Mosan Art

Mosan Art

Author: Gretel Chapman

Publisher: Hall Reference Books

Published: 1988

Total Pages: 400

ISBN-13:

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Medieval Art Second Edition

Medieval Art Second Edition

Author: Marilyn Stokstad

Publisher: Routledge

Published: 2021-12-24

Total Pages: 853

ISBN-13: 042972148X

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This beautifully produced survey of over a thousand years of Western art and architecture introduces the reader to a vast period of history ranging from ancient Rome to the age of exploration. The monumental arts and the diverse minor arts of the Middle Ages are presented here within the social, religious, and political frameworks of lands as varied as France and Denmark, Spain and Turkey. Marilyn Stokstad also teaches her reader how to look at medieval art-which aspects of architecture, sculpture, or painting are important and for what reasons. Stylistic and iconographic issues and themes are thoroughly addressed with attention paid to aesthetic and social contexts.


Medieval Art

Medieval Art

Author: Leslie D. Ross

Publisher: Bloomsbury Publishing USA

Published: 1996-11-14

Total Pages: 318

ISBN-13: 0313033161

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Designed as a quick-reference source to the topics, symbols, themes, and stories most frequently found in early Christian, western medieval, and Byzantine art, this work describes topics that include names and narratives drawn from the Bible and apocrypha, the lives of saints, and numerous other textual sources. Authors whose works were frequently illustrated or who were influential on the visual arts are treated, as are selected art historical terms and events of significance for the arts. Cross-references alert readers to alternate titles and related topics, and the majority of entries cite a pictorial example. These are keyed to standard texts for easy viewing access. The dictionary begins with Aaron and ends with Zoomorphic Decoration. This dictionary focuses on the medieval period and the distinctive ways in which the subjects and symbols referenced in the work evolved and developed during the Middle Ages, resulting in a unique overview of the evolution, development, popularity, and transformations that took place in medieval artistic iconography. The introduction provides chronological, thematic, and bibliographic surveys to supplement the 500 individual entries; the bibliography directs the readers to more detailed studies. The work also includes names and topics not always found in art reference sources, for example, authors whose works were frequently illustrated, or who were influential on the visual arts, and historical events of significance for the arts.


Exemplum

Exemplum

Author: Robert Walter Hans Peter Scheller

Publisher: Amsterdam University Press

Published: 1995

Total Pages: 468

ISBN-13: 9789053561300

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During the Middle Ages, artistic ideas were transmitted from one region to another and passed on from one generation to the next, in the form of drawings. This kind of handmade reproduction, 'exemplum' in Latin, was used to record the form and content of works of art. Some of those drawings have survived in 'model books'. The author presents a fascinating account of many and various aspects of these drawings with special emphasis on how they contribute to our understanding of the genesis of medieval works of art. Exemplum will be a standard work of reference for many years to come


Mostly in the Line of Duty

Mostly in the Line of Duty

Author: H. Liebaers

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 250

ISBN-13: 9400988028

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IT ALL STARTED with the American Library Association (ALA) which wanted to celebrate its centenary in 1976 at its headquarters in Chicago. With five American librarians and non-librarians I was invited to give a centennial paper. I declined the flattering offer because I had left the profession and had no time to do any research. I added innocently, however, that I would be delighted to speak out of personal experience, for instance on the impor tance of American librarianship in my professional life. This pro posal was accepted; I delivered the lecture and my text was printed in Libraries and the Life cif the Mind. Before I had read my paper in Chicago I received a request from the International Federation of Library Associations (IFLA) to contribute with Recollections of a President to the fiftieth anniver sary volume of IFLA (1927-1977). For reasons with which I agreed IFLA did not publish my paper in full, such as it is given here as chapter 10. I am confident that no one will compare the two versions in order to try to find out \\That has been left out in the earlier printing. Two other papers have appeared in German Festschrifts, one for Kurt Koster from Frankfurt-aiM (chapter 7) and one for Gerhard Liebers from Munster (chapter 5) the former being focussed to accord with the interest of the recipient on medieval Dutch manuscripts, the latter, for similar reasons, on library buildings.


Ars Sacra New Edition

Ars Sacra New Edition

Author: Peter Lasko

Publisher: Yale University Press

Published: 1994-01-01

Total Pages: 350

ISBN-13: 0300060483

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The book traces the unbroken development of the Sacred Arts and their interrelationships throughout Europe from the Renovatio of the arts - the 'Rebirth of Antiquity' - encouraged under the Emperor Charlemagne in the late eighth century, until a renewed and fresh appreciation of the natural world - the Gothic - began to replace the powerful stylisations and the last vestiges of the classical tradition of the Romanesque in the early thirteenth century.


The Eloquence of Art

The Eloquence of Art

Author: Andrea Olsen Lam

Publisher: Routledge

Published: 2020-04-14

Total Pages: 485

ISBN-13: 1351185578

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For those within the fields of art history and Byzantine studies, Professor Henry Maguire needs no introduction. His publications transformed the way art historians approach medieval art through his insightful integration of rhetoric, poetry and non-canonical objects into the study of Byzantine art. His ground-breaking studies of Byzantine art that consider the natural world, magic and imperial imagery, among other themes, have redefined the ways medieval art is interpreted. From notable monuments to small-scale and privately used objects, Maguire’s work has guided a generation of scholars to new conclusions about the place of art and its function in Byzantium. In this volume, 23 of Henry Maguire’s colleagues and friends have contributed papers in his honour, resulting in studies that reflect the broad range of his scholarly interests.