Style Manual of the Government Printing Office
Author:
Publisher:
Published: 1924
Total Pages: 244
ISBN-13:
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Author:
Publisher:
Published: 1924
Total Pages: 244
ISBN-13:
DOWNLOAD EBOOKAuthor: Maurer Maurer
Publisher: DIANE Publishing
Published: 1961
Total Pages: 520
ISBN-13: 1428915850
DOWNLOAD EBOOKAuthor: C. Albert White
Publisher:
Published: 1983
Total Pages: 794
ISBN-13:
DOWNLOAD EBOOKAuthor: Eva Kor
Publisher: Tanglewood Press
Published: 2012-03-13
Total Pages: 154
ISBN-13: 1933718579
DOWNLOAD EBOOKDescribes the life of Eva Mozes and her twin sister Miriam as they were interred at the Auschwitz concentration camp during the Holocaust, where Dr. Josef Mengele performed sadistic medical experiments on them until their release.
Author: Kansas. Legislature. Senate
Publisher:
Published: 1919
Total Pages: 784
ISBN-13:
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Publisher:
Published: 1923
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: U. S. Department Justice
Publisher: Createspace Independent Publishing Platform
Published: 2014-08-02
Total Pages: 0
ISBN-13: 9781500674151
DOWNLOAD EBOOKThe idea of The Fingerprint Sourcebook originated during a meeting in April 2002. Individuals representing the fingerprint, academic, and scientific communities met in Chicago, Illinois, for a day and a half to discuss the state of fingerprint identification with a view toward the challenges raised by Daubert issues. The meeting was a joint project between the International Association for Identification (IAI) and West Virginia University (WVU). One recommendation that came out of that meeting was a suggestion to create a sourcebook for friction ridge examiners, that is, a single source of researched information regarding the subject. This sourcebook would provide educational, training, and research information for the international scientific community.
Author: Marina Belozerskaya
Publisher: Getty Publications
Published: 2005-10-01
Total Pages: 292
ISBN-13: 0892367857
DOWNLOAD EBOOKToday we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Samuel Moyn
Publisher: Harvard University Press
Published: 2012-03-05
Total Pages: 346
ISBN-13: 0674256522
DOWNLOAD EBOOKHuman rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.
Author: Catholic Church. Pontificium Consilium de Iustitia et Pace
Publisher: Veritas Co. Ltd.
Published: 2005
Total Pages: 13
ISBN-13: 1853908398
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