Mohiniyattam

Mohiniyattam

Author: Bharati Shivaji

Publisher: Dances of India

Published: 2004

Total Pages: 0

ISBN-13: 9788186685365

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Study of a classical dance form of Kerala, India.


Scripting Dance in Contemporary India

Scripting Dance in Contemporary India

Author: Maratt Mythili Anoop

Publisher: Lexington Books

Published: 2016-01-07

Total Pages: 217

ISBN-13: 149850552X

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As stories of Indian dance’s renaissance span almost a full century, there has emerged a globally dispersed community of Indian dancers, scholars and audiences who are deeply committed to keeping these traditions alive and experimenting with traditional dance languages to grapple with contemporary themes and issues. Scripting Dance in Contemporary India is an edited volume that contributes to this field of Indian dance studies. The book engages with multiple dance forms of India and their representations. The contributions are eclectic, including writings by both scholars and performers who share their experiential knowledge. There are four sections in the book – section I titled, “Representations’ has three chapters that deal with textual representations and illustrations of dance and dancers, and the significance of those representations in the present. Section II titled, “Histories in Process” consists of two chapters that engage with the historiographies of dance forms and suggest that histories are narratives that are continually created. In the third section, “Negotiations”, the four chapters address the different ways in which dance is embedded in society, and the different ways in which the aesthetics of a form has to negotiate with social, economic and political imperatives. The final section, “Other Voices/ Other Bodies” brings voices which are outside the mainstream of dance as ‘serious’ art.


Tradition and Transformation in Mohiniyattam Dance

Tradition and Transformation in Mohiniyattam Dance

Author: Justine Lemos

Publisher: Rowman & Littlefield

Published: 2022-06-28

Total Pages: 151

ISBN-13: 1793650721

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Tradition and Transformation in Mohiniyattam Dance: An Ethnographic History demonstrates how Mohiniyattam, a form previously stigmatized, was reinvented as a sign of traditional Keralite womanhood. The book traces how the emergence of Mohiniyattam as a traditional form of dance based on a feminine aesthetic was synchronistic with the outlawing of polyandrous marriage practices and devadasi practices, as well as changes in matrilineal inheritance and the outlawing of and reforms in women’s dress customs in Kerala, India. These layers of history and cultural meaning permitted Mohiniyattam’s renaissance as a sign of female grace and tradition. Throughout, Lemos argues that practicing and learning movement is a gateway to understanding a system of semiosis. Danced movement itself can be a locust, a bellwether, and even an agent of social change.


The Glimpse of Indian Classical Dance

The Glimpse of Indian Classical Dance

Author: Shubhada Varadkar

Publisher: Krimiga Books, Krimiga Content Development Pvt. Ltd.

Published: 2012-08-30

Total Pages: 97

ISBN-13: 8192570908

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About the book: In India there are several dance forms in vogue and among them seven dance forms Bharatnatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, and Odissi which are recognize by the majority of scholars and art lovers as classical dance forms. Each of these seven classical dances has a tradition of several thousand years. These seven dance forms have established themselves as classical dance on the basis of historical background, purity, technical complexities, and maturity. Each of the classical style come from a specific region of India and is governed by certain rules. These rules are applied either consciously or instinctively and are governed by Bharat Muni’s “Natyashastra.” These dances are performed adopting specific music.


Transcultural Negotiations of Gender

Transcultural Negotiations of Gender

Author: Saugata Bhaduri

Publisher: Springer

Published: 2015-09-18

Total Pages: 223

ISBN-13: 813222437X

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Transcultural Negotiations of Gender probes into how gender is negotiated along the two axes of ‘belonging’ and ‘longing’– the twin desires of being located within a cultural milieu, while yearning for either what has passed by or what is yet to come. It also probes into the category of ‘transculturality’ itself, by examining how not only does it pertain to the coming together of cultures from diverse spatial locations, but how shifts over time and changing performative modes and technological means of articulation, within what may be presumed to be the same culture, can also lead to the ‘transcultural’. The volume comprises four sections. Part I, ‘(Be)longing in Time’, examines negotiation of gender through transcultural acts of myths, rituals and religious practices being revised and revisited over time. Part II, ‘(Be)longing in Space’, studies how gender is renegotiated when people from different spaces interact, as also when public spaces and domains themselves become sites of such negotiations. In Part III, ‘Performing (Be)longing’, such transcultural negotiations are located in the context of changing modes of performance, considering particularly that gender itself is performative. The final section, ‘Modernity, Technology and (Be)longing’, traces how gender becomes transculturally negotiated in a space like India, with the advent of modernity and its companion technology.


The Sterling Book of INDIAN CLASSICAL DANCE

The Sterling Book of INDIAN CLASSICAL DANCE

Author: Shovana Narayan

Publisher: Sterling Publishers Pvt. Ltd

Published: 2011-12-30

Total Pages: 96

ISBN-13: 8120790782

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India’s rich cultural legacy has been founded on the abiding faith of the Indians in the divine power, whose worship had found expression through dance. ‘Bhakti’ or devotion was the underlying essence of the various dance forms that developed in India. Indian Classical Dances is a unique presentation of the eight classical dance styles – Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, Odissi and Sattriya, through a concise portrayal of the background of each dance form, the salient features, format of presentation, music and costume. The simplistic approach of the narration coupled with the unique collection of photographs, will enable the lay reader to visualise, comprehend and appreciate the diverse dance forms of India.


Artograph Vol 02 Iss 02 (2020 Mar-Apr)

Artograph Vol 02 Iss 02 (2020 Mar-Apr)

Author: Multiple Authors

Publisher: NEWNMEDIA™

Published: 2020-06-01

Total Pages: 36

ISBN-13:

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Artograph is a bi-monthly bilingual e-magazine published by NEWNMEDIA™, focusing on dance, music and arts in general. This is the 2020 Mar-Apr edition of the magazine.


台灣光華雜誌2022年10月號中英文版

台灣光華雜誌2022年10月號中英文版

Author: 光華畫報雜誌社

Publisher: 光華畫報雜誌社

Published: 2022-10-01

Total Pages: 128

ISBN-13:

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文化多樣性已是台灣表演藝術中珍貴的文化資產,其展現不僅止於從本土邁向國際的大型表演藝術,還包括與異國文化交融的外來或在地團體的各種展演型式,而這些碰撞與交融,恰恰能體現出台灣社會接受「跨文化藝術」的可塑性。 本期《光華》封面故事,以表演藝術之多元融合為主軸,含括有外籍表演家之在地融合、本土樂團與世界接軌,以及民俗樂音之跨界展演等面向,透過台灣當代表演藝術,展現台灣與世界連結之能力。