MAIDEN, MOTHER, CRONE presents the Trinity as ancient symbols of the Goddess, predating Christianity by thousands of years. The book explores longstanding myths and symbols, illuminating ancient, universal human challenges that still exist today. Together with in-depth explanations of goddess archetypes and their relevance to 20th century living, this book will lead you to a state of conscious awareness that can change your life.
A richly rewarding guide for women stepping into their full feminine power Pre-patriarchal cultures revered the passage from youth to maturity as a part of nature’s cycle. Yet, today’s society has largely severed women from this connection, asking them to remain young, pretty, and disconnected from their inner sacredness. Maiden to Mother offers a desperately needed pathway out of infantilization and disempowerment and into soul-sourced sovereign wholeness. Through story, ritual, and teaching, Wilson ushers women through the ancient passage of the immature “Maiden” phase of life and guides us through the crucial initiation into the archetypal Mother—the powerful, safe, compassionate, full-bloom feminine life force that exists within all of us. The Mother is every woman’s birthright, regardless of whether or not she raises children. It is an embodiment of who we needed as a child, who we were meant to be in this life, and who the world needs us to be now. Here, we are invited to dismantle our internalized conditioning with its false, constricting standards for the feminine, so that we may live with authenticity and feast on the richness of life. “Midlife is not, as our culture proposes, where a woman’s power ends,” says Wilson, “but where it really begins.”
For as long as we have sought god, we have found the goddess. Ruling over the imaginations of humankind’s earliest agricultural civilizations, she played a critical spiritual role as a keeper of nature’s fertile powers and an assurance of the next sustaining harvest. In The Goddess, David Leeming and Christopher Fee take us all the way back into prehistory, tracing the goddess across vast spans of time to tell the epic story of the transformation of belief and what it says about who we are. Leeming and Fee use the goddess to gaze into the lives and souls of the people who worshipped her. They chart the development of traditional Western gender roles through an understanding of the transformation of concepts of the Goddess from her earliest roots in India and Iran to her more familiar faces in Ireland and Iceland. They examine the subordination of the goddess to the god as human civilizations became mobile and began to look upon masculine deities for assurances of survival in movement and battle. And they show how, despite this history, the goddess has remained alive in our spiritual imaginations, in figures such as the Christian Virgin Mother and, in contemporary times, the new-age resurrection of figures such as Gaia. The Goddess explores this central aspect of ancient spiritual thought as a window into human history and the deepest roots of our beliefs.
Fragments of memory become the meters by which a life is marked in Anne Colwell's MOTHER'S MAIDEN NAME, artfully sculpted, intensely felt. "Pressing words into our palms, Colwell details 'the pain brought...from somewhere beyond this canvas': a father's fizzled dreams, a mother's addiction, the artist's awareness of the 'the almost.' An ekphrastic poem's speaker wonders, 'What do you need me to be?' Colwell doesn't need to ask this question herself. She knows what we need her to be: a witness for 'where we're going or where we've been, ' the voice that says, 'There.'"--Erin Murphy "Anne Colwell's poems steam and scorch, pulsing with stars, fish, birds, blood, and seawater as they track the moments of familial connection and disconnection that underlie the 'disordered passion of living.' Terse and expansive, tough and tender, these hard gems 'cut deep' but also shine."--Meredith Davies Hadaway
The subject of this book by one of the Church of England's most respected Anglo-Catholic priests could hardly be more central. The rekindling of devotion to Mary has been one of the many gifts of the Catholic movement to the Church of England, and there are few better exponents of it than Roger Greenacre. He was keen to foster a greater appreciation of Mary among Anglicans, as part of a renewed emphasis on the Church of England's catholic identity and relationship with the wider Church. He traces the way that Mary has been perceived throughout Anglican history, from patterns of Marian devotion in the Middle Ages to her portrayal in today's liturgical texts, and examines her role in ecumenical dialogue. In a selection of homilies he presents Mary to an Anglican and ecumenical audience. The book opens with a biographical account of Roger Greenacre's life and work by his literary executor, Colin Podmore.
Knowing the future is not about knowing the future. It's about knowing which path to take. Ilven comes from a family of Saints—future-tellers—but she knows her father didn't waste more than a few grains of the precious drug scriv to see her fate. Now she's facing an arranged marriage to a man she's never met. So, inhaling stolen scriv, she reads three possible futures for herself, searching for the path that will lead to her heart's desire. "Mother, Crone, Maiden" is a short-story prequel to Cat Hellisen's stunning young-adult fantasy debut, When the Sea Is Rising Red. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
**THE INSTANT NEW YORK TIMES BESTSELLER** "Alex Michaelides’s long-awaited next novel, 'The Maidens,' is finally here...the premise is enticing and the elements irresistible." —The New York Times "A deliciously dark, elegant, utterly compulsive read—with a twist that blew my mind. I loved this even more than I loved The Silent Patient and that's saying something!" —Lucy Foley, New York Times bestselling author of The Guest List From the #1 New York Times bestselling author of The Silent Patient comes a spellbinding tale of psychological suspense, weaving together Greek mythology, murder, and obsession, that further cements “Michaelides as a major player in the field” (Publishers Weekly). Edward Fosca is a murderer. Of this Mariana is certain. But Fosca is untouchable. A handsome and charismatic Greek tragedy professor at Cambridge University, Fosca is adored by staff and students alike—particularly by the members of a secret society of female students known as The Maidens. Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana’s niece Zoe, is found murdered in Cambridge. Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students? And why does he keep returning to the rites of Persephone, the maiden, and her journey to the underworld? When another body is found, Mariana’s obsession with proving Fosca’s guilt spirals out of control, threatening to destroy her credibility as well as her closest relationships. But Mariana is determined to stop this killer, even if it costs her everything—including her own life.
A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist
A brilliant examination of the allegorical uses of the female form to be found in the sculpture ornamenting public buildings as well as throughout the history of western art.
