Miss Willie, first published in 1951, is the second novel in Janice Holt Giles's Piney Ridge trilogy, which includes also The Enduring Hills and Tara's Healing. Although the plot is fictional, the central character is based on Giles's mother and some of the episodes are drawn from her life. This is the story of a dedicated teacher who moves to the hills of Kentucky to teach in a one-room schoolhouse at Piney Ridge. Zealously she tries to change the ways of the stubborn and proud Appalachian people - but to no avail. They listen to her crazy ideas about sanitation and other foolishness because to argue would be rude. But in the end they quietly go about their accustomed ways. Ultimately Miss Willie realizes that the hill customs have a beauty and dignity of their own and that some of her efforts to reform them were ill-conceived. Her warmth, generosity, and humor help her bridge the gap and find fulfillment in Piney Ridge. This is a story of reconciliation and the coming together of two different ways of life. Above all, it is a story of people and of the land to which they belong.
In this thoughtful epistolary picture book, a white woman fondly remembers the black housekeeper who raised her in the time of segregation and reflects on how the world has changed. Fifty years have passed since Miss Elizabeth was a girl, but she still remembers Willie Rudd, the black housekeeper who helped raise her. She remembers the feel of sitting in Willie Rudd’s lap while the housekeeper sang to her. And she remembers how Willie Rudd scrubbed the floor on her hands and knees. What would Miss Elizabeth say to Willie Rudd if she were alive today? She decides to write her a letter telling her how things would be different. Now Willie Rudd would come in the front door—not the back. She would ride in the front of the bus with Miss Elizabeth, and they could sit together at the movies. The two of them would have a wonderful time. And in her heartfelt letter, Miss Elizabeth has the chance to tell Willie Rudd something she never told her while she was alive—that she loved her.
Since it was first published in 1964, Whistle for Willie has delighted millions of young readers with its nearly wordless text and its striking collage artwork depicting the story of Peter, who longs to whistle for his dog. The New York Times wrote: "Mr. Keats' illustrations boldly, colorfully capture the child, his city world, and the shimmering heat of a summer's day."
A father and son present an eloquent portrait and personal evocations of modern Mississippi in this book which contemplates the realities of the present day, assesses the most vital concerns of the citizens, gauges how the state has changed, and beholds what the state is like as it enters the 21st century. 105 full-color photos.
Following his bestselling memoir, It’s a Long Story, Willie Nelson now delivers his most intimate thoughts and stories in Willie Nelson's Letters to America. A New York Times, Wall Street Journal, and USA Today bestseller! From his opening letter “Dear America” to his “Dear Willie” epilogue, Willie digs deep into his heart and soul--and his music catalog--to lift us up in difficult times, and to remind us of the endless promise and continuous obligations of all Americans--to themselves, to one another, and to their nation. In a series of letters straight from the heart, Willie sends his thanks and his thoughts to: Americans past, present, and future, his closest family members, andhis parents, sister, and children, his other family members his guitar “Trigger”, his hero Gene Autry, the US founding fathers, his personal heroes, from our founding fathers to the leaders of future generations and to young songwriters as well as leaders of our future generations. Willie’s letters are rounded out with the moving lyrics to some of his most famous and insightful songs, including “Let Me Be a Man,” “Family Bible,” “Summer of Roses,” “Me and Paul,” “A Horse called Music,” “Healing Hands of Time,” and “Yesterday's Wine.”
"Norma Watkins, a rare, brave, and entrancing human being, has written a uniquely Mississippi story about coming to terms with family, state, and tumultuous times---and discovering herself in the process. It is a great read, pure and simple."---Hodding Carter III "The Last Resort reminded me of why I started reading in the first place---to be enchanted, to be carried away from my world and dropped into a world more vivid and incandescent. Norma Watkins casts her spell with exquisite sentences and unerring, evocative details. She is a writer of inordinate compassion and formidable intelligence. This unsparing and unsentimental memoir documents a woman's struggle for independence over the course of her lifetime and took great moral courage and ferocious honesty to write. And let me add that this book is so much more than personal memoir. It is an eye on history. Norma Watkins puts us there at the white hot center of the struggle for racial equality in Jackson, Mississippi, in the turbulent fifties and sixties."---John Dufresne "What a book! What a woman! And what a life she has led ... touching upon all the major issues of our time. I was riveted from start to finish. Brave, honest, and open, Norma Watkins is a born writer through and through. The Last Resort is an absolute must---read for all southern women---and men, too---as she shines a light into some of the darkest, most secret and sacred areas of our culture. This is one of the best memoirs I have ever read."---Lee Smith "Norma Watkins takes her readers through one woman's journey toward understanding herself and the Mississippi in which she grew up. It is a soul-searching work, one with which many women will identify."--Kay Mills The Last Resort Taking the Mississippi Cure Raised Under The Racial Segregation that kept her family's southern country hotel afloat, Norma Watkins grows up listening at doors, trying to penetrate the secrets and silences of the black help and of her parents' marriage. Groomed to be an ornament to white patriarchy, she sees herself failing at the ideal of becoming a southern lady. The Last Resort, her compelling memoir, begins in childhood at Allison's Wells, a popular Mississippi spa for proper white people, run by her aunt. Life at the rambling hotel seems like paradise. Yet young Norma wonders at a caste system that has colored people cooking every meal while forbidding their sitting with whites to eat. Once integration is court-mandated, her beloved father becomes a stalwart captain in defense of Jim Crow as a counselor to fiery, segregationist Governor Ross Barnett, His daughter flounders, looking for escape. A fine house, wonderful children, and a successful husband do not compensate for the shock of Mississippi's brutal response to change, daily made manifest by the men in her home. A sexually bleak marriage only emphasizes a growing emotional emptiness. When a civil rights lawyer offers love and escape, does a good southern lady dare leave her home state and closed society behind? With humor and heartbreak, The Last Resort conveys at once the idyllic charm and the impossible compromises of a lost way of life.
Realizing that he is different from other wood thrushes, Willie sets out on his own and becomes famous when he creates his own songs to accompany a flautist who is his devoted friend.
With more than 1.5 million books sold, the Baseball Card Adventures series brings the greatest players in history to life. Featuring black-and-white photographs and stats throughout, plus back matter separating fact from fiction, Willie & Me is the perfect mix of history and action for every young baseball fan. Stosh thought he was finished traveling back in time. But then Ralph Branca shows up in his room one night, begging for Stosh's help. In 1951, Branca pitched a ball to Bobby Thomson that would become the "Shot Heard Round the World," a home run that won the National League pennant for the New York Giants and changed the lives of Branca and Thomson forever. Branca says the Giants were cheating, and he needs Stosh to use his power with baseball cards to go back in time and set things right. Stosh is determined to help, but he quickly learns that you can't change just one little thing in history. If he erases the "Shot Heard Round the World," he may forever alter the life of a young rookie named Willie Mays. With wisdom from all the players he has helped before—plus the surprise return of some familiar faces—Stosh uses his power to travel in time using baseball cards one last time in a fabulous finale to the adventure of a lifetime. Correlates to the Common Core State Standards in the English Language Arts
On forming people who form communion Theological education has always been about formation: first of people, then of communities, then of the world. If we continue to promote whiteness and its related ideas of masculinity and individualism in our educational work, it will remain diseased and thwart our efforts to heal the church and the world. But if theological education aims to form people who can gather others together through border-crossing pluralism and God-drenched communion, we can begin to cultivate the radical belonging that is at the heart of God’s transformative work. In this inaugural volume of the Theological Education between the Times series, Willie James Jennings shares the insights gained from his extensive experience in theological education, most notably as the dean of a major university’s divinity school—where he remains one of the only African Americans to have ever served in that role. He reflects on the distortions hidden in plain sight within the world of education but holds onto abundant hope for what theological education can be and how it can position itself at the front of a massive cultural shift away from white, Western cultural hegemony. This must happen through the formation of what Jennings calls erotic souls within ourselves—erotic in the sense that denotes the power and energy of authentic connection with God and our fellow human beings. After Whiteness is for anyone who has ever questioned why theological education still matters. It is a call for Christian intellectuals to exchange isolation for intimacy and embrace their place in the crowd—just like the crowd that followed Jesus and experienced his miracles. It is part memoir, part decolonial analysis, and part poetry—a multimodal discourse that deliberately transgresses boundaries, as Jennings hopes theological education will do, too.
