DADGAD Guitar Progressions for backing traditional music.Guitarist for CrossHarbour, The Wilderness Yet, The Dave Munnelly Band and Calum Stewart.Strumming patterns and chords for use with and without a capo. All the main keys covered. Tablature and notation."I saw the future of trad music and its name is CrossHarbour" - tradconnect"a masterclass in empathy and phrasing" - Irish Times"a fine example of how traditional music is still thriving in a modern way" - The Daily Telegraph
DADGAD Guitar Method is different. Each scale, chord and arpeggio is taught in a musical context so that it immediately becomes part of your voice on guitar.
(Instructional). The Hal Leonard Irish Bouzouki Method is designed for anyone just learning to play the Irish bouzouki. This comprehensive and easy-to-use beginner's guide focuses on teaching the basics of the instrument as well as accompaniment techniques for a variety of Irish song forms.
Hundreds of chords and voicings for four guitar tunings, seven banjo tunings, three dobro and three fiddle tunings, plus ukelele and tenor guitar. An indispensable guide for the folk, bluegrass, pop, blues and rock musician.
Johnny Rector has been recognized for years as one ofAmerica's top jazz guitar writers. Here, for the first time, he presents an analysis of modern chord progressions, extensions, alternations, substitutions and a hands-on series of exercises designed to utilize and apply theseimportant concepts to the guitar fingerboard. This book was written as a self-study guide to the intermediate, advanced and professional guitarist who has not had the opportunity to study material of this kind with a first-class competent teacher-artist, although such a teacher can be of greatassistance in learning to apply the material. It shows unusual chord forms and progressions beyond the basics.Written in standard notation
(Play Like). Study the trademark songs, licks, tones, and techniques of the guitar wonder Eric Johnson. This comprehensive book and audio teaching method provides detailed analysis of Johnson's gear, tone, techniques, styles, songs, licks, riffs, and much more. Includes a unique code that will give you access to audio files of all the music in the book online. Full songs include: Cliffs of Dover * Desert Rose * Fatdaddy * Trademark * Zap * plus excerpts from ten more Johnson tunes.
3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.
This book is for someone who can already play the silver flute to some extent. I hope to show you some of the techniques to engage with the sounds of traditional wooden flute, as well as teach you a few tunes along the way. There are lots of my own tunes included which are particularly suited to the silver flute and a few traditional tunes to help illustrate the techniques."a wealth of information for silver flute players who wish their instrument to sound more like a traditional wooden flute...deeply thought through and gives really useful practical advice. ...It really is an impressive book...both entertaining and really useful." - Living Tradition Magazine"hugely important book...Philippe is a master of those techniques...Irish Music Magazine's John Brophy's comment is quoted in the book; "I've heard nobody else who can make the Boehm flute sound like the true traditional thing, who can mould tone to the tune so nicely, the sheer musicality is exceptionally impressive."...This is an invaluable resource for Silver flute players and is a great teaching aid; it should be in every secondary school music room in the country." - Seán Laffey, IRISH MUSIC MAGAZINE"This book serves as an ideal introduction for any Boehm flute players who are interested in exploring the traditional language of Irish Music. One of the most important elements in idiomatic Irish flute playing is the execution of a wide range of ornaments, and they are clearly explaned her and backed up with examples from the repertoire. Barnes stresses the difference between classical ornamentation (which is essentially melodic) and Irish ornamentatin where the focus is on rhythm. He disusses differences in hand position and an appropriate approach to vibrato, and covers techniques such as feathering, cuts, rolls, cranns, bounces and slides. Each technique is clearly explaned in straigntforward language, and there is plenty of repertoire included to help skills develop in each area. Recommended." Carla Rees, British Flute Society Magazine
