What do little monsters like to wear? Daisy Hirst brings her charming wit to a silly board book for the youngest set. When monsters get up in the morning, they have to find something to wear. Simon wears socks, Darrell puts on a dress, and Terrence tries on a tomato. Meanwhile, Cassie is wearing cars and Lester has on the latest trend: leaves. What can Evie wear to outdo them all? With child-friendly art in the brightest of colors, this whimsical foray into toddler fashion will tickle the fancy of mischievous monsters everywhere.
What do little monsters like to eat? Daisy Hirst infuses a bright, funny board book with her offbeat charm. Some monsters eat peaches. Some monsters eat pears. And then there are monsters who eat only chairs. Some monsters like noodles and some prefer stew, but there’s always that one you’ll see eating a shoe, or . . . a rake? Picky little eaters, adventurous eaters, and born jokesters alike will see themselves in this comedy of cuisine, perfectly suited for the youngest (and hungriest) of listeners.
Between 1989 and 1993, Ernie Glam made party clothes for Michael Alig, the New York City nightclub promoter who became known for his outlandish parties, and then for the grisly death of a friend in 1996. Dressing the Monster is a fashion memoir about the garments, parties and ideas behind Glam's and Alig's collaboration to promote and define the club kids, a group of New York City party people whose antics became widely publicized in the early 1990s.
From Jack the Ripper to Frankenstein, Halloween customs to Alexander McQueen collections, Fashioning Horror examines how terror is fashioned visually, symbolically, and materially through fashion and costume, in literature, film, and real life. With a series of case studies that range from sensationalist cinema and Slasher films to true crime and nineteenth-century literature, the volume investigates the central importance of clothing to the horror genre, and broadens our understanding of both material and popular culture. Arguing that dress is fundamental to our understanding of character and setting within horror, the chapters also reveal how the grotesque and horrific is at the center of fashion itself, with its potential for instability, disguise, and carnivalesque subversion. Packed with original research, and bringing together a range of international scholars, the book is the first to thoroughly examine the aesthetics of terror and the role of fashion in the construction of horror.
Mornings are never easy - especially when the monsters from last night's dreams want to stay and play! Bartholomew struggles to get himself ready as the monsters from last night's dreams sabotage the most simple of morning routines. A vast purple monster sits on his chest, making it hard to get up. A slug monster slimes his clothes, so he can't get dressed. Brushing teeth, eating breakfast, and even going to the toilet all present challenges as the monsters mess around at Bartholomew's expense. Will Bartholomew's dad ever manage to get him out the door? Hilarious illustrations bring Bartholomew's frustration and befuddlement alive in this deceptively simple story that anyone who is not a morning person is bound to relate to.
Monster is curious about making friends, finding a home, and exploring his city. This book collects six Monster stories—written by educators Ellen Blance and Ann Cook, who worked with children to write the books—brought to life by Quentin Blake's charming illustrations. Have you met Monster? He’s not scary or mean like other monsters. He’s kind of tall and his head is skinny, and he’s purple. He’s curious about everything: the city, the river, houses, cars, trains, and what people look like, the park, the kids, the swings, the stores and clothes and stuff. It is all new to him. “Monster thinks the city is fine so he thinks he will live here.” So begins the story of gentle, playful Monster, who conducts himself with grace and courtesy, and in short order finds a home, a best friend, and a bunch of kids to play with. First introduced in 1973, Monster returns in this omnibus edition of the first six stories of an extended emerging-reader series written not only for children, but also by them. Educators Ellen Blance and Ann Cook worked with schoolchildren to write stories a child would want, and be able, to read. While most children’s books are meant to be read by adults to children, these are stories children can read to themselves or to adults. The book includes illustrations by the illustrious Quentin Blake, and a new letter to children (and one to parents) by the authors.
Some of todays favorite books are horror stories. Now readers can create some of their personal favorites on the page, using their own creativity and simple tools. Step-by-step instructions and interesting monster facts will make this a great addition to any young artists library.
They're hiding under the bed. And in the closet. And anywhere else you've stashed yarn. They're friendly little monsters, and they're ready to come out and play! Popular designer Rebecca Danger presents 20 patterns for the most adorable monsters ever to climb off a pair of knitting needles. All are shown in two colorways, and most are done in two yarn weights, to help you pick the perfect yarn to suit your monster's personality.
This quirky tale teaches young readers the difference between nice teasing and mean teasing. Laughing at someone (mean teasing) has a hurtful bite, but laughing with someone (nice teasing) is alright when it's not done out of spite.
