Bibliotheca Mathematica, Volume 6: Modern Dimension Theory provides a brief account of dimension theory as it has been developed since 1941, including the principal results of the classical theory for separable metric spaces. This book discusses the decomposition theorem, Baire's zero-dimensional spaces, dimension of separable metric spaces, and characterization of dimension by a sequence of coverings. The imbedding of countable-dimensional spaces, sum theorem for strong inductive dimension, and cohomology group of a topological space are also elaborated. This text likewise covers the uniformly zero-dimensional mappings, theorems in euclidean space, transfinite inductive dimension, and dimension of non-metrizable spaces. This volume is recommended to students and specialists researching on dimension theory.
The principles of symmetry and self-similarity structure nature's most beautiful creations. For example, they are expressed in fractals, famous for their beautiful but complicated geometric structure, which is the subject of study in dimension theory. And in dynamics the presence of invariant fractals often results in unstable "turbulent-like" motions and is associated with "chaotic" behavior. In this book, Yakov Pesin introduces a new area of research that has recently appeared in the interface between dimension theory and the theory of dynamical systems. Focusing on invariant fractals and their influence on stochastic properties of systems, Pesin provides a comprehensive and systematic treatment of modern dimension theory in dynamical systems, summarizes the current state of research, and describes the most important accomplishments of this field. Pesin's synthesis of these subjects of broad current research interest will be appreciated both by advanced mathematicians and by a wide range of scientists who depend upon mathematical modeling of dynamical processes.
The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.
Historically, for metric spaces the quest for universal spaces in dimension theory spanned approximately a century of mathematical research. The history breaks naturally into two periods - the classical (separable metric) and the modern (not-necessarily separable metric). The classical theory is now well documented in several books. This monograph is the first book to unify the modern theory from 1960-2007. Like the classical theory, the modern theory fundamentally involves the unit interval. Unique features include: * The use of graphics to illustrate the fractal view of these spaces; * Lucid coverage of a range of topics including point-set topology and mapping theory, fractal geometry, and algebraic topology; * A final chapter contains surveys and provides historical context for related research that includes other imbedding theorems, graph theory, and closed imbeddings; * Each chapter contains a comment section that provides historical context with references that serve as a bridge to the literature. This monograph will be useful to topologists, to mathematicians working in fractal geometry, and to historians of mathematics. Being the first monograph to focus on the connection between generalized fractals and universal spaces in dimension theory, it will be a natural text for graduate seminars or self-study - the interested reader will find many relevant open problems which will create further research into these topics.
This is the first of the encyclopaedia volumes devoted to general topology. It has two parts. The first outlines the basic concepts and constructions of general topology, including several topics which have not previously been covered in English language texts. The second part presents a survey of dimension theory, from the very beginnings to the most important recent developments. The principal ideas and methods are treated in detail, and the main results are provided with sketches of proofs. The authors have suceeded admirably in the difficult task of writing a book which will not only be accessible to the general scientist and the undergraduate, but will also appeal to the professional mathematician. The authors' efforts to detail the relationship between more specialized topics and the central themes of topology give the book a broad scholarly appeal which far transcends narrow disciplinary lines.
In this insightful book, which is a revisionist math history as well as a revisionist art history, Tony Robbin, well known for his innovative computer visualizations of hyperspace, investigates different models of the fourth dimension and how these are applied in art and physics. Robbin explores the distinction between the slicing, or Flatland, model and the projection, or shadow, model. He compares the history of these two models and their uses and misuses in popular discussions. Robbin breaks new ground with his original argument that Picasso used the projection model to invent cubism, and that Minkowski had four-dimensional projective geometry in mind when he structured special relativity. The discussion is brought to the present with an exposition of the projection model in the most creative ideas about space in contemporary mathematics such as twisters, quasicrystals, and quantum topology. Robbin clarifies these esoteric concepts with understandable drawings and diagrams. Robbin proposes that the powerful role of projective geometry in the development of current mathematical ideas has been long overlooked and that our attachment to the slicing model is essentially a conceptual block that hinders progress in understanding contemporary models of spacetime. He offers a fascinating review of how projective ideas are the source of some of today’s most exciting developments in art, math, physics, and computer visualization.
NEWBERY MEDAL WINNER • TIME MAGAZINE’S 100 BEST FANTASY BOOKS OF ALL TIME • NOW A MAJOR MOTION PICTURE FROM DISNEY Read the ground-breaking science fiction and fantasy classic that has delighted children for over 60 years! "A Wrinkle in Time is one of my favorite books of all time. I've read it so often, I know it by heart." —Meg Cabot Late one night, three otherworldly creatures appear and sweep Meg Murry, her brother Charles Wallace, and their friend Calvin O'Keefe away on a mission to save Mr. Murray, who has gone missing while doing top-secret work for the government. They travel via tesseract--a wrinkle that transports one across space and time--to the planet Camazotz, where Mr. Murray is being held captive. There they discover a dark force that threatens not only Mr. Murray but the safety of the whole universe. A Wrinkle in Time is the first book in Madeleine L’Engle’s Time Quintet.
Are there other dimensions beyond our own? Is time travel possible? Can we change the past? Are there gateways to parallel universes? All of us have pondered such questions, but there was a time when scientists dismissed these notions as outlandish speculations. Not any more. Today, they are the focus of the most intense scientific activity in recent memory. In Hyperspace, Michio Kaku, author of the widely acclaimed Beyond Einstein and a leading theoretical physicist, offers the first book-length tour of the most exciting (and perhaps most bizarre) work in modern physics, work which includes research on the tenth dimension, time warps, black holes, and multiple universes. The theory of hyperspace (or higher dimensional space)--and its newest wrinkle, superstring theory--stand at the center of this revolution, with adherents in every major research laboratory in the world, including several Nobel laureates. Beginning where Hawking's Brief History of Time left off, Kaku paints a vivid portrayal of the breakthroughs now rocking the physics establishment. Why all the excitement? As the author points out, for over half a century, scientists have puzzled over why the basic forces of the cosmos--gravity, electromagnetism, and the strong and weak nuclear forces--require markedly different mathematical descriptions. But if we see these forces as vibrations in a higher dimensional space, their field equations suddenly fit together like pieces in a jigsaw puzzle, perfectly snug, in an elegant, astonishingly simple form. This may thus be our leading candidate for the Theory of Everything. If so, it would be the crowning achievement of 2,000 years of scientific investigation into matter and its forces. Already, the theory has inspired several thousand research papers, and has been the focus of over 200 international conferences. Michio Kaku is one of the leading pioneers in superstring theory and has been at the forefront of this revolution in modern physics. With Hyperspace, he has produced a book for general readers which conveys the vitality of the field and the excitement as scientists grapple with the meaning of space and time. It is an exhilarating look at physics today and an eye-opening glimpse into the ultimate nature of the universe.
Galileo Unbound traces the journey that brought us from Galileo's law of free fall to today's geneticists measuring evolutionary drift, entangled quantum particles moving among many worlds, and our lives as trajectories traversing a health space with thousands of dimensions. Remarkably, common themes persist that predict the evolution of species as readily as the orbits of planets or the collapse of stars into black holes. This book tells the history of spaces of expanding dimension and increasing abstraction and how they continue today to give new insight into the physics of complex systems. Galileo published the first modern law of motion, the Law of Fall, that was ideal and simple, laying the foundation upon which Newton built the first theory of dynamics. Early in the twentieth century, geometry became the cause of motion rather than the result when Einstein envisioned the fabric of space-time warped by mass and energy, forcing light rays to bend past the Sun. Possibly more radical was Feynman's dilemma of quantum particles taking all paths at once — setting the stage for the modern fields of quantum field theory and quantum computing. Yet as concepts of motion have evolved, one thing has remained constant, the need to track ever more complex changes and to capture their essence, to find patterns in the chaos as we try to predict and control our world.
This book provides a detailed exposition of a wide range of topics in geometric group theory, inspired by Gromov’s pivotal work in the 1980s. It includes classical theorems on nilpotent groups and solvable groups, a fundamental study of the growth of groups, a detailed look at asymptotic cones, and a discussion of related subjects including filters and ultrafilters, dimension theory, hyperbolic geometry, amenability, the Burnside problem, and random walks on groups. The results are unified under the common theme of Gromov’s theorem, namely that finitely generated groups of polynomial growth are virtually nilpotent. This beautiful result gave birth to a fascinating new area of research which is still active today. The purpose of the book is to collect these naturally related results together in one place, most of which are scattered throughout the literature, some of them appearing here in book form for the first time. In this way, the connections between these topics are revealed, providing a pleasant introduction to geometric group theory based on ideas surrounding Gromov's theorem. The book will be of interest to mature undergraduate and graduate students in mathematics who are familiar with basic group theory and topology, and who wish to learn more about geometric, analytic, and probabilistic aspects of infinite groups.
