Ten-year-old Misko, along with his mother and little sister, must find a new home with fellow East European immigrants after his father's death in a coal mining accident.
"Presented in Ojibwe-English and English-Ojibwe sections, this dictionary spells words to reflect their actual pronunciation with a direct match between the letters used and the speech sounds of Ojibwe. Containing more than 7,000 of the most frequently used Ojibwe words."--P. [4] of cover.
Sarajevo, 28 June 1914: The story of the assassination that changed the world. A historical account of the assassination of Archduke Franz Ferdinand. Using newly available sources and older material, David James Smith brilliantly reinvestigates and reconstructs the events which subsequently determined the shape of the twentieth century. Young Gavrilo Princip arrived at the Vlajnic pastry shop in Sarajevo in Bosnia-Herzegovina on the morning of 28 June 1914. He was greeted by his fellow conspirators in the plot to kill Archduke Franz Ferdinand. The Archduke, next in line to succeed as Emperor of Austria, was beginning a state visit to Sarajevo later that morning. Ferdinand was not a very popular character - widely thought of as bad-tempered and arrogant and perhaps even deranged. To the young students he embodied everything they loathed about imperial oppression. They planned to kill him at about 11 o'clock as he paraded down Appel Quay to the town hall in his open top car. What happened in those few hours - leading as it did to the First and Second World Wars - is as compelling as any thriller.
Ivan and Phoebe chronicles the lives of several young people involved in the Ukrainian student protests of the 1990s—otherwise known as the Revolution on Granite or the First Maidan and investigates the difficulties and absurdities of a society swiftly shifting from subjugation to revolution to post-Soviet rule. Married couple Ivan and Phoebe grapple with questions about family, tragedy, and independence. Although protagonist Ivan tells the story, Phoebe's voice rings through the text. The two reflect on the harrowing aftermath of revolution: torture at the hands of the KGB and each other. Ivan refuses to talk about his pain, while Phoebe recounts her past wounds through poetic monologues. The story bounces between politically charged cities like Kyiv and Lviv and Ivan's small, traditional hometown of Uzhhorod. As characters come to exercise their rights to free speech and protest, they must also reevaluate the norms of marriage and home life. These initially appear to be spaces of peace and harmony but are soon revealed to be hotbeds of conflict and multigenerational trauma. Through her characters’ vivid voices, Oksana Lutsyshyna creates a his- and her-story of Ukraine: a panoramic view of post-Soviet society and family life through social, political, and economic crises.
"Writing a great book is the easy part. Getting people to buy the book is wicked hard. Jan’s book shows you what promotion to do so you increase the possibility that your book becomes a bestseller.” —Jeffrey Fox,bestselling author,How to Become a Rainmaker "Being an author is 50% creative and 50% promotion. Jan Yager's comprehensive and practical book, How to Promote Your Book, tells authors exactly what they need to know and do to promote their book. I'm recommending it to all the authors I know including those whose books I share through my Bedside Reading program." —Jane Ubell-Meyer, CEO, Bedside Reading, former TV producer, Good Morning America, Entertainment Tonight, WSJ-TV Whether your book is being released through a commercial publisher or an academic press, or you are self-publishing it, as the author, you can and should play a crucial role in getting your title seen, talked about, and sold. And while you may watch dozens of authors pitch their books on TV, in social media, and in bookstores, they represent only a fraction of the writers who come out with new books each year. What do they know that you don’t? They know what to do to get attention for themselves and, more important, for their books—and as you will discover in book publishing veteran Jan Yager’s How to Promote Your Book, you can, too. The book is divided into three sections. Part One begins with a look at promotion basics. These include knowing what your book’s marketplaces are, who your audience is, how the media is divided, the elements involved in publicity, and how to create an effective promotional timeline. Once you understand the basics, Part Two focuses on the ways to package and market yourself to the various book and media outlets. It discusses putting together professional looking press releases and media kits. It also explains how to obtain endorsements and reviews, as well as how to generate speaking engagements and interviews with journalists; bloggers; and radio, TV, and podcast hopes. Part Three provides a plan that covers the fi rst three months of an author’s publicity program—from the day the book is formally released through all the media events that have been lined up. Throughout the book, you will find insets that answer important questions such as, “What are the real costs involved?” and “Should I promote myself or hire a publicists?” Just as important, the author includes a valuable resource guide that provides the names, addresses, and links to many of the key places covered in the book. Jan Yager has enjoyed a fabulous career as both a best-selling author and a publisher. She has been interviewed by many of the top shows on TV and radio. In How to Promote Your Book, she lets you in on what she has done—both for herself and for her authors—to open the door to effective publicity.
Wastelands is an exploration of trash, the scavengers who collect it, and the precarious communities it sustains. After enduring war and persecution in Kosovo, many Ashkali refugees fled to Belgrade, Serbia, where they were stigmatized as Gypsies, consigned to slums, sidelined from the economy, and subjected to violence. To survive, Ashkali collect the only resource available to them: garbage. Vividly recounting everyday life in an illegal Romani settlement, Eirik Saethre follows Ashkali as they scavenge through dumpsters, build shacks, siphon electricity, negotiate the recycling trade, and migrate between Belgrade, Kosovo, and the European Union. He argues that trash is not just a means of survival: it reinforces the status of Ashkali and Roma as polluted Others, creates indissoluble bonds to transnational capitalism, enfeebles bodies, and establishes a localized sovereignty.