Mods or Scooter Boys were a phenomenon of the mid-sixties. Many people thought it would be just a passing fad but it spread like wild-fire around the world. This book is a collection of memories of the era, from 1963 to '68, recollecting the changes, the fashions, music and events of the time. Seen through the eyes of 'Lucky', a Great Yarmouth M
"Drawing on archival research, oral history interviews, and participant observation, this examination of the adoption and adaptation of Mod style across geographic space also maps its various interpretations over time, from the early 1960s to the present. The book traces the Mod youth culture from its genesis in the dimly lit clubs of London's Soho. where it began as a way for young people to reconfigure modernity after the chaos of World War II, to its contemporary, country-specific expressions. By examining Mod culture in the United States, Germany, and Japan alongside the United Kingdom, "We Are the Mods" contrasts the postwar development of Mod in those countries that lost the war with those that won. The book illuminates the culture's fashion, music, iconography, and gender aesthetics, to create a compelling portrait of a transnational subculture." --Book Jacket.
This is the story of one man's journey through life, documenting his triumphs and disasters, his successes and failures. He speaks honestly and emotionally about his progression from child to youth to manhood. His dreams, nightmares and aspirations are laid bare, along with how he deals with the high and the low points of his "e;journey"e;.
Including many conversations with Southendians, this title aims to recall life in their town, during the 1950s and '60s. It focuses on social change, as well as school days, work and play, transport, and entertainment. It also includes memories of the late '60s clashes between Mods and Rockers, and of the infamous Wall of Death at the Kursaal.
Mod may have been born in the ballrooms and nightclubs around London but it soon rampaged throughout the country. Young kids soon found a passion for sharp clothes, music and dancing, but for some it was pills, thrills and violence. The original Mod generation tell it exactly how it was, in their very own words. First hand accounts of the times from the people who were actually on the scene. Top faces, scooterboys, DJs, promoters and musicians build up a vivid, exciting snapshot of what it was really like to be with the in-crowd. Packed with rare pictures, ephemera, art and graphics of the era. Featuring interviews with Eddie Floyd, Martha Reeves, Ian McLagan, Chris Farlowe and many more.
Scooter Lifestyle will capture the imaginations of past, present and future generations of scooter riders, and guide the reader through the scootering way of life and all its factions, giving a unique insight into the modern scene and all its diversities â^' warts and all! Includes interviews with well known scootering personalities, over 150 colour photographs of award-winning custom scooters, best-selling scooter models, rallies and events. This book is a mu.
The sixties were possibly the greatest decade of last century – an exciting time for music and youth. No other youth culture has personified this more than the Mods, who emerged in the early years of the decade as followers of fashion and soul music and who became the style leaders for this new youth culture. This lavish pictorial history contains over 150 photographs of the original Mods, celebrating their thrilling and unique way of life.
'Hoolies' is Garry Bushell's account of the history of Britain's youth gang culture. It examines the men behind the cults, lifting the lid on gangs such as the skinheads, mods, teddy boys, hell's angels and punks, to name just a few.
This collection of essays highlights the variety of 1970s culture, and shows how it responded to the transformations that were taking place in that most elusive of decades. The 1970s was a period of extraordinary change on the social, sexual and political fronts. Moreover, the culture of the period was revolutionary in a number of ways; it was sometimes florid, innovatory, risk-taking and occasionally awkward and inconsistent. The essays collected here reflect this diversity and analyse many cultural forms of the 1970s. The book includes articles on literature, politics, drama, architecture, film, television, youth cultures, interior design, journalism, and contercultural “happenings”. Its coverage ranges across phenomena as diverse as the Wombles and Woman’s Own. The volume offers an interdisciplinary account of a fascinating period in British cultural history. This book makes an important intervention in the field of 1970s history. It is edited and introduced by Laurel Forster and Sue Harper, both experienced writers, and the book comprises work by both established and emerging scholars. Overall it makes an exciting interpretation of a momentous and colourful period in recent culture.
Welcome to the world of the sharp-suited ‘faces’. The Italianistas. The scooter-riding, all-night-dancing instigators of what became, from its myriad sources, a very British phenomenon. Mod began life as the quintessential working-class movement of a newly affluent nation – a uniquely British amalgam of American music and European fashions that mixed modern jazz with modernist design in an attempt to escape the drab conformity, snobbery and prudery of life in 1950s Britain. But what started as a popular cult became a mainstream culture, and a style became a revolution. In Mod, Richard Weight tells the story of Britain’s biggest and most influential youth cult. He charts the origins of Mod in the Soho jazz scene of the 1950s, set to the cool sounds of Charlie Parker and Miles Davis. He explores Mod’s heyday in Swinging London in the mid-60s – to a new soundtrack courtesy of the Small Faces, the Who and the Kinks. He takes us to the Mod–Rocker riots at Margate and Brighton, and into the world of fashion and design dominated by Twiggy, Mary Quant and Terence Conran. But Mod did not end in the 1960s. Richard Weight not only brings us up to the cult’s revival in the late 70s – played out against its own soundtrack of Quadrophenia and the Jam – but reveals Mod to be the DNA of British youth culture, leaving its mark on glam and Northern Soul, punk and Two Tone, Britpop and rave. This is the story of Britain’s biggest and brassiest youth movement – and of its legacy. Music, film, fashion, art, architecture and design – nothing was untouched by the eclectic, frenetic, irresistible energy of Mod.