Modern Indian Theatre

Modern Indian Theatre

Author: Nandi Bhatia

Publisher: Oxford India Paperbacks

Published: 2011

Total Pages: 0

ISBN-13: 9780198075066

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Since the late nineteenth century, theatre has played a significant role in shaping social and political awareness in India. It has served to raise concerns in post-Independence India as well. Modern Indian Theatre: A Reader brings together writings that speak to the historical contexts from which theatrical practices emerged-colonization, socio-cultural suppression and appropriation, intercultural transformations brought about by the impact of the colonial forces, and acute critical engagement with socio-political issues brought about by the hopes and failures of Independence. The volume addresses pertinent questions like how drama influences social change, the response of drama to the emergence and domination of mass media and the proliferation and influence of western media in India, and how mediations of gender, class, and caste influence drama, its language, forms, and aesthetics. The Introduction by Nandi Bhatia provides a comprehensive understanding of the interface between Indian theatre and 'modernity'.


Modern Indian Drama

Modern Indian Drama

Author: Govind P. Deshpande

Publisher:

Published: 2000

Total Pages: 780

ISBN-13:

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This Is The First Comprehensive Anthology Of Modern Indian Drama. This Volume Includes 15 Plays By Sriranga, Badal Sircar, Girish Karnad, Satish Alekar, Utpal Dutt And Others.


Poetics, Plays, and Performances

Poetics, Plays, and Performances

Author: Vasudha Dalmia

Publisher: Oxford University Press

Published: 2008-01-09

Total Pages: 254

ISBN-13: 0199087954

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This book addresses the political and aesthetic concerns of modern Indian theatre, tracing its genealogies, and looking in particular at its appropriation of 'folk' theatre. Starting with the plays of Bharatendu Harishchandra in 1870s Banaras, the book moves forward to Jayshankar Prasad and Mohan Rakesh, landmark figures in the history of modern Indian drama. Dalmia then focuses on the intense urban interaction with folk theatre forms, their politicization in the 1940s and later again in the 1970s. Finally the book maps some of the routes taken by avant-garde women directors since the last decades of the twentieth century. Theatre students, critics, cultural historians, scholars of South Asian theatre, as well as general readers will find the book inspiring.


Theatres of Independence

Theatres of Independence

Author: Aparna Bhargava Dharwadker

Publisher: University of Iowa Press

Published: 2009-11

Total Pages: 505

ISBN-13: 158729642X

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Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.


Muffled Voices

Muffled Voices

Author: Lakshmi Subramanyam

Publisher: Har-Anand Publications

Published: 2002

Total Pages: 288

ISBN-13: 9788124108703

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Contributed articles.


Contemporary Indian Dramatists

Contemporary Indian Dramatists

Author: Shubha Tiwari

Publisher: Atlantic Publishers & Dist

Published: 2007

Total Pages: 150

ISBN-13: 9788126908714

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The Book Is A Commentary On Indian Dramatic Theory And Some Selected Contemporary Indian Plays. Drama Is An Active Literary Art Form. Although Films And Television Have Become Very Vital In Our Times, Still Direct Experience Of The Theatre Cannot Be Replaced. The Book Provides General Commentary On Plays By Karnad, Tendulkar, And Ezekiel. The Reader Is Expected To Get An Insight Into Bharat Muni S Views On The Art Of Drama As Well As Some Very Popular Plays Of Our Times. Needless To Say That The Book Is In Series Of Many Such Other Books Where The Editor And The Contributors Believe Indian English Studies To Have Come Of Age. The Book, Among Such Others, Trumpets The Victory Of Indian English Studies In India. This Is Indeed A Welcome Change From Previously Held Puritan View Of English Studies Being Totally Alien. Magic Is Produced When English As A Language Weds The Indian Soil Or When We Apply Indigenous Tools To Study English Literary Texts.


Theatre of Roots

Theatre of Roots

Author: Erin B. Mee

Publisher: Seagull Books Pvt Ltd

Published: 2008

Total Pages: 436

ISBN-13: 9781905422760

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After Independence, in 1947, in their efforts to create an 'Indian' theatre that was different from the Westernized, colonial theatre, Indian theatre practitioners began returning to their 'roots' in classical dance, religious ritual, martial arts, popular entertainment and aesthetic theory. The Theatre of Roots - as this movement was known - was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. By addressing the politics of aesthetics and by challenging the visual practices, performer/spectator relationships, dramaturgical structures and aesthetic goals of colonial performance, the movement offered a strategy for reassessing colonial ideology and culture and for articulating and defining a newly emerging 'India'. Theatre of Roots presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies.


On a Muggy night in Mumbai

On a Muggy night in Mumbai

Author: Mahesh Dattani

Publisher: Penguin UK

Published: 2013-07-15

Total Pages: 99

ISBN-13: 9351182169

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‘A playwright of world stature’—Mario Relich, Wasafiri On a Muggy Night in Mumbai is the first contemporary Indian play to openly tackle gay themes of love, partnership, trust and betrayal. Kamlesh—young, gay and clinically depressed—invites his friends home ostensibly for an evening of camaraderie. However, with the arrival of his sister and her fiancé, a series of dramatic confrontations is set into motion, leading to startling revelations and unexpected catharsis. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times