Baker is a practicing glass artist. She trained in architectural stained glass, undertook postgraduate studies in kiln techniques for glass at Central St Martin's College, London, and an MA in Glass at Wolverhampton University, specializing in kiln forming. She has served as chairperson of the Contemporary Glass Society, curated major exhibitions of South-West England glass makers and also worked as a freelance glass consultant. She has completed numerous private and public commissions in glass. In 200 she co-founded the Liquid Glass Centre in Wiltshire, where she continues to teach kiln techniques for glass. It has been her experience of teaching kiln forming to many new and established glass devotees which has provided the inspiration for this book. SELLING POINTS: *Captures the excitement of working with glass and explains the techniques involved in this stimulating sphere of glass making. *Written for both novice and the more experienced glass maker, it provides a comprehensive analysis of the processes involved, as well as practical projects to undertake and technical information about firing glass in a kiln. *A discussion of the technical aspects of glass-its physical characteristics, compatibility and annealing issues *Materials and equipment - a look at the wide array of glass materials and tools available *Detailed analysis of techniques-fusing, slumping, kiln casting and pate de verre ILLUSTRATIONS 250 photographs
A straightforward, practical guide for those interested in the boundless possibilities of this ceramic technique. The book contains more than one hundred color illustrations, diagrams, and slip formulas, plus examples of the slipcast work of contemporary ceramicists from around the world.
Mould making and the lost wax casting of metals for fine art are long-established techniques, which involve both artistic and material science considerations. The methods described in Fine Art Metal Casting cross a broad range of disciplines, from ceramics and glass through to jewellery and areas of conservation, archaeology, and palaeontology, where replicas must be made. This book provides a unique, all-encompassing, visually-based demonstrative source which will prove invaluable for art-, craft-, and design-based practitioners, art historians and curators, scientists and conservators, and researchers and students.
"The splendor of Islamic glass is revealed in this publication, the first major study of the subject in over seventy years. Glass objects rarely bear inscriptions that provide vital information, and being so readily portable, they have throughout history been carried far from their place of origin. In a feat of patient scholarship, Stefano Carboni draws on a hugh range of sources in many languages and from many disciplines to produce this comprehensive history of Islamic glassmaking. The book is a catalogue of the superb al-Sabah Collection in Kuwait and includes clear and informative introductions to each period, as well as detailed descriptions of some 500 individual objects and fragments, accompanied by hundreds of colour photographs and specially commissioned line drawings. It begins with the legacy of Roman and Sasanian Persian traditions in the early years of Islam and extends well over a thousand years to the last phase of glass production in Mughal India and Safavid and Qajar Iran in the eighteenth and nineteenth centuries. The discussion covers a huge assortment of glass forms and decorative techniques, including the enamelled and gilded glass of thirteenth- and fourteenth-century Egypt and Syria, still unsurpassed in its magnificence, as well as many lesser-known categories of glass common to both the early and medieval periods in many locations, ranging from the undecorated to those with applied, cut, moulded or impressed decoration."--Back cover.
