Eighth grader Penny Preston unknowingly creates a trans-dimensional rift, which causes a food fight. Instead of being suspended, she discovers that she exists in more than three dimensions; she is misaligned. In training, she learns that she is the key to preventing higher-dimensional beings from entering our universe with god-like powers. Together with her multi-dimensional cat, Penny struggles to save her relationship with her best friend, protect her universe, and uncover her connection to Celtic legend.
When Food Fights Open a Dimensional Rift. When Shadow-monsters attack in the cafeteria, eighth-grader Penny Preston panics, starts a food fight and unknowingly creates a trans-dimensional rift. Summoned to the counselor’s office, she expects suspension, but instead discovers that she is misaligned: that means she exists in more than three dimensions at once. Unless she immediately begins training to learn to handle her powerful abilities, she risks losing her sanity. She agrees to secretly train with her counselor and his friend Master Poe, an exile from the seventh dimension trapped in a raven’s body, to keep her home town, Piper Falls, safe from higher-dimensional beings seeking to gain god-like powers in our dimension. Together with Simon, her telepathic multi-dimensional cat, Penny struggles to save her relationship with her best friend, protect her universe, and uncover her connection to Arthurian myth.
The book tells the story of our Ancient History of the Western World and the Celtic People! Leading up to their demise and total annihilation from Henry the 8th with cannons and ending with Cromwell it also tells about the scientific experimentation of the blighted potato for 35 years they were scientifically analysing it from 1814 from when it was first discovered before it was fully implemented into Ireland and I have a photo with a caption underneath it specifying the extermination of the Irish People an how the fields were manned with soldiers who were placed in a harrowing situation that if they did not carry out their orders shoot to kill if the Irish people tried to get the turnips or other vegetation that was fully grown in Ireland and shipped to England, they too would be shot they were to be deliberately starved to death by order of the Duke Of Wellington.
When Irish culture and economics underwent rapid changes during the Celtic Tiger Years, Anne Enright, Colum McCann and Éilís Ní Dhuibhne began writing. Now that period of Irish history has closed, this study uncovers how their writing captured that unique historical moment. By showing how Ní Dhuibhne's novels act as considered arguments against attempts to disavow the past, how McCann's protagonists come to terms with their history and how Enright's fiction explores connections and relationships with the female body, Susan Cahill's study pinpoints common concerns for contemporary Irish writers: the relationship between the body, memory and history, between generations, and between past and present. Cahill is able to raise wider questions about Irish culture by looking specifically at how writers engage with the body. In exploring the writers' concern with embodied histories, related questions concerning gender, race, and Irishness are brought to the fore. Such interrogations of corporeality alongside history are imperative, making this a significant contribution to ongoing debates of feminist theory in Irish Studies.
Forges innovative connections between monastic archaeology and heritage studies, revealing new perspectives on sacred heritage, identity, medieval healing, magic and memory. This title is available as Open Access.
In exile after being ousted from the family castle, recovering alcoholic Tristram St. Lawrence finds himself back in Dublin when an old acquaintance pitches a development project that his sponsor, a mysterious businessman, supports.
• Presents meditation journeys with specific plant and tree spirits, such as Mugwort, Rosemary, Dandelion, Yew, Elder, and Wormwood • Details how to achieve a calm mind, cleanse your energy field, and connect with your heart in preparation for meditating with the plants • Includes a progressive series of introductory meditations, adapted from wisdom traditions, to lay the foundation for working with plant spirits In this book, Emma Farrell explains how to take your connection and relationship with nature to a deeper level and access plant spirit healing through meditation with plants. Exploring the nature of plant consciousness and how plants perceive, she details how to achieve a calm mind, cleanse your energy field, and connect with your heart in preparation for meditating with plants and trees, showing how the plants can support us not only in the cleansing process but also in teaching us how to sense what is in our energy field. Offering a progressive series of preparatory meditations adapted from shamanic and indigenous wisdom traditions, the author reveals how to lay the foundation for working, communicating, and developing relationships with plant and tree spirits--for personal development, spiritual connection, and inner peace. She then presents meditation journeys with specific plant spirits, focusing on the frequencies within the plant’s bioresonance that will assist you. For example, the meditation with Mugwort works with the plant spirit’s qualities of alignment and self-awareness to assist you with grounding and developing inner vision, while the meditation with Dandelion helps you break old habits by working with the plant’s qualities of release, reconnection, and fearlessness. Revealing how each plant is an expression of the soul force of Mother Nature and carries a unique blend of her medicine and wisdom, this book details step-by-step how to effectively work with plant spirits for emotional and spiritual healing, enabling you to awaken the eternal spirit, or soul, to become truly multidimensional and whole.
The backbone of the Roman army was the infantry, armed with a javelin, or pilum, and sword, or gladius. This study investigates not just the weapon itself, and its design and manufacture, but how the sword was originally conceived and how it was employed on the battlefield as an expression of the Roman state. The authors start examining the early swords employed across the Italian Peninsula during the Bronze Age and how these evolved into the gladius, which itself changed in the period of Monarchy with the introduction of the cross-hilt. During Rome’s Consular period, the gladius changed again, and, over time, both the length of the blade and its width were altered. Relying exclusively on historical and archaeological evidence, The Roman Gladius and the Ancient Fighting Techniques shows how the Roman army developed into a highly disciplined body and how fundamental the gladius was to its method of fighting. It also shows how the combat techniques of the Romans evolved as did those of their enemies. The training methods and tactics of the Roman infantry are fully explored and its performance at some of the great battles of the monarchical and consular periods are examined as the area under Roman rule fluctuated with victory or defeat. For the Roman people, the gladius was the object that better than any other showed their identity, since it was a weapon that accompanied the history of the Roman people from its earliest days, changing in shape and design as it was adapted to the varying social, political and military needs. The Roman Gladius and the Ancient Fighting Techniques is the most comprehensive study of this hugely important weapon, which also provides the reader with a complete overview of Roman society, which in this first volume is treated until the end of the Consular period. The book is richly illustrated throughout with drawings and photographs of original weapons and equipment.
