Unsettling Opera

Unsettling Opera

Author: David J. Levin

Publisher: University of Chicago Press

Published: 2008-11-15

Total Pages: 276

ISBN-13: 0226475255

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What happens when operas that are comfortably ensconced in the canon are thoroughly rethought and radically recast on stage? What does a staging do to our understanding of an opera, and of opera generally? While a stage production can disrupt a work that was thought to be established, David J. Levin here argues that the genre of opera is itself unsettled, and that the performance of operas, at its best, clarifies this condition by bringing opera’s restlessness and volatility to life. Unsettling Opera explores a variety of fields, considering questions of operatic textuality, dramaturgical practice, and performance theory. Levin opens with a brief history of opera production, opera studies, and dramatic composition, and goes on to consider in detail various productions of the works of Wagner, Mozart, Verdi, and Alexander Zemlinsky. Ultimately, the book seeks to initiate a dialogue between scholars of music, literature, and performance by addressing questions raised in each field in a manner that influences them all.


The Chapter

The Chapter

Author: Nicholas Dames

Publisher: Princeton University Press

Published: 2025-02-25

Total Pages: 384

ISBN-13: 069127102X

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Finalist for the National Book Critics Circle Award in Criticism Shortlisted for the Christian Gauss Award, Phi Beta Kappa Society A history of the chapter from its origins in antiquity to today Why do books have chapters? With this seemingly simple question, Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time. Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organize information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of medieval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnès Varda, Uwe Johnson, Jennifer Egan, and László Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity. Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time.


Nietzsche and the Anglo-Saxon Tradition

Nietzsche and the Anglo-Saxon Tradition

Author: Louise Mabille

Publisher: A&C Black

Published: 2011-10-27

Total Pages: 345

ISBN-13: 144113932X

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This book offers the first detailed examination of the influence of the English-speaking world on the development of Nietzsche's philosophy. In recent years, Nietzsche's reputation has undergone a transformation and he is today seen as one of the greatest defenders of human freedom. His is more than just a model for political liberty. It is a grand vision of what humanity could be if it really unleashed its creative power. And Nietzsche owes more than just a passing debt to the Anglo-Saxon world in the construction of this vision. Yet much of what Nietzsche has to say about the British philosophy reaches the pitch of denunciation and personal insult. He refers to Darwin as 'mediocre'; and to John Stuart Mill as 'that flathead'. While he gladly acknowledges the French roots of his thought, very little has been said about the English giants whose influence abounds in his work. Louise Mabille fills a gap in the scholarship on Nietzsche by offering an important and fascinating account of his engagement with the Anglo-Saxon philosophical tradition.


Rhyme's Rooms

Rhyme's Rooms

Author: Brad Leithauser

Publisher: Vintage

Published: 2024-03-26

Total Pages: 369

ISBN-13: 0525564136

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From the widely acclaimed poet, novelist, critic, and scholar, a lucid and edifying exploration of the building blocks of poetry and how they’ve been used over the centuries to assemble the most imperishable poems. We treasure our greatest poetry, Brad Leithauser reminds us in these pages, “not for its what but its how.” In chapters on everything from iambic pentameter to how stanzas are put together to “rhyme and the way we really talk,” Leithauser takes a deep dive into the architecture of poetry. He explains how meter and rhyme work in fruitful opposition; how the weirdnesses of spelling in English are a boon to the poet; why an off rhyme will often succeed where a perfect rhyme would not; why Shakespeare and Frost can sound so similar, despite the centuries separating them. And Leithauser is just as likely to invoke Cole Porter, Stephen Sondheim, or Boz Scaggs as he is Chaucer or Milton, Bishop or Swenson, providing enlightening play-by-plays of their memorable lines. Here is both an indispensable learning tool and a delightful journey into the art of the poem—a chance for new poets and readers of poetry to grasp the fundamentals, and for experienced poets and readers to rediscover excellent works in all their fascinating detail.


Reimagining the Future

Reimagining the Future

Author: G.V. Loewen

Publisher: Strategic Book Publishing & Rights Agency

Published: 2022-07-28

Total Pages: 244

ISBN-13: 1682357341

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“A book like this should not exist. Its topic does not exist, nor does its experience. Yet it is too quick, possessed too much of the now to simply iterate the banality of speculation. Futurology is not futurity, and though it is true by definition that the object of the first remains unknown in the present, the experience of the second is, in fact, what we are. For our being is, in its essence, a being ahead of itself. It is at once always and already ahead ‘of’ itself in that its futurity is a necessity for its presence. We experience the future as a coming to be, as a tension between what we have known and what we could know.” (From the book.) In this, the final volume of G.V. Loewen’s phenomenological trilogy concerning how we experience the understanding of temporality in our lives, the very feeling of time passing, time lost, and time to come, it is the question of the future that animates its closing analyses. At once feared and desired, heralded and cautioned against, the future presents a challenge to human consciousness simply because it is, from the perspective of the present, both unknown and unknowable. It also cannot be located in the past, and not for any paradoxical reason; the past does after all contain hints of what is to come. What is at issue is how to locate such moments and attempt to gain some insight from them. The meaning of the future can be said to be included in a human experience that does not close itself off to what it already imagines it knows, but at the same time must not presume to take the future into its own inevitably narrow embrace.


Split Image

Split Image

Author: P R Adams

Publisher: Promethean Tales

Published: 2021-05-10

Total Pages: 494

ISBN-13:

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He’s a fish out of water, but he still has a bite. Stefan Mendoza was the world’s deadliest assassin. When he’s forced out of retirement by disaster, the only work he can find is with a rotten corporate executive. The job: Locate an invaluable secret prototype stolen by the couriers hired to transport it. But it’s the grotesque murders preceding the theft that interest Mendoza. And as the hunt goes on, the bodies keep piling up. Pick up Split Image, the first book in this new Mendoza trilogy and dive into the dark underbelly of intrigue and crime.


The Players of Religion

The Players of Religion

Author: Nicholas Shaw

Publisher: ShieldCrest

Published: 2009

Total Pages: 308

ISBN-13: 0955855780

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The Players of religion is a controversial philosophical discourse that is written in a friendly and entertaining manner, that should show people this is the way in which religion should be discussed. All the characters in this book are of religious significance, but there is one character that was once a true philosopher, and that is Sankara.


Rooms of Our Own

Rooms of Our Own

Author: Susan Gubar

Publisher: University of Illinois Press

Published: 2006-10-30

Total Pages: 258

ISBN-13: 0252073797

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With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor. A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on the challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, postcolonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; and the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future.


Debussy in Performance

Debussy in Performance

Author: James R. Briscoe

Publisher: Yale University Press

Published: 1999-01-01

Total Pages: 316

ISBN-13: 0300076266

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Claude Debussy, who composed works of major significance in a wide range of musical and theatrical genres, has exerted a fundamental influence on musicians of the twentieth century. This book explores how Debussy's compositions are brought to life in performance, investigating the composer's own expectations, the traditions surrounding the performance of his music, and the internal and contextual evidence that can give insight to performers of his works. Leading international scholars and interpreters of Debussy's music draw on his letters and music criticism as well as on the memoirs of performers close to him to discuss issues of performance forces, tempo and its flexibility, performer license, and the interpretation of expressive indications in the scores. They urge performers to recognize the symbolism and the value of silence in Debussy's work. And they show that it is particularly important to focus on aspects of timbre, voice-leading, and the musical arabesque, together with meter and phrase ambiguities, when playing his music. The book also includes the translation of an article on the opera Pelleas et Melisande In performance by one of Debussy's original conductors, Desire-Emile Inghelbrecht, and an interview with the composer-conductor Pierre Boulez on approaches to Pelleas and the orchestral works.