"In this book, the birth and growth of photojournalism is brilliantly chronicled by a man who was a pioneer in the field when this new medium of mass communication was becoming established in Germany. The 135 illustrations include numerous reproductions from the Berliner Illustrirte Zeitung and Münchner Illustrierte Presse, and the work of such masters of photoreportage as Walter Bosshard, Erich Salomon, Wolfgang Weber, Martin Munkacsi, Willi Ruge, Alfred Eisenstaedt, André Kertesz, Umbo, and Harald Lechenperg."--Page 4 de la couverture.
Hungarian-born Stefan Lorant's work as a visual and literary editor allowed him to pioneer and develop the genré of picture-based journalism at a period that saw the emergence of modern mass communications. Lorant became a guiding force on an international scale, disseminating his ideas and political knowledge throughout Europe in the late-twenties and thirties by working in Hungary, Germany, and England. His innovative layouts, his "exclusive" interviews and his thirst for knowledge became a familiar part of millions of everyday lives, largely through the pages of his own creations and in particular the legendary Picture Post. Eventually his sphere of influence spread to America where he introduced the concept of the pictorial biography. His vision of photography as a documentary medium inspired Life and Look magazines and paved the way for the eventual emergence of the television documentary. For this he has become recognized as "the godfather" of photojournalism. Lorant's work enlightened the world - yet his own world was shrouded with darkness. His secret past, hidden throughout his lifetime, reveals the changing attitude of sexual politics as it evolved throughout the century. His serial womanizing and scandalous love affairs provide insight into the unhappy alliance between his sexual fulfillment and intellectual frustration, his searching in others for what he could not find within himself. Michael Hallett first interviewed Stefan Lorant in late 1990 and spent the following years researching and interviewing his subject. Hallett examines Lorant's public image, his huge ego, his manipulative nature, and his devious love of subterfuge and confusion. Hallett also reveals Lorant's warmth, his generosity, his callousness, his passions and his extraordinary humanity. This biography encompasses the 20th century, while focusing on the emergence of modern mass communications throughout Europe and the United States. Additionally there is a small but key section that highlights Lorant's pl
The traditional approach to studying American photojournalism explains the what and who of photojournalism -- what events and developments occurred, what notable images were taken, and who took them. Without neglecting those concerns, American Photojournalism emphasizes the why.
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Defining photography is impossible. Revealing it is another matter, and that's what The Concise Focal Encyclopedia of Photography does, with each turn of the page. History: The technical origins and evolution of photography are half of the story. The other half consists of the ways that cultural forces have transformed photography into a constellation of practices more diverse than any other mode of representation. Photographers can tell a more in-depth story through a photo like Dorothea Lange's "Migrant Mother than a journalist ever could with the written word alone. Major themes and practitioners: Over 25 entries, many with supporting illustrations, examine the figures, trends, and ideas that have contributed most heavily to the history and current state of photography. Contemporary issues: The issues influencing photography today are more complex than at any other time in its history. Questions of ethics, desire, perception, digitization, and commercialization all vie for attention. Hear what the experts have to say about crucial issues such as whether or not the images we take today will last the test of time, and if so, how? When material is covered this skillfully, "concise is no compromise. The Concise Focal Encyclopedia of Photography is packed with useful information, compelling ideas, and - best of all - pure pleasure.
The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field’s persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyzes the field’s histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary contexts; draws out the main concerns of photographic scholarship; interrogates photography’s cultural and geopolitical influences; and examines photography’s multiple uses and continued changing faces. Each part begins with an introductory text, giving historical contextualization and scholarly orientation. Featuring the work of international experts, and offering diverse examples, insights and discussions of the field’s rich historiography, the Handbook provides critical guidance to the most recent research in photography studies. This pioneering and comprehensive volume presents a systematic synopsis of the subject that will be an invaluable resource for photography researchers and students from all disciplinary backgrounds in the arts, humanities and social sciences.
Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms. For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism’s heyday and the rise of broadcast news and newsreels in the twentieth century and into today’s digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture.
Covering an exhaustive range of information about the five boroughs, the first edition of The Encyclopedia of New York City was a success by every measure, earning worldwide acclaim and several awards for reference excellence, and selling out its first printing before it was officially published. But much has changed since the volume first appeared in 1995: the World Trade Center no longer dominates the skyline, a billionaire businessman has become an unlikely three-term mayor, and urban regeneration—Chelsea Piers, the High Line, DUMBO, Williamsburg, the South Bronx, the Lower East Side—has become commonplace. To reflect such innovation and change, this definitive, one-volume resource on the city has been completely revised and expanded. The revised edition includes 800 new entries that help complete the story of New York: from Air Train to E-ZPass, from September 11 to public order. The new material includes broader coverage of subject areas previously underserved as well as new maps and illustrations. Virtually all existing entries—spanning architecture, politics, business, sports, the arts, and more—have been updated to reflect the impact of the past two decades. The more than 5,000 alphabetical entries and 700 illustrations of the second edition of The Encyclopedia of New York City convey the richness and diversity of its subject in great breadth and detail, and will continue to serve as an indispensable tool for everyone who has even a passing interest in the American metropolis.
The influence of the mass media on American history has been overwhelming. History of the Mass Media in the United States examines the ways in which the media both affects, and is affected by, U.S. society. From 1690, when the first American newspaper was founded, to 1995, this encyclopedia covers more than 300 years of mass media history. History of Mass Media in the United States contains more than 475 alphabetically arranged entries covering subjects ranging from key areas of newspaper history to broader topics such as media coverage of wars, major conflicts over press freedom, court cases and legislation, and the concerns and representation of ethnic and special interest groups. The editor and the 200 scholarly contributors to this work have taken particular care to examine the technological, legal, legislative, economic, and political developments that have affected the American media.
"He used his camera like a doctor would use a stethoscope in order to diagnose the state of the heart. His own was vulnerable.", Cartier-Bresson wrote about David Seymour, who liked to be called Chim. Chim is best known as one of the cofounders of photojournalism’s famous cooperative Magnum Photos. Weaving Chim’s life and work, this book discovers this empathetic photographer who has been called "The First Human Rights Photographer". In 1947, Chim was one of the four cofounders of the Magnum Photos cooperative with Robert Capa, Henri Cartier-Bresson and George Rodger. He also wrote Magnum’s 1955 bylaws, which are still in effect today. But he is the only one of those famous photographers who does not have a full biography to his name. This book examines his life and work from Poland to France to the Spanish Civil War, his work for British intelligence during World War II, his reportage on Europe’s children after the war, his reportages on Italian actors, illiteracy and religious festivals in Southern Italy, his coverage of Israel’s beginnings before his 1956 death during the Suez war. His complex itinerary is emblematic of the displacements and passages of the XXth century.
