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Author: John Harris
Publisher: Yale University Press
Published: 1993-01-01
Total Pages: 282
ISBN-13: 9780300055221
DOWNLOAD EBOOKThis volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader.
Author: Paul Wood
Publisher:
Published: 1994
Total Pages: 267
ISBN-13:
DOWNLOAD EBOOKOn art and politics.
Author:
Publisher:
Published: 1993
Total Pages: 267
ISBN-13: 9780300055214
DOWNLOAD EBOOKAuthor: Jonathan Harris
Publisher:
Published: 1993
Total Pages: 283
ISBN-13: 9780300055221
DOWNLOAD EBOOKAuthor: Art Berman
Publisher: University of Illinois Press
Published: 1994
Total Pages: 372
ISBN-13: 9780252063916
DOWNLOAD EBOOKBerman traces the conceptual lineage of modernism, examining its evolution in Western art and literature through empiricism, idealism, and romanticism. Using modernist literary and visual movements as examples, Berman demonstrates how modern social, political, and scientific developments--including capitalism, socialism, humanism, psychoanalysis, fascism, and modernism itself--have altered attitudes toward time, space, self, creativity, the natural world, and community.
Author: Leonard Diepeveen
Publisher: Routledge
Published: 2013-10-18
Total Pages: 342
ISBN-13: 1135374554
DOWNLOAD EBOOKIn The Difficulties of Modernism, Leonard Diepeveen examines how difficulty became central to our encounters with modern literature and culture. Literary modernism's first readers often complained that difficulty was running rampant in literature, that art had become a plague of unintelligibility. Diepeveen argues that the simultaneous appearance of modernism and discussion about difficulty was not coincidental-difficulty allowed modernism to rise to the status of high art, and it was fundamental to how modernism shaped the canon not only of twentieth-century literature, but of the literature that preceded it. He argues that modernism can be best understood as the moment when knowing how to maneuver through difficult art became the central sign of one's ability to participate in high culture.
Author: Pauline Marie Rosenau
Publisher: Princeton University Press
Published: 1991-11-05
Total Pages: 250
ISBN-13: 1400820618
DOWNLOAD EBOOKPost-modernism offers a revolutionary approach to the study of society: in questioning the validity of modern science and the notion of objective knowledge, this movement discards history, rejects humanism, and resists any truth claims. In this comprehensive assessment of post-modernism, Pauline Rosenau traces its origins in the humanities and describes how its key concepts are today being applied to, and are restructuring, the social sciences. Serving as neither an opponent nor an apologist for the movement, she cuts through post-modernism's often incomprehensible jargon in order to offer all readers a lucid exposition of its propositions. Rosenau shows how the post-modern challenge to reason and rational organization radiates across academic fields. For example, in psychology it questions the conscious, logical, coherent subject; in public administration it encourages a retreat from central planning and from reliance on specialists; in political science it calls into question the authority of hierarchical, bureaucratic decision-making structures that function in carefully defined spheres; in anthropology it inspires the protection of local, primitive cultures from First World attempts to reorganize them. In all of the social sciences, she argues, post-modernism repudiates representative democracy and plays havoc with the very meaning of "left-wing" and "right-wing." Rosenau also highlights how post-modernism has inspired a new generation of social movements, ranging from New Age sensitivities to Third World fundamentalism. In weighing its strengths and weaknesses, the author examines two major tendencies within post-modernism, the largely European, skeptical form and the predominantly Anglo-North-American form, which suggests alternative political, social, and cultural projects. She draws examples from anthropology, economics, geography, history, international relations, law, planning, political science, psychology, sociology, urban studies, and women's studies, and provides a glossary of post-modern terms to assist the uninitiated reader with special meanings not found in standard dictionaries.
Author: R. Griffin
Publisher: Springer
Published: 2007-05-22
Total Pages: 467
ISBN-13: 0230596126
DOWNLOAD EBOOKIntellectual debates surrounding modernity, modernism and fascism continue to be active and hotly contested. In this ambitious book, renowned expert on fascism Roger Griffin analyzes Western modernity and the regimes of Mussolini and Hitler and offers a pioneering new interpretation of the links between these apparently contradictory phenomena.
Author: Eric Aronoff
Publisher: University of Virginia Press
Published: 2013-10-18
Total Pages: 310
ISBN-13: 0813934850
DOWNLOAD EBOOKThe term "culture" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposed—cultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalism—are in fact engaged in common debate and proceed from shared arguments about culture and form.
Author: Michael Harry Levenson
Publisher: Cambridge University Press
Published: 1986-06-27
Total Pages: 272
ISBN-13: 9780521338004
DOWNLOAD EBOOKA Geneology of Modernism is a study of literary transition in the first two decades of the twentieth-century, a period of extraordinary ferment and great accomplishment, during which the avant-garde gradually consolidated a secure place within English culture. Michael Levenson analyses that complex process by following the successive phases of a literary movement - Impressionist, Imagist, Vorticist, Classicist - as it attempted to formulate the principles on which a new aesthetic might be founded. The emphasis here falls on the ideology of modernism, but throughout the book the ideological question is tied on the one hand to specific literary works and on the other to general movements in philosophy and the fine arts. The major figures under discussion, Joseph Conrad, Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot, are placed in relation to thinkers who have been largely neglected in the history of modernism: Max Stirner, Wilhelm Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc. Levenson thus situates the emergence of a modernist aesthetic within the context of literary theory, literary practice, and cultural history.
