(Music Sales America). Based on the author's experience in teaching in jazz workshops, this text explains the principles of the jazz art form. Useful for teachers wishing to include jazz in the music curriculum.
The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.
(Keyboard Instruction). This comprehensive book with audio will teach you the basic skills you need to play smooth jazz piano. From comping to soloing, you'll learn the theory, the tools, and the tricks used by the pros. The accompanying audio features many of the examples in the book performed either solo or with a full band. Specifically, you'll learn: scales and chords, harmony and voicings, progressions and comping, rhythmic concepts, melodies and soloing, characteristic stylings, the history of jazz, and more. THE HAL LEONARD KEYBOARD STYLE SERIES provides focused lessons that contain valuable how-to insight, essential playing tips, and beneficial information for all players. Comprehensive treatment is given to each subject, complete with a companion audio.
100 Modern Jazz Licks for Piano is so much more than a book of licks! It's a doorway into the minds of the most innovative jazz pianists ever recorded...
Presents profiles of eighty-eight jazz pianists, from Jelly Roll Morton, born in New Orleans in 1890, to Wisconsin's Geoff Keezer, born in 1970, with interviews and critiques, photographs, and a sampler CD.
(Berklee Guide). Play jazz piano with new facility and expression as Ray Santisi, one of the most revered educators at the Berklee College of Music and mentor to Keith Jarrett, Diana Krall, Joe Zawinul, and thousands of others reveals the pedagogy at the core of Berklee's jazz piano curriculum. From beginning through advanced levels, Berklee Jazz Piano maps the school's curriculum: a unique blend of theory and application that gives you a deep, practical understanding of how to play jazz. Concepts are illustrated on the accompanying online audio, where you'll hear how one of the great jazz pianists and educators of our time applies these concepts to both jazz standards and original compositions, and how you can do the same. You will learn: * Jazz chords and their characteristic tension substitutions, in many voicings and configurations * Modes and scales common in jazz * Techniques for comping, developing bass lines, harmonizing melodies, melodizing harmonies, and improvisation * Practice techniques for committing these concepts to your muscle memory * Variations for solo and ensemble playing * Advanced concepts, such as rhythmic displacement, approach-chord harmonization, and jazz counterpoint
The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.
(Keyboard Instruction). This comprehensive book and CD package will teach you the basic skills you need to play smooth jazz piano. From comping to soloing, you'll learn the theory, the tools, and the tricks used by the pros. The accompanying CD features many of the examples in the book performed either solo or with a full band. Specifically, you'll learn: scales and chords, harmony and voicings, progressions and comping, rhythmic concepts, melodies and soloing, characteristic stylings, the history of jazz, and more. THE HAL LEONARD KEYBOARD STYLE SERIES provides focused lessons that contain valuable how-to insight, essential playing tips, and beneficial information for all players. Comprehensive treatment is given to each subject, complete with a companion CD.
An informal though authoritative history of jazz, Taylor heard through the piano, combining his firsthand knowledge both as a musician and as an "aural historian." He begins by tracing jazz' roots to the African tradition, disputing Andre Hodier's popular theory that early jazz rhythms were derived from military marches and polkas, which black musicians might have heard in the 1800s. He follows the chronology through the rags of Scott Joplin and Eubie Blake, the New Orleans jazz of Jelly Roll Morton, the stride piano of Fats Waller and James P. Johnson, on up through Count Basie, Thelonious Monk, Cecil Taylor, McCoy Tyner and Keith Jarrett.