A spectacular book by Defoe, it narrates the poignant story of Moll. Born in prison, she spends her early childhood as a servant. During the various stages of her life she faces hardships and miseries that lead her to several marriages, whoredom, and thievery. Set in the eighteenth century, it also brilliantly describes the social and living conditions of America and England. A true classic!
A spectacular book by Defoe, it narrates the poignant story of Moll. Born in prison, she spends her early childhood as a servant. During the various stages of her life she faces hardships and miseries that lead her to several marriages, whoredom, and thievery. Set in the eighteenth century, it also brilliantly describes the social and living conditions of America and England. A true classic!
I would like to make myself the heroine of this story and my character to be noble—an innocent victim led astray. But alas, sir, I would be lying… In prison, accused of murder, Tully Truegood begins to write her life story. A story that takes her from a young girl in the backstreets of 18th century London to her stepmother Queenie's Fairy House—a place where decadent excess is a must… Trained by Queenie to become a courtesan, and by Mr. Crease—a magician who sees that Tully holds similar special powers to his own—Tully soon becomes the talk of the town. But as Tully goes on a journey of sexual awakening, she falls in love with one of her clients and the pleasure soon turns to pain. Especially when the estranged husband she was forced to marry by her father suddenly seeks her out. Now Tully is awaiting her trial for murder, for which she expects to hang…and her only chance of survival is to get her story to the one person who might be able to help her. Delaney's incredible tale of a young woman's journey out of the depths of despair is shocking, haunting and evocative. Part historical fiction and part magical realism, this juicy, jaw-dropping story will linger long after the last page is turned.
Available for the first time since its original publication more than fifty years ago, Christmas at Cold Comfort Farm is a charming collection whose hilarious title story features Christmas dinner with the Starkadders before Flora's arrival. With Adam playing Santa while draped in Mrs. Starkadders's shawls, the family shares their traditional "Christmas pudding"-a mélange containing random objects of doom foretelling the coming year: a coffin nail for death, a bad sixpence for financial ruin, and a menthol cone to indicate that the lucky recipient will go "blind wi' headache." These lively tales will delight anyone who loves Stella Gibbons and her signature wit.
If you're thinking about writing a screenplay, do yourself a favor and hop on Pen Densham's Alligator. The ride's enlightening."---Jeff Bridges, Academy Award "-winning actor --
A son of Chinese immigrants discovers his true self in a “sharply written debut . . . a coming-of-age tale for our time” (Seattle Times). Publishing Triangle’s Edmund White Award for Debut Fiction, Winner 2015 PEN/ Hemingway Award, Finalist Lambda Literary Award, Finalist Longlisted for the 2014 Flaherty-Dunnan First Novel Prize A Barnes & Noble Discover Great New Writers Selection for Spring 2014 A New York Times Book Review Editor’s Choice Shortlisted for the Kobo Emerging Writer Prize At birth, Peter Huang is given the Chinese name Juan Chaun, “powerful king.” To his parents, newly settled in small-town Ontario, he is the exalted only son in a sea of daughters, the one who will finally fulfill his immigrant father’s dreams of Western masculinity. Peter and his sisters grow up in an airless house of order and obligation, though secrets and half-truths simmer beneath the surface. At the first opportunity, each of the girls lights out on her own. But for Peter, escape is not as simple as fleeing his parents’ home. Though his father crowned him “powerful king,” Peter knows otherwise. He knows he is really a girl. With the help of his far-flung sisters and the sympathetic souls he finds along the way, Peter inches ever closer to his own life, his own skin, in this darkly funny, emotionally acute, stunningly powerful debut. “Sensitively wrought . . . “For Today I Am a Boy” is as much about the construction of self as the consequences of its unwitting destruction—and what happens when its acceptance seems as foreign as another country.” —The New York Times Book Review “Subtle and controlled, with flashes of humor and warmth.” —Slate “Keeps you reading. Told in snatches of memory that hurt so much they have the ring of truth.” —Bust
Long-listed for the 2018 Man Booker Prize Short-listed for the 2018 Gordon Burn Prize Short-listed for the 2018 Goldsmiths Prize Inspired by the real-life murder of a British army soldier by religious fanatics, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation. While Selvon, Ardan, and Yusuf organize their lives around soccer, girls, and grime, Caroline and Nelson struggle to overcome pasts that haunt them. Each voice is uniquely insightful, impassioned, and unforgettable, and when stitched together, they trace a brutal and vibrant tapestry of today’s London. In a forty-eight-hour surge of extremism and violence, their lives are inexorably drawn together in the lead-up to an explosive, tragic climax. In Our Mad and Furious City documents the stark disparities and bubbling fury coursing beneath the prosperous surface of a city uniquely on the brink. Written in the distinctive vernaculars of contemporary London, the novel challenges the ways in which we coexist now—and, more important, the ways in which we often fail to do so.
"Aspiring novelist Molly MacGregor laments she will never be like the literary heroines she reads about. Not only does she live in what she thinks the most unromantic region in the world, she is named after one of literature's least romantic heroines, Moll Flanders. Set partly at a shoe store at the world's largest shopping mall in Edmonton where Molly works and partly in an English department where she is a student, Molly of the Mall: Literary Lass and Purveyor of Fine Footwear is a story about love and a story about place. This novel explores Molly's love for the written word, love for the wrong men and the right one, and finally, her hard-won love for her city."--
How vocabularies once associated with outsiders became objects of fascination in eighteenth-century Britain While eighteenth-century efforts to standardize the English language have long been studied—from Samuel Johnson's Dictionary to grammar and elocution books of the period—less well-known are the era's popular collections of odd slang, criminal argots, provincial dialects, and nautical jargon. Strange Vernaculars delves into how these published works presented the supposed lexicons of the "common people" and traces the ways that these languages, once shunned and associated with outsiders, became objects of fascination in printed glossaries—from The New Canting Dictionary to Francis Grose's Classical Dictionary of the Vulgar Tongue—and in novels, poems, and songs, including works by Daniel Defoe, John Gay, Samuel Richardson, Robert Burns, and others. Janet Sorensen argues that the recognition and recovery of outsider languages was part of a transition in the eighteenth century from an aristocratic, exclusive body politic to a British national community based on the rhetoric of inclusion and liberty, as well as the revaluing of a common British past. These representations of the vernacular made room for the "common people" within national culture, but only after representing their language as "strange." Such strange and estranged languages, even or especially in their obscurity, came to be claimed as British, making for complex imaginings of the nation and those who composed it. Odd cant languages, witty slang phrases, provincial terms newly valued for their connection to British history, or nautical jargon repurposed for sentimental connections all toggle, in eighteenth-century jest books, novels, and poems, between the alluringly alien and familiarly British. Shedding new light on the history of the English language, Strange Vernaculars explores how eighteenth-century British literature transformed the patois attributed to those on the margins into living symbols of the nation. Examples of slang from Strange Vernaculars bum-boat woman: one who sells bread, cheese, greens, and liquor to sailors from a small boat alongside a ship collar day: execution day crewnting: groaning, like a grunting horse gentleman's companion: lice gingerbread-work: gilded carvings of a ship's bow and stern luggs: ears mort: a large amount thraw: to argue hotly and loudly
Mary Seacole (1805 to 1881) was an amazing woman, in many ways way ahead of her time. She was a free black woman born in Jamaica of Scottish and Creole descent. This is her autobiographical account of her colourful and brave life. She was named 'the greatest black Briton' in 2004 and also posthumously awarded the Jamaican Order of Merit.
