Over the first half of the 20th century, the Monterey Peninsula produced an exceptional number of outstanding athletes, a few of whom earned widespread recognition. They were the offspring of Sicilian fishermen, of contract laborers from Spain, and of Japanese abalone divers--and some were from families that had been here for generations and produced dynasties of sports figures. Behind it all lay two expanding and often conflicting peninsula industries: sardine fishing in Monterey and the recreational empire of Del Monte Properties.
"From 1875 to the first years of the twentieth century, artists were drawn to the towns of Monterey, Pacific Grove, and then Carmel. Artist at Continent's End is the first in-depth examination of the importance of the Monterey Peninsula, which during this period came to epitomize California art. Beautifully illustrated with a wealth of images, including many never before published, this book tells the fascinating story of eight principal protagonists--Jules Tavernier, William Keith, Charles Rollo Peters, Arthur Mathews, Evelyn McCormick, Francis McComas, Gottardo Piazzoni, and photographer Arnold Genthe--and a host of secondary players who together established an enduring artistic legacy."--prospectus.
From the building of Hotel Del Monte in 1880 to the completion of the Pacific Coast Highway in 1937, connecting the peninsula to the redwood forests of Big Sur and San Simeon beyond, the history of the Monterey Peninsula is the story of the development of a collection of coastal communities-each with its own unique character. Captured here in over 200 vintage images is the heritage of these seaside communities and their role in the peninsula's history. The Monterey Peninsula is home to some of the most famous (and most photographed) shoreline in the world. Pictured in this book is the peninsula's golden era, explored through images that document the growth of Carmel, Pacific Grove, Monterey, Pebble Beach, Point Lobos, and Big Sur. Here you will find rare photographs of Cannery Row, the mission at Carmel, the bathhouse at Lover's Point, the bridges of the Pacific Coast Highway, the cottages of Carmel, the adobes of Monterey, and the cypress trees of Pebble Beach. Included in these pages are images from the author's collection as well as from the Monterey Public Library and Carmel's Harrison Memorial Library. Many of these have never been published.
From fishermen to farmers to business leaders, the Japanese on the Monterey Peninsula have played a vitally important role in making Monterey what it is today. After the United States imposed the Chinese Exclusion Act in 1882, the number of Japanese immigrants to the West Coast increased in large numbers. In 1895, one of those immigrants, Otosaburo Noda, noticed the incredible variety of fish and red abalone in the bay. He developed the first Japanese colony on what is now Cannery Row. At the end of salmon season in August 1909, the Monterey Daily Cypress reported that there were 185 salmon boats fishing the bay, of which 145 were Japanese-owned. By 1920, there were nine Japanese abalone companies diving for this tasty mollusk, supplying restaurants and markets throughout California and across the country. Prior to World War II, 80 percent of the businesses on the Monterey Wharf were Japanese-owned.
Pacific Grove, in the pine forests on the westernmost tip of Monterey Bay, is a magnet for wildlife, tourists, and scientists. Site of the first operational lighthouse in California and the first marine laboratory on the Pacific Coast, its beaches attracted camp meetings in the 19th century. Rows of tent housing that lined the original streets grew into charming neighborhoods of seaside cottages, lit annually by the Feast of Lanterns since 1905. Botanical and biological splendor attracted scientists like Edward Flanders Ricketts, made famous by his friend and one-time Pacific Grove resident John Steinbeck. Each year hundreds of groups use its famous conference center, Asilomar, and each fall tens of thousands of Monarch butterflies make a 2,500-mile journey to hang from the pines in great clusters of wafting wings.
Nikkei Baseball examines baseball's evolving importance to the Japanese American community and the construction of Japanese American identity. Originally introduced in Japan in the late 1800s, baseball was played in the United States by Japanese immigrants first in Hawaii, then San Francisco and northern California, then in amateur leagues up and down the Pacific Coast. For Japanese American players, baseball was seen as a sport that encouraged healthy competition by imposing rules and standards of ethical behavior for both players and fans. The value of baseball as exercise and amusement quickly expanded into something even more important, a means for strengthening social ties within Japanese American communities and for linking their aspirations to America's pastimes and America's promise. With World War II came internment and baseball and softball played behind barbed wire. After their release from the camps, Japanese Americans found their reentry to American society beset by anti-Japanese laws, policies, and vigilante violence, but they rebuilt their leagues and played in schools and colleges. Drawing from archival research, prior scholarship, and personal interviews, Samuel O. Regalado explores key historical factors such as Meji-era modernization policies in Japan, American anti-Asian sentiments, internment during World War II, the postwar transition, economic and educational opportunities in the 1960s, the developing concept of a distinct "Asian American" identity, and Japanese Americans' rise to the major leagues with star players including Lenn Sakata and Kurt Suzuki and even managers such as the Seattle Mariners' Don Wakamatsu.
