A tanka consists of 5-unrhymed lines of Japanese origin, Perhaps, this example illustrates the power, beauty, and insightful nature of the form: ""a walk through the woods of my youth a crow calls lonely then now gracefully alone""
How did a girl from the provinces, meant to do nothing more than run the family store, become a bold and daring poet whose life and work helped change the idea of love in modern Japan? Embracing the Firebird is the first book-length study in English of the early life and work of Yosano Akiko (1879-1942), the most famous post-classical woman poet of Japan. It follows Akiko, who was born into a merchant family in the port city of Sakai near Osaka, from earliest childhood to her twenties, charting the slow process of development before the seemingly sudden metamorphosis. Akiko's later poetry has now begun to win long-overdue recognition, but in terms of literary history the impact of Midaregami (Tangled Hair, 1901), her first book, still overshadows everything else she wrote, for it brought individualism to traditional tanka poetry with a tempestuous force and passion found in no other work of the period. Embracing the Firebird traces Akiko's emotional and artistic development up to the publication of this seminal work, which became a classic of modern Japanese poetry and marked the starting point of Akiko's forty-year-long career as a writer. It then examines Tangled Hair itself, the characteristics that make it a unified work of art, and its originality. The study throughout includes Janine Beichman's elegant translations of poems by Yosano Akiko (both those included in Tangled Hair and those not), as well as poems by contemporaries such as Yosano Tekkan, Yamakawa Tomiko, and others.
Where did we come from? Why are we here? Is there a god? In our modern world, many people yearn for answers to these most fundamental of life's questions, having become disillusioned with trite explanations and troubled by narratives that deny their intuitive spirituality. Beginning with some of our most ancient ancestors, Wakan Tanka traces the evolution of humanity through the ages. Citing paleontological and archaeological discoveries, along with recent genetic evidence, it recounts how mankind evolved from the earliest mammals into anatomically and behaviourally modern humans. Wakan Tanka describes how human culture and spirituality evolved in concert with anatomy. Showing how humankind has, since very ancient times, had an instinctual, moral sense, it discusses how our spirituality has given us an appreciation for both the aesthetic and divine aspects of life as reflected in our cultures and artistic endeavours. By comparing philosophical and religious views of creation with modern scientific theory, Wakan Tanka reaches the conclusion that, rather than conflicting, these views are remarkably similar and equally valid ways of describing the same reality. Indeed, our scientific knowledge and spiritual beliefs can be harmonized, providing us with a deeper understanding of ourselves, of creation and of life's purpose.
"Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic." —Susan Stewart, citation for the Academy of American Poets Fellowship Urban tumbleweed, some people call it, discarded plastic bag we see in every city blown down the street with vagrant wind. —from Urban Tumbleweed Urban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, "What is natural about being human? What to make of a city dweller taking a ‘nature walk' in a public park while listening to a podcast with ear-bud headphones?"
Presenting a fresh examination of women writers and prewar ideology, this book breaks new ground in its investigation of love as a critical aspect of Japanese culture during the early to mid-twentieth century. As a literary and cultural history of love and female identity, Becoming Modern Women focuses on same-sex love, love marriage, and maternal love—new terms at that time; in doing so, it shows how the idea of "woman," within the context of a vibrant print culture, was constructed through the modern experience of love. Author Michiko Suzuki's work complements current scholarship on female identities such as "Modern Girl" and "New Woman," and interprets women's fiction in conjunction with nonfiction from a range of media—early feminist writing, sexology books, newspapers, bestselling love treatises, native ethnology, and historiography. While illuminating the ways in which women used and challenged ideas about love, Suzuki explores the historical and ideological shifts of the period, underscoring the broader connections between gender, modernity, and nationhood.
Machi Tawara's first book of poems, The Anniversary of the Salad combines the classical 'tanka' form with the subject of a modern love affair. It became a sensation, selling over 2 million copies - and the 'salad phenomenon' in Japanese culture was comparable to the 'bananamania' that followed publication of the first novel by Tawara's contemporary Banana Yoshimoto. Contains 15 poems: 'August Morning' 'Baseball Game' 'Morning Necktie' 'I Am the Wind' 'Summertime Ship' 'Wake-up Call' 'Hashimoto High School' 'Pretending to Wait for Someone' 'Salad Anniversary' 'Twilight Alley' 'My Bisymmetrical Self' 'So, Good Luck' 'Jazz Concert' 'Backstreet Cat' 'Always American'
Poetry. "Marjorie Buettner may be the sole poet today who is consistently poetic and yet does not fail to uphold the spirit of 'ordinariness' of the old Japanese masters. Her haiku are consistently a reflection of her inner nature's response to outer nature. And her tanka are either love poems (as ardent as those of Lady Murasaki) or deeply reflective"--H.F. Noyes.
In an attempt to elucidate the significance of modernism in poetry, Takeda (comparative literature, Hiroshima University) applies Peirce's semiotic theory to the principal works of three contemporary writers. Mallarme's late sonnets, Eliot's Four Quartets, and Akiko's Tangled Hair are examined and understood as attempts to unify language and art. Annotation copyrighted by Book News, Inc., Portland, OR.
This haiku book provides an invaluable guide to developing your own haiku-writing skills, with clear explanations, brilliant examples, and innovative writing exercises. It also offers an introduction to related Japanese poetic forms including: Senryu—commentaries on human nature that are often humorous or ironic Haibun—short, autobiographical narratives accompanied by a haiku Tanka—imaginative poems full of highly personal, emotional expressions Haiga—drawings accompanied by commentary in haiku form Renga—a collaborative form featuring linked sequences of poetry How to Haiku is a wonderful resource for anyone who wants to try their hand at this precise and poetic form of expression.