Original projects inspired by the award-winning quilt "Mother Earth and Her Children" showcase Sieglinde Schoen Smith's distinctive style of blending appliqué, embroidery, and quilting techniques. The delightful flower girls featured in the quilt are the inspiration for this collection of projects ideally suited to decorate a nursery or little girl's room. Projects such as Sweet Dreams Pillow Shams, Spring Bouquet Table Runner, and Catching Butterflies Table Mats include step-by-step directions, full-size templates, and transfer appliqué motifs that can be easily adapted to other craft projects by quilters and appliqué enthusiasts who want to adapt their own designs.
Intricate illustrations depict details of a modern quilt inspired by Sibylle von Olfers' classic storybook Mother Earth and Her Children This vibrant new translation, in turn inspired by the quilt, explores the changing of the seasons and delicately touches upon the circle of life. When Mother Earth calls her children to prepare for spring, the earthly children yawn and stretch before they busy themselves with beautification. They dust off the bumblebees, scrub the beetles, paint bright new coats on the ladybugs, and rouse the caterpillars from their cocoons. Bedecked with new blossoms, the children emerge from the earth and become spring flowers that frolic through the summer and autumn, until the leaves begin to fall and they return to Mother Earth, bringing the weary bugs and beetles back to their winter refuge.
A classic he-said-she-said romantic comedy! This updated anniversary edition offers story-behind-the-story revelations from author Wendelin Van Draanen. The first time she saw him, she flipped. The first time he saw her, he ran. That was the second grade, but not much has changed by the seventh. Juli says: “My Bryce. Still walking around with my first kiss.” He says: “It’s been six years of strategic avoidance and social discomfort.” But in the eighth grade everything gets turned upside down: just as Bryce is thinking that there’s maybe more to Juli than meets the eye, she’s thinking that he’s not quite all he seemed. This is a classic romantic comedy of errors told in alternating chapters by two fresh, funny voices. The updated anniversary edition contains 32 pages of extra backmatter: essays from Wendelin Van Draanen on her sources of inspiration, on the making of the movie of Flipped, on why she’ll never write a sequel, and a selection of the amazing fan mail she’s received. Awards and accolades for Flipped: SLJ Top 100 Children’s Novels of all time IRA-CBC Children’s Choice IRA Teacher’s Choice Honor winner, Judy Lopez Memorial Award/WNBA Winner of the California Young Reader Medal “We flipped over this fantastic book, its gutsy girl Juli and its wise, wonderful ending.” — The Chicago Tribune “Van Draanen has another winner in this eighth-grade ‘he-said, she-said’ romance. A fast, funny, egg-cellent winner.” — SLJ, Starred review “With a charismatic leading lady kids will flip over, a compelling dynamic between the two narrators and a resonant ending, this novel is a great deal larger than the sum of its parts.” —Publishers Weekly, Starred review
New York-based artist Peggy Preheim is known for her minutely detailed, miniscule graphite drawings on otherwise blank sheets of paper, creating a mood and atmosphere specific to her work. Her drawings are influenced by the small sixteenth century panel paintings of the Low Countries, while their lush black-and-white tonalities evoke early found photographs on which they are often based. Published on the occasion of Preheim's first retrospective, which originates at The Aldrich Contemporary Art Museum in Connecticut, this monograph is the artist's first and features rich reproductions of works from throughout her 20-year career, including sculpture and photography. Noted designer Daphne Geismar's elegant design perfectly captures the uncanny qualities of Preheim's style. The volume includes essays by curator Carter Foster and critic Gregory Volk, as well as a collection of poems and imaginary letters written in response to selected works by Aldrich Director Harry Philbrick. Published in collaboration with The Aldrich.
In Emancipation's Daughters, Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.