The biggest name in Japanese science fiction—Gundam—returns with one of its creators retelling its origins 25 years after the series debuted. Caught in the crossfire of a space civil war, teenager Amuro Ray accidentally finds a new mobile weapon—the RX-78 Gundam. In the eleventh volume of Gundam: THE ORIGIN, Amuro and the rest of the Federation forces prepare to advance toward the space fortress A Baoa Qu.
It is the year Universal Century 0079, in a space colony the Earth Federation is storing and testing a new piloted robot for use in the battle against the Principality of Zeon. The experimental RX-78 Gundam mobile suit is scheduled to be transported to Federation command in Jaburo, deep within the Brazilian jungles. Unfortunatley, before the transporter would arrive, the Federation would come under attack from Zeon. With few resources available against the Zeon's most mobile mechs, Federation forces strike back using their new weapon, the mobile suit Gundam. Caught in the crossfire is a young teen named Amuro Ray. Not willing to see innocent people die like this, Amuro crawls into the cockpit of the closest machine around him. Whether it be a tank, jeep or jet, he was going to use it to help stop this slaughter. And what he happened to slide into was another Gundam. Having never operated a machine like this, what are the chances he can do anything to repel an experienced squad of mech-piloting invaders? Volume 1 includes: an essay from Hideaki Anno, director of the hit anime Neon Genesis Evengelion Color pages from Yas And an essay from Kadokawa Publishing Executive Shinichiro Inoue
One of the biggest anime/manga properties of all time returns with the release of Mobile Suit Gundam Wing. "Glory of the Losers" retells the original WING story by incorporating elements of the anime and its recent light novel adaptations. Queen Relena is dismissed from her role as Romefeller Foundation representative. Treize, now restored to his position as Commander-in-Chief of OZ, declares all-out war on White Fang, which is being led by Milliardo. Among such tumult, in outer space, where White Fang had expanded its influence, remnants of the defeated OZ space force occupy Colony C-00421. Trowa, who happened to be visiting the colony, climbs into the cockpit of the Gundam Heavyarms to rescue Cathrine and the others, but...
A 49-episode animated series that first aired in Japan in 1995, Mobile Suit Gundam Wing debuted in the U.S. on the Cartoon Network in 2000. A science-fiction story of five boys trained as guerrilla fighters and their battle against an oppressive government using giant, humanoid fighting machines called Gundams, Gundam Wing became an instant favorite of action fans for its complex story and exciting animation. Learn what events shaped the lives of Heero, Duo, Trowa, Quatre and Relena. Gundam Wing: Episode Zero unveils the events that led up to Operation Meteor, the beginning of the Gundam Wing TV series. Book jacket.
An epic story of war and survival set in the legendary Gundam universe! In the Universal Century year 0079, the space colony known as Side 3 proclaims independence as the Principality of Zeon and declares war on the Earth Federation. One year later, they are locked in a fierce battle for the Thunderbolt Sector, an area of space scarred by the wreckage of destroyed colonies. Into this maelstrom of destruction go two veteran Mobile Suit pilots: the deadly Zeon sniper Daryl Lorenz, and Federation ace Io Fleming. It’s the beginning of a rivalry that can end only when one of them is destroyed. The lightning-streaked debris fields are about to become the stage for an epic duel where death is the only true winner.
An epic story of war and survival set in the legendary Gundam universe! In the Universal Century year 0079, the space colony known as Side 3 proclaims independence as the Principality of Zeon and declares war on the Earth Federation. One year later, they are locked in a fierce battle for the Thunderbolt Sector, an area of space scarred by the wreckage of destroyed colonies. The battle for the Nanyang Alliance’s Taal volcano base is over. Sojo Levan Fu and his followers managed to evacuate the newly manufactured Psycho Zakus into orbit. But this victory came at a heavy price. During a ferocious rearguard action, Io—consumed by his bloodlust—accidentally killed someone dear to both he and Daryl. Enraged, Daryl destroyed the Spartan. In the aftermath of the battle, what’s left of the Spartan’s crew regroups to lick their wounds. Io lies in the infirmary, broken by what he’s done. But the war is not finished with Io Fleming, and will leave him with nothing when it’s over. Until then, he has only one job to do…
The biggest name in Japanese science fiction—Gundam—returns with one of its creators retelling its origins 25 years after the series debuted. Caught in the crossfire of a space civil war, teenager Amuro Ray accidentally finds a new mobile weapon—the RX-78 Gundam. In the eleventh volume of Gundam: THE ORIGIN, Amuro and the rest of the Federation forces prepare to advance toward the space fortress A Baoa Qu.
A collaborative book project centering the liberative theopoetics practiced by a new generation of scholars of color What is theopoetics? Once a field dominated by white liberals in the ivory tower, this embodied form of theology has flourished in the work of a new generation of scholars of color. In this groundbreaking book edited by Oluwatomisin Olayinka Oredein and Lakisha R. Lockhart-Rusch, a diverse team of theologians shows how theopoetics can be practiced “in color.” Featuring unconventional and artistic forms of religious reflection, this collection demonstrates how theology can become accessible when it reflects the embodied experiences of marginalized people and communities. These creative contributions defy the limitations of the white, Eurocentric academy, including such works as: • an explanation on the use of experimental theater to express theological theses • a guide to spiritual disciplines for metaphorical cyborgs seeking liberation • a meditation on the theological import of Filipino potlucks • a literary reflection on the meaning of religion to Black boys and men Diverse in scope and radical in perspective, this bold volume reclaims the liberative potential of theopoetics. Scholars and students of theology and the arts will discover inspiring new methodologies and fresh ideas in these pages. Contributors: Brian Bantum, Yara González-Justiniano, James Howard Hill Jr., Carolina Hinojosa-Cisneros, Yohana Agra Junker, Peace Pyunghwa Lee, Lakisha R. Lockhart-Rusch, Oluwatomisin Olayinka Oredein, Patrick B. Reyes, Joyce del Rosario, Tiffany U. Trent, Tamisha A. Tyler, Lis Valle-Ruiz
Teens love it. Parents hate it. Librarians are confused by it; and patrons are demanding it. Libraries have begun purchasing both manga and anime, particularly for their teen collections. But the sheer number of titles available can be overwhelming, not to mention the diversity and quirky cultural conventions. In order to build a collection, it is important to understand the media and its cultural nuances. Many librarians have been left adrift, struggling to understand this unique medium while trying to meet patron demands as well as protests. This book gives the novice background information necessary to feel confident in selecting, working with, and advocating for manga and anime collections; and it offers more experienced librarians some fresh insights and ideas for programming and collections. Teens love it. Parents hate it. Librarians are confused by it; and patrons are demanding it. Libraries have begun purchasing both manga and anime, particularly for their teen collections. But the sheer number of titles available can be overwhelming, not to mention the diversity and quirky cultural conventions. In order to build a collection, it is important to understand the media and its cultural nuances. Many librarians have been left adrift, struggling to understand this unique medium while trying to meet patron demands as well as protests. This book gives the novice background information necessary to feel confident in selecting, working with, and advocating for manga and anime collections; and it offers more experienced librarians some fresh insights and ideas for programming and collections. In 2003 the manga (Japanese comics) market was the fastest growing area of pop culture, with 75-100% growth to an estimated market size of $100 million retail. The growth has continued with a 40-50% sales increase in bookstores in recent years. Teens especially love this highly visual, emotionally charged and action-packed media imported from Japan, and its sister media, anime (Japanese animation); and libraries have begun purchasing both. Chock full of checklists and sidebars highlighting key points, this book includes: a brief history of anime and manga in Japan and in the West; a guide to visual styles and cues; a discussion of common themes and genres unique to manga and anime; their intended audiences; cultural differences in format and content; multicultural trends that manga and anime readers embrace and represent; and programming and event ideas. It also includes genre breakdowns and annotated lists of recommended titles, with a focus on the best titles in print and readily available, particularly those appropriate to preteen and teen readers. Classic and benchmark titles are also mentioned as appropriate. A glossary and a list of frequently asked questions complete the volume.
