Modern French Drama 1940-1980

Modern French Drama 1940-1980

Author: David Bradby

Publisher: Cambridge University Press

Published: 1984-09-06

Total Pages: 324

ISBN-13: 9780521278812

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In the years since 1940, French theatre has been transformed both institutionally and artistically. This book compares all the major traditions and tendencies at work in French theatre since the outbreak of the Second World War, not only in Paris, but also in the Centres Dramatiques and Maisons de la Culture. Previous books have stopped short at the end of the fifties when the influence of Artaud was strong and the Absurd Theatre had become the new orthodoxy. David Bradby reassesses Beckett, lonesco, Adamov and Genet and challenges the notion that the sixties and seventies were a period of decline in French theatre. The book proceeds chronologically, offering a critical survey of the principal directors, actors and companies as well as of the playwrights, who are its major concern. Important productions are illustrated with black and white photographs. The political background is explained and all quotations are in English.


Hellenic Whispers

Hellenic Whispers

Author: Susanna Phillippo

Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften

Published: 2013

Total Pages: 0

ISBN-13: 9783034308519

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This book builds a picture of how Greek literature was reworked by the authors of seventeenth-century French tragedy. The text explores the complex interactions surrounding these adaptations, involving the input of scribes, editors, translators and earlier authors, and asks the important question of what these dramatists conceived of themselves as doing.


Modern French Drama 1940-1990

Modern French Drama 1940-1990

Author: David Bradby

Publisher: Cambridge University Press

Published: 1991-05-16

Total Pages: 352

ISBN-13: 9780521408431

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An updated account and comparison of the major traditions and tendencies in the French theatre from 1940-1990.


Reading Theatre

Reading Theatre

Author: Anne Ubersfeld

Publisher: University of Toronto Press

Published: 1999-01-01

Total Pages: 250

ISBN-13: 9780802082404

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Ubersfeld show how formal analysis can enrich the work of theatre practioners and offers a reading of the symbolic structures of stage space and time as well as opening up mulitple possibilities for interpreting a play's line of action.


Contemporary French Theatre and Performance

Contemporary French Theatre and Performance

Author: C. Finburgh

Publisher: Springer

Published: 2011-05-17

Total Pages: 255

ISBN-13: 0230305660

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This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France.


Women's Deliberation

Women's Deliberation

Author: Theresa Varney Kennedy

Publisher: Routledge

Published: 2018

Total Pages: 201

ISBN-13: 9781472484543

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"Deliberating the Heroine in Early Modern French Womens Theater argues that women playwrights used their heroines as a vehicle through which to question traditional views on women. Denied the powers of cleverness, the authority of deliberation, and the right to speak, heroines were often excluded from central roles in plays by leading male playwrights from this period. Women playwrights, on the other hand, embraced the ideas necessary to expand the boundaries of female heroism. Heroines in tragicomedies, comedies, and tragedies from the mid-seventeenth through the mid-eighteenth centuries reflect a shift in mentalities toward rationality and female agency. Author Theresa Kennedy argues that the deliberative heroine, emerging at the dawn of the eighteenth century, is the most fully developed, exuding all the characteristics of the modern-day heroine. Though she embodies many of the qualities of her heroine counterparts, she also responds to them. Only the deliberative heroine, based on Enlightenment ideals"such as womens ability to rationalize and the complex interplay between reason and sentiment"truly liberates female characters from a history of traditional roles. Whereas other heroines act in accordance with social construct or on impulse, the deliberative heroine is active, and her determination to follow through with her own line of reasoning"that involves both mind and heart"enables her to determine the outcome of events. In the end, this new generation of heroines ushered in an era where women playwrights could make their own contribution to dramatic works at the dawn of the Age of Enlightenment."--Provided by publisher.


Queer Velocities

Queer Velocities

Author: Jennifer Eun-Jung Row

Publisher: Northwestern University Press

Published: 2022-04-15

Total Pages: 340

ISBN-13: 0810144727

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Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage explores how seventeenth-century French theater represents queer desire. In this book, the first queer theoretical treatment of canonical French theater, Jennifer Eun-Jung Row proposes that these velocities, moments of unseemly haste or strategic delay, sparked new kinds of attachments, intimacies, and erotics. Rather than rely on fixed identities or analog categories, we might turn to these affectively saturated moments of temporal sensation to analyze queerness in the premodern world. The twin innovations of precise, portable timepieces and the development of the theater as a state institution together ignited new types of embodiments, orderly and disorderly pleasures, and normative and wayward rhythms of life. Row leverages a painstakingly formalist and rhetorical analysis of tragedies by Jean Racine and Pierre Corneille to show how the staging of delay or haste can critically interrupt the normative temporalities of marriage, motherhood, mourning, or sovereignty—the quotidian rhythms and paradigms so necessary for the biopolitical management of life. Row’s approach builds on the queer turn to temporality and Elizabeth Freeman’s notion of the chronobiopolitical to wager that queerness can also be fostered by the sensations of disruptive speed and slowness. Ultimately, Row suggests that the theater not only contributed to the glitter of Louis XIV’s absolutist spectacle but also ignited new forms of knowing and feeling time, as well as new modes of loving, living, and being together.