Authorship and Text-making in Early China
Authorship and Text-making in Early China

Author: Hanmo Zhang

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-10-08

Total Pages: 377

ISBN-13: 150150519X

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This book is a timely response to a rather urgent call to seek an updated methodology in rereading and reappraising early Chinese texts in light of newly discovered early writings. For a long time, the concept of authorship in the formation and transmission of early Chinese texts has been misunderstood. The nominal author who should mainly function as a guide to text formation and interpretation is considered retrospectively as the originator and writer of the text. This book illustrates that although some notions about the text as the author’s property began to appear in some Eastern Han texts, a strict correlation between the author and the text results from later conceptions of literary history. Before the modern era, there existed a conceptual gap between an author and a writer. A pre-modern Chinese text could have had both an author and a writer, or even multiple authors and multiple writers. This work is the first study addressing these issues by more systematically emphasizing the connection of the text, the author, and the religious and sociopolitical settings in which these issues were embedded. It is expected to constitute a palpable contribution to Chinese studies and the discipline of philology in general

Writing and Authority in Early China
Writing and Authority in Early China

Author: Mark Edward Lewis

Publisher: SUNY Press

Published: 1999-01-01

Total Pages: 558

ISBN-13: 9780791441138

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This book traces the evolving uses of writing to command assent and obedience in early China, an evolution that culminated in the establishment of a textual canon as the foundation of imperial authority. Its central theme is the emergence of this body of writings as the textual double of the state, and of the text-based sage as the double of the ruler. The book examines the full range of writings employed in early China, such as divinatory records, written communications with ancestors, government documents, the collective writings of philosophical and textual traditions, speeches attributed to historical figures, chronicles, verse anthologies, commentaries, and encyclopedic compendia. Lewis shows how these writings served to administer populations, control officials, form new social groups, invent new models of authority, and create an artificial language whose master generated power and whose graphs became potent objects.

Authorship and Text-making in Early China
Authorship and Text-making in Early China

Author: Hanmo Zhang

Publisher: ISSN

Published: 2018

Total Pages: 0

ISBN-13: 9781501514357

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The book presents the first systematic investigation of the four types of authorship which were attributed in the early history of Chinese text making. Zhang enlightens readers about the emergence and development of the concept of authorship and off

Military Thought in Early China
Military Thought in Early China

Author: Christopher C. Rand

Publisher: SUNY Press

Published: 2017-05-11

Total Pages: 244

ISBN-13: 1438465173

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Provides a systematic and comprehensive survey of writings on military philosophy in early China. This study of the philosophy of war in early China examines the recurring debate, from antiquity through the Western Han period (202 BCE–8 CE), about how to achieve a proper balance between martial (wu) force and civil (wen) governance in the pursuit of a peaceful state. Rather than focusing solely on Sunzi’s Art of War and other military treatises from the Warring States era (ca. 475–221 BCE), Christopher C. Rand analyzes the evolution of this debate by examining a broad corpus of early Han and pre-Han texts, including works uncovered in archeological excavations during recent decades. What emerges is a framework for understanding early China’s military philosophy as an ongoing negotiation between three major alternatives: militarism, compartmentalism, and syncretism. Military Thought in Early China offers a look into China’s historical experience with a perennial issue that is not only of continuing relevance to modern-day China but also pertinent to other world states seeking to sustain strong and harmonious societies. “With its close engagement with and nuanced interpretation of a truly impressive range of sources, this book illuminates a field that gets too little serious attention.” — Charles Sanft, author of Communication and Cooperation in Early Imperial China: Publicizing the Qin Dynasty

Authorship and Text-making in Early China
Authorship and Text-making in Early China

Author: Hanmo Zhang

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-10-08

Total Pages: 376

ISBN-13: 1501505130

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This book is a timely response to a rather urgent call to seek an updated methodology in rereading and reappraising early Chinese texts in light of newly discovered early writings. For a long time, the concept of authorship in the formation and transmission of early Chinese texts has been misunderstood. The nominal author who should mainly function as a guide to text formation and interpretation is considered retrospectively as the originator and writer of the text. This book illustrates that although some notions about the text as the author’s property began to appear in some Eastern Han texts, a strict correlation between the author and the text results from later conceptions of literary history. Before the modern era, there existed a conceptual gap between an author and a writer. A pre-modern Chinese text could have had both an author and a writer, or even multiple authors and multiple writers. This work is the first study addressing these issues by more systematically emphasizing the connection of the text, the author, and the religious and sociopolitical settings in which these issues were embedded. It is expected to constitute a palpable contribution to Chinese studies and the discipline of philology in general

Early China
Early China

Author: Li Feng

Publisher: Cambridge University Press

Published: 2013-12-30

Total Pages: 369

ISBN-13: 0521895529

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A critical new interpretation of the early history of Chinese civilization based on the most recent scholarship and archaeological discoveries.

The Grand Scribe's Records, Volume XI
The Grand Scribe's Records, Volume XI

Author: Ssu-ma Ch'ien

Publisher: Indiana University Press

Published: 2019-07-31

Total Pages: 325

ISBN-13: 025304846X

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Part of the extraordinary multi-volume portrait of ancient China written by a court official of the Han Dynasty. The Grand Scribe’s Records, Volume XI presents the final nine memoirs of Ssu-ma Ch’ien’s history, continuing the series of collective biographies with seven more prosopographies on the ruthless officials, the wandering gallants, the artful favorites, those who discern auspicious days, turtle and stalk diviners, and those whose goods increase, punctuated by the final account of Emperor Wu’s wars against neighboring peoples and concluded with Ssu-ma Ch’ien’s postface containing a history of his family and himself. Praise for the series: “[An] indispensable addition to modern sinology.” —China Review International “The English translation has been done meticulously.” —Choice

Origins of Moral-political Philosophy in Early China
Origins of Moral-political Philosophy in Early China

Author: Tao Jiang

Publisher: Oxford University Press

Published: 2021

Total Pages: 537

ISBN-13: 0197603475

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This book offers a new narrative and interpretative framework about the origins of moral-political philosophy that tracks how the three core normative values, humaneness, justice, and personal freedom, were formulated, reformulated, and contested by early Chinese philosophers in their effort to negotiate the relationship among three distinct domains, the personal, the familial, and the political. Such efforts took place as those thinkers were reimagining a new moral-political order, debating its guiding norms, and exploring possible sources within the context of an evolving understanding of He

Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300–2000
Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300–2000

Author: P. Sieber

Publisher: Springer

Published: 2003-07-17

Total Pages: 291

ISBN-13: 140398249X

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Blending a flair for textual nuance with theoretical engagement, Theaters of Desire not only contributes to our understanding of the most influential form of early Chinese song-drama in local and international cultural contexts, but adds a Chinese perspective to the scholarship on print culture, authorship, and the regulatory discourses of desire. The book argues that, particularly between 1550 and 1680, Chinese elite editors rewrote and printed early plays and songs, so-called Yuan-dynasty zaju and sanqu , to imagine and embody new concepts of authorship, readership and desire, an interpretation that contrasts starkly with the national and racially-oriented reception of song-drama developed by European critics after 1735 and subsequently modified by Japanese and Chinese critics after 1897. By analyzing the critical and material facets of the early song and play tradition across different historical periods and cultural settings, Theaters of Desire presents a compelling case study of literary canon formation.

Early China/Ancient Greece
Early China/Ancient Greece

Author: Steven Shankman

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 316

ISBN-13: 0791488942

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This pioneering book compares Chinese and Western thought to offer a bracing and unpredictable cross-cultural conversation. The work contributes to the emerging field of Sino-Hellenic studies, which links two great and influential cultures that, in fact, had virtually no contact during the ancient period. The patterns of thought and the cultural productions of early China and ancient Greece represent two significantly different responses to the myriad problems that human beings confront. Throughout this volume the comparisons between these cultures evince two critical ideas. First, that thinking is itself an inherently comparative activity. Through making comparisons, the familiar becomes strange, and the strange somewhat more familiar. Second, since we think through comparisons, we should think them all the way through. How valid and productive are the comparisons and contrasts made between particular works and different styles of thought that emerged from two different, although contemporaneous, cultural contexts?