Scholars have long debated the nature of Maya political organization during the Classic period (AD 250-950). Complex questions regarding political centralization, economic change, and the role of politics and economics in the rise and collapse of the civilization have been examined and reexamined from a variety of perspectives. Antonia Foias and Kitty Emery have assembled a broad collection of essays all focused on a single polity, that of Motul de San José. By presenting a coherent interdisciplinary body of archaeological and environmental data, the volume offers an intensely deep, focused investigation of the various models of the ancient Maya political and economic systems. Research conducted over six seasons of fieldwork reveals a more centralized political system than expected and uncovers the workings of the ancient economic structure. The contributors offer new details concerning how involved royals and nonroyal elites were in the politics of nearby states, as well as an extensive tribute system.
Winner, Association for Latin American Art Book Award, 2010 The Maya of Mexico and Central America have performed ritual dances for more than two millennia. Dance is still an essential component of religious experience today, serving as a medium for communication with the supernatural. During the Late Classic period (AD 600-900), dance assumed additional importance in Maya royal courts through an association with feasting and gift exchange. These performances allowed rulers to forge political alliances and demonstrate their control of trade in luxury goods. The aesthetic values embodied in these performances were closely tied to Maya social structure, expressing notions of gender, rank, and status. Dance was thus not simply entertainment, but was fundamental to ancient Maya notions of social, religious, and political identity. Using an innovative interdisciplinary approach, Matthew Looper examines several types of data relevant to ancient Maya dance, including hieroglyphic texts, pictorial images in diverse media, and architecture. A series of case studies illustrates the application of various analytical methodologies and offers interpretations of the form, meaning, and social significance of dance performance. Although the nuances of movement in Maya dances are impossible to recover, Looper demonstrates that a wealth of other data survives which allows a detailed consideration of many aspects of performance. To Be Like Gods thus provides the first comprehensive interpretation of the role of dance in ancient Maya society and also serves as a model for comparative research in the archaeology of performance.
Historical and Archaeological Perspectives on the Itzas of Petén, Guatemala is the first exhaustively detailed and thorough account of the Itzas—a Maya group that dominated much of the western lowland area of tropical forest, swamps, and grasslands in Petén, Guatemala. Examining archaeological and historical evidence, Prudence Rice and Don Rice present a theoretical perspective on the Itzas’ origins and an overview of the social, political, linguistic, and environmental history of the area; explain the Spanish view of the Itzas during the Conquest; and explore the material culture of the Itzas as it has been revealed in recent surveys and excavations. The long but fragmented history of the Petén Itzas requires investigation across multiple periods and regions. Chapters in this six-part overview interweave varying data pertaining to this group—archaeological, artifactual, indigenous textual, Spanish historical—from multiple languages and academic fields, such as anthropology, archaeology, linguistics, ecology, and history. Part I introduces the lowland Itzas, northern and southern, with an emphasis on those of the central Petén lakes area. Part II discusses general Itza origins and identities in the Epiclassic period, while part III reviews Spanish perceptions and misconceptions of the Petén Itzas in their Contact-period writings. With these temporal anchors, parts IV and V present the archaeology and artifacts of the Petén Itzas, including pottery, architecture, and arrow points, from varied sites and excavations but primarily focusing on the island capital of Tayza/Nojpetén. Part VI summarizes key data and themes of the preceding chapters for a new understanding of the Petén Itzas. A companion volume to The Kowoj—a similar treatment of the Petén Itzas’ regional neighbors—Historical and Archaeological Perspectives on the Itzas of Petén, Guatemala demonstrates the unique physical, cultural, and social framework that was home to the Petén Itza, along with their backstory in northern Yucatán. Archaeologists, historians, art historians, and geographers who specialize in the Maya and the Postclassic, Contact, and Colonial periods will find this book of particular interest. Contributors: Mark Brenner, Leslie G. Cecil, Charles Andrew Hofling, Nathan J. Meissner, Timothy W. Pugh, Yuko Shiratori
This book presents the current state of Maya archaeology by focusing on the history of the field for the last 100 years, present day research, and forward looking prescription for the direction of the field.
